Search results for "Frederick Pollack"
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Adventure
The Adventure is an afterlife voyage like The Divine Comedy. Dante had the law of symbolic retribution and distinct places to put people. The Adventure has neither. If you seek a guiding principle, it’s more or less this: whoever you are, what you’ll get is—exactly and in detail—what you want.
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Adventure
The Adventure is an afterlife voyage like The Divine Comedy. Dante had the law of symbolic retribution and distinct places to put people. The Adventure has neither. If you seek a guiding principle, it’s more or less this: whoever you are, what you’ll get is—exactly and in detail—what you want.
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Ballad of John Latouche
Born into a poor Virginian family, John Treville Latouche (1914-56), in his short life, made a profound mark on America's musical theater as a lyricist, book writer, and librettist. The wit and skill of lyrics elicited comparisons with the likes of Ira Gershwin, Lorenz Hart, and Cole Porter, but he had too, noted Stephen Sondheim, "a large vision of what musical theater could be," and he proved especially venturesome in helping to develop a lyric theater that innovatively combined music, word, dance, and costume and set design. Many of his pieces, even if not commonly known today, remain high points in the history of American musical theater."A great American genius" in the words of Duke Ellington, Latouche initially came to wide public attention in his early twenties with his cantata for soloist and chorus, Ballad for Americans (1939), with music by Earl Robinson-a work that swept the nation during the Second World War. Other milestones in his career included the all-black musical fable, Cabin in the Sky (1940), with Vernon Duke; an interracial updating of John Gay's classic, The Beggar's Opera, as Beggar's Holiday (1946), with Duke Ellington; two acclaimed Broadway operas with Jerome Moross: Ballet Ballads (1948) and The Golden Apple (1954); one of the most enduring operas in the American canon, The Ballad of Baby Doe (1956), with Douglas Moore; and the operetta Candide (1956), with Leonard Bernstein and Lillian Hellman. Extremely versatile, he also wrote cabaret songs, participated in documentary and avant-garde film, translated poetry, adapted plays, and much else. Meanwhile, as one of Manhattan's most celebrated raconteurs and hosts, he developed a wide range of friends in the arts, including, to name only a few, Paul and Jane Bowles (whom he introduced to each other), Yul Brynner, John Cage, Jack Kerouac, Frederick Kiesler, Carson McCullers, Frank O'Hara, Dawn Powell, Ned Rorem, Virgil Thomson, Gore Vidal, and Tennessee Williams-a dazzling constellation of diverse artists working in sundry fields, all attracted to Latouche's brilliance and joie de vivre, not to mention his support for their work. This book draws widely on archival collections both at home and abroad, including Latouche's diaries and the papers of Bernstein, Ellington, Moore, Moross, and many others, to tell for the first time, the story of this fascinating man and his work.
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Fourth Phase of Water
Professor Pollack takes us on a fantastic voyage through water, showing us a hidden universe teeming with physical activity that provides answers so simple that any curious person can understand. In conversational prose, Pollack lays a simple foundation for understanding how changes in water's structure underlie most energetic transitions of form and motion on earth.
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Fracture of Meaning
From the beginning of its recorded history until the opening to the West in the last century, Japan was caught between a love for and a rejection of Chinese civilization. David Pollack argues that the dialectical relationship between the two countries figured more importantly in the Japanese sense of identity and signification than any particular borrowed Chinese cultural materials. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Switch in Time
There is no greater foreign policy challenge for the United States today than the reconstruction of Iraq. The Saban Center for Middle East Policy at Brookings recently assembled a small group of experts to consider U.S. policy toward Iraq in all of its dimensions -military, political, and economic. Saban Center director of research Ken Pollack took the recommendations of the Iraq Policy Working Group and combined them with findings from trips to Iraq and to U.S. Central Command in Tampa to produce A Switch in Time, a comprehensive strategy for stabilizing Iraq in the near term and setting it back on the path toward political and economic advancement. The current U.S. approach is encountering considerable difficulty and appears unlikely to produce a stable Iraq within the next few years, not only because of the military insurgency but also because of government failure in Iraq: the overthrown Saddam regime was not replaced by effective military or political institutions. The alternative proposed by some Bush administration critics, however -a rapid withdrawal -would not serve U.S. interests. While many thoughtful experts have attempted to offer a realistic third course of action, none has so far succeeded. This report proposes such a strategy by detailing the essential need to integrate military, political, and economic policies in Iraq. This concise and straightforward book offers a comprehensive, alternative approach to current U.S. military, political, and economic policies in Iraq. Iraq Policy Working Group: Raad Alkadiri (PFC Energy Consulting), Frederick Barton (Center for Strategic and International Studies), Daniel Byman (Saban Center and Georgetown University), Noah Feldman (New York University), Paul Hughes (United States Army [ret.], United States Institute of Peace), Brian Katulis (Center for American Progress), Andrew Krepinevich Jr. (United States Army [ret.], Center for Strategic and Budgetary Assessments),Andrew Parasiliti (Barbour, Griffith & Rogers), Kenneth M. Pollack (Saban Center), Irena Sargsyan (Saban Center), and Joseph Siegle (Development Alternatives)
