Search results for "Geoff Rodkey"
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Indiewood, USA
In this book, the author has published extensively on American cinema. It covers a range of well-known films and film-makers. This is the first book to analyse the relationship and interaction between Independent film and Hollywood.Indiewood is the place where Hollywood and the American independent sector meet, where lines blur and two very different kinds of cinema come together in a striking blend of creativity and commerce. This is an arena in which innovative, sometimes challenging cinema reaches out to the mainstream. Or, alternatively, a zone of duplicity and compromise in which the 'true' heritage of the indie sector is co-opted as an offshoot of Hollywood."Indiewood" is the first book to provide objective analysis of this distinctive region of the contemporary American film landscape. Case studies include the work of Quentin Tarantino, Charlie Kaufman and Steven Soderbergh and the output of the studio 'specialist' divisions Miramax and Focus Features.From the stylized violence and cult film referencing of "Kill Bill" to the literary resonances of "Shakespeare in Love" and from the mind-bending scripts of Kaufman ("Being John Malkovich", "Adaptation", "Eternal Sunshine of the Spotless Mind") to Soderbergh's "Traffic" and "Solaris", Geoff King examines the way Indiewood features combine mainstream with more unconventional features in an attempt to have it both ways: to remain accessible while offering markers of distinction designed to appeal to more particular, niche-audience constituencies.
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Synaptic Gospel
In this book, Christopher D. Rodkey asks how the brain worships and responds by engaging ideas from neurological science, philosophy, ritual theory, and religious education. From this exploration, two new paradigms for pastoral ministry emerge. First, Rodkey proposes a “pan-generational” principle, advocating an empathy-based approach for fostering faith communities, a principle that is radically inclusive to all generations. Second, Rodkey argues that worship and religious education should converge to include a shared goal of teaching individuals to “live liturgically.” In The Synaptic Gospel, Rodkey argues that living and thinking liturgically are learned behaviors that may be promoted through pan-generational worship. The book concludes with a special emphasis on practical suggestions for youth ministry. The Synaptic Gospel will prove to be a useful theoretical tool for pastors, religious educators, youth ministers, church music professionals, and seminary students.
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Radicals
An authoritative and original history of the working classes and the British Left The political Left in Britain rose out of the Industrial Revolution, as the working classes emerged as the leading force in the call for social change. Their contributions extended widely to political representation, the birth of the Labour Party and women’s suffrage, the autodidact tradition in adult education, and Britain’s literary culture. Throughout subsequent decades, the working classes remained central to the British radical tradition. Geoff Andrews traces the history of the Left and the Labour Party through the ideas of leading thinkers, writers, educationalists, trade unionists, and politicians. Ranging from the Workers Educational Association to the General Strike and the Women’s Liberation Movement, Andrews uncovers the voices of key figures. The first account of the Labour Party to put the working classes at the heart of its history, this fascinating book tells a wider story of their progressive contribution to British culture, politics, and the movements which have driven social change.
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Rook: Exodus Volume 1
Hundreds of years from now, the man known as Rook was once a simple farmer who fled the crumbling Earth for a new life. He traveled to the planet Exodus, a terraformed world where all of nature, including its imported animal population, was completely controlled by humans called Wardens. But when Exodus’s world engine failed, the Wardens’ power fell into the wrong hands, creating chaos and mass evacuation…for those who could afford it. The rest, like Rook, must scavenge for an escape vessel as the war for control of what’s left of Exodus begins. Geoff Johns and Jason Fabok, the celebrated team behind the smash hit Batman: Three Jokers, reunite for an all-new science fiction series! Collects issues #1-6.
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Within the Walls
KEVIN DEVINE is found dead on a beach in Berwick Upon Tweed. Tied to a stake, beaten unconscious and left to die under the incoming tide. GOAGSIE MACKAY, the rookie detective working on the case, has little evidence and few leads…the investigation is stalling.ELIJAH BOOTLE, a traumatised, burnt out Met Police profiler arrives in the town seeking refuge from his demons. The murder of a child in London has put him over the edge. He’s in Berwick for rest and repair.JEZ GUINNESS, a school teacher from Edinburgh, has returned to Berwick for the funeral of his life-long friend. A chance meeting with ELIJAH leads to friendship and a growing interest in the crime.But behind the sedate tranquility of this seaside holiday town lies a dark underbelly. Among the narrow lanes and worn, cobbled streets there are dark secrets and dangerous men.
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Palgrave Handbook of Radical Theology
The Palgrave Handbook of Radical Theology is the definitive guide to radical theology and the commencement for new directions in that field. For the first time, radical theology is addressed and assessed in a single, comprehensive volume, including introductory and historical essays for the beginner, essays on major figures and their thought, and shorter articles on various themes, concepts, and related topics. This book is a seminal work for the radical theology movement. It clarifies origins and demonstrates the exigency and utility of current figures and issues. A useful and essential guide for newcomers and veterans in the field, this volume serves as both a reference work and an introduction to omitted or forgotten topics within contemporary discussions.
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Cheers, Geoff!
'Cracking read . . . loved it.' – Piers Morgan'Packed with brilliant anecdotes about the biggest names' – The MirrorWith a foreward from Alan Shearer.There are just a handful of people who have been ever-present for the thirty years of the Premier League, but only one person has been at the very epicentre for the entire period: Geoff Shreeves. From signalling the very first ball to be kicked on Sky’s Premier League coverage to facing down Sir Alex Ferguson’s wrath (on countless occasions), Geoff is an integral part of the football fabric, respected by everybody in the game while still asking the toughest questions. Geoff’s interviews with Cristiano Ronaldo, Arsène Wenger, Frank Lampard and Alan Shearer have become the stuff of legend, but it is his close personal relationships with the game’s star names that really sets him apart.Packed full of hilarious stories on and off the pitch – including trying to teach Sir Michael Caine how to act, a frightening encounter with Mike Tyson, as well as getting a lift home from the World Cup with Mick Jagger – Cheers, Geoff! is a must-read autobiography for any fan of the beautiful game. A natural storyteller, Geoff brings an astonishing catalogue of tales to life with his unique brand of experience, insight and humour.'A legend' - Arsène Wenger'No one handles the big moments better' - Jordan Henderson
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Disaster in Three Acts
Fans of Elise Bryant and Rachel Lynn Solomon will swoon for Last Chance Books author Kelsey Rodkey’s next romance, packed with snark, banter, and inconvenient crushes.Saine Sinclair knows a little something about what makes a story worth telling.Your childhood best friend refuses to kiss you during a pre-adolescent game of spin the bottle? Terrible, zero stars, would not replay that scene again. The same ex-friend becomes your new best friend’s ex? Strangely compelling, unexpected twist, worth a hate-watch. That same guy—why is he always around?—turns out to be your last shot at getting into the documentary filmmaking program of your dreams? Saine hates to admit it, but she’d watch that movie.There’s something about Holden that makes her feel like she’s the one in front of the camera—like he can see every uncomfortable truth she’s buried below the surface. Saine knows how her story’s supposed to go. So why does every moment with Holden seem intent on changing the ending?
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Roy Ward Baker
This book traces the career of Roy Ward Baker, one of the great survivors of the British film and television industry. He directed the landmark British film Morning Departure (1949), worked at Twentieth Century Fox in Hollywood in the early 1950s where he directed Marilyn Monroe's 'breakthrough' film (Don't Bother to Knock), and followed this with a succession of fine films for Rank, culminating in the best version of the Titanic disaster, A Night to Remember in 1958. Yet within three years he was unable to secure a job in the British film industry and he moved to television series such as The Avengers, The Saint and Minder. Later Baker re-emerged as a major director of science-fiction (Quatermass and the Pit) and horror films (Asylum).Geoff Mayer provides an industrial and aesthetic context in which to understand the interrelationship between a skilled classical director and the transformation of the British film industry in the 1950s.