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Berlin Ophthalmologist Bernhard Pollack
Based on original research, this monograph is the first to portray the fascinating life of Bernhard Pollack (1865-1928), a pioneer neurohistologist, ophthalmologist, and world-class pianist. In doing so, it revives important scientists and musicians of fin-du-siecle Berlin. Pollack wrote the first standard reference on the staining methods for the nervous system (1897). Born into a Prussian-Jewish family, he received his piano education from Moritz Moszkowski and his pathology education from Carl Weigert. Pollack worked at the Institutes of W. Waldeyer (anatomy), E. Mendel (neuropsychiatry), Nobel laureate R. Koch (infectious diseases), and the Eye Clinic of P. Silex, before becoming Professor of Ophthalmology at Friedrich-Wilhelms-Universitat in 1919. English translations of two articles by Pollack, on musical memory and on Moszkowski, are included. The book also chronicles the founding by Pollack of the Berliner Arzte-Orchester, who in 2011 celebrate their centennial.
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Fracture of Meaning
From the beginning of its recorded history until the opening to the West in the last century, Japan was caught between a love for and a rejection of Chinese civilization. David Pollack argues that the dialectical relationship between the two countries figured more importantly in the Japanese sense of identity and signification than any particular borrowed Chinese cultural materials. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Uncertain Science ... Uncertain World
Is the world warming due to the Greenhouse Effect? Can nuclear weapon arsenals be relied upon without periodic testing? Is the world running out of oil? What action should be taken against an outbreak of foot-and-mouth or BSE? Why can't scientists provide certain answers to these and many other questions? The uncertainty of science is puzzling. It arises when scientists have more than one answer to a problem or disagree amongst themselves. In this engaging book, Henry Pollack guides the reader through the maze of contradiction and uncertainty, acquainting them with the ways that uncertainty arises in science, how scientists accommodate and make use of uncertainty, and how in the face of uncertainty they reach their conclusions. Taking examples from recent science headlines and every day life, Uncertain Science … Uncertain World enables the reader to evaluate uncertainty from their own perspectives, and find out more about how science actually works.
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Marc Blitzstein
A composer and lyricist of enormous innovation and influence, Marc Blitzstein remains one of the most versatile and fascinating figures in the history of American music, his creative output running the gamut from films scores and Broadway operas to art songs and chamber pieces. A prominent leftist and social maverick, Blitzstein constantly pushed the boundaries of convention in mid-century America in both his work and his life.Award-winning music historian Howard Pollack's new biography covers Blitzstein's life in full, from his childhood in Philadelphia to his violent death in Martinique at age 58. The author describes how this student of contemporary luminaries Nadia Boulanger and Arnold Schoenberg became swept up in the stormy political atmosphere of the 1920s and 1930s and throughout his career walked the fine line between his formal training and his populist principles. Indeed, Blitzstein developed a unique sound that drew on everything contemporary, from the high modernism of Stravinsky and Hindemith to jazz and Broadway show tunes. Pollack captures the astonishing breadth of Blitzstein's work--from provocative operas like The Cradle Will Rock, No for an Answer, and Regina, to the wartime Airborne Symphony composed during his years in service, to lesser known ballets, film scores, and stage works. A courageous artist, Blitzstein translated Bertolt Brecht and Kurt Weill's The Threepenny Opera during the heyday of McCarthyism and the red scare, and turned it into an off-Broadway sensation, its "Mack the Knife" becoming one of the era's biggest hits. Beautifully written, drawing on new interviews with friends and family of the composer, and making extensive use of new archival and secondary sources, Marc Blitzstein presents the most complete biography of this important American artist.
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Populist Response to Industrial America
Populism—progressive or retrogressive force? Posing this question, Norman Pollack draws on Populist manuscripts and newspapers, the best evidence for the movement's response to industrialism. In the words of farmers and workers, Populism springs to life, ceasing to be an abstraction. The author concludes that the movement, while primarily agrarian, had significant intellectual and labor support; accepting industrialization, it opposed capitalistic industrialism as alienating and degrading the individual. In this intellectual history—based on data most of which has been ignored—the author takes a first step toward a more comprehensive analysis of industrial America.
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