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Geoffrey Chaucer: A Very Short Introduction
Originally writing over 600 years ago, Geoffrey Chaucer is today enjoying a global renaissance. Why do poets, translators, and audiences from so many cultures, from the mountains of Iran to the islands of Japan, find Chaucer so inspiring? In part this is down to the character and sheer inventiveness of Chaucer's work. At the time Chaucer's writings were not just literary adventures, but also a means of convincing the world that poetry and science, tragedy and astrology, could all be explored through the English language. French was still England's aristocratic language of choice when Chaucer was born; Latin was used for university education, theological discussion, and for burying the dead. Could a hybrid tongue such as English ever generate great writing to compare with French and Latin? Chaucer,miraculously, believed that it could, through gradual expansion of expressiveness and scientific precision. He was never paid to do this; he was valued, rather, as a capable civil servant, regulating the export of wool and the building of seating for royal tournaments. Such experiences, however, fed hiswriting, leading him to achieve a range of social registers, from noble tragedy to barnyard farce, unrivalled for centuries. His tale-telling geography is vast, his fascination with varieties of religious belief endless, and his desire to voice female experience especially remarkable. Many Chaucerian poets and performers, today, are women. In this Very Short Introduction David Wallace introduces the life, performance, and poetry of Chaucer, and analyses his astonishing and enduringappeal.Previously published in hardback as Geoffrey Chaucer: A New IntroductionABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
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Keynes, Post-Keynesianism and Political Economy
Geoff Harcourt has had a major impact on the field of Post-Keynesian economics, not only in his research but also in his teaching. Many of Harcourts students have gone on to make valuable contributions in this field. This volume brings together contributions from thirty such former students, now established in academic institutions around the world. Their contributions focus on themes important to Harcourts work, touching upon: · history of political economy · methodology · economic theory · applied analysis This work is a valuable addition to the literature of political economy and a fitting tribute to a leading economist.
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Geoffrey Hartman
This comprehensive account demonstrates how Hartman's commitment to the potency of aesthetic mediation informs a similar position in current debates about ethics, media, and memory. "Geoffrey Hartman: Romanticism after the Holocaust" offers the first comprehensive critical account of the work of the American literary critic Geoffrey Hartman. The book aims to achieve two things: first, it charts the whole trajectory of Hartman's career (now more than half a century long) while playing close attention to the place of his career in broader cultural and intellectual contexts; second, it engages with contemporary discussions about ecology, ethics, trauma, the media, and community in order to argue that Hartman's work presents a surprisingly consistent and original position in current debates in literary and cultural studies. Vermeulen identifies a persistent belief in the potency of aesthetic mediation at the heart of Hartman's project, and shows how his work repeatedly reasserts that belief in the face of institutional, cultural and intellectual factors that seem to deny the singular importance of literature.The book allows Hartman to emerge as a major literary thinker whose relevance extends far beyond the domains of Romanticism, of literary theory, and of trauma studies.
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Geoffrey Hartman
`The critic explicitly acknowledges his dependence on prior words that make his word a kind of answer. He calls to other texts "that they might answer him."'Geoffrey Hartman is the first book devoted to an exploration of the `intellectual poetry' of the critic who, whether or not he `represents the future of the profession', is a unique and major voice in twentieth-century criticism.Professor Atkins explains clearly Hartman's key ideas and places his work in the contexts of Romanticism and Judaism on which he has written extensively. In Geoffrey Hartman he provides a valuable introduction to a major critical voice who has called into question our assumptions about the distinction between commentary and imaginative literature.
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Geoffrey of Aspall, Part 2
Geoffrey of Aspall, who died in 1287 and was master of Arts by 1262, was active at Oxford in the years 1255 to1265. He wrote commentaries on several Aristotelian works, and was certainly a major protagonist of the introduction of Aristotelian learning to Oxford. In particular, he produced a very extensive question-style commentary on Aristotle's Physics, which contains important discussions of the fundamental topics of Aristotle's natural philosophy, likematter, form, natural agency, causes, change, the infinite and the continuum, time, the eternity of the world, self-movers. Aspall's Physics commentary shows the influence of Grosseteste's metaphysics of light and of Roger Bacon's view on the physical role of intentional species, as well as a strong inclinationto ontological realism.Aspall's commentary on Aristotle's Physics is edited here in two volumes, which together form the first critical edition of this work. The Latin text is accompanied by a facing English translation, and the text is extensively cross-referenced and provided with scholarly apparatus. The detailed introduction guides the reader through the intricacies of the textual transmission of Aspall's commentary, and also presents the main topics discussed in this commentary. The appendix to theedition makes available alternative versions of some sections of Aspall's commentary.
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Geoffrey Hartman
Geoffrey Hartman: Romanticism after the Holocaust offers the first comprehensive critical account of the work of the American literary critic Geoffrey Hartman. The book aims to achieve two things: first, it charts the whole trajectory of Hartman's career (now more than half a century long) while playing close attention to the place of his career in broader cultural and intellectual contexts; second, it engages with contemporary discussions about ecology, ethics, trauma, the media, and community in order to argue that Hartman's work presents a surprisingly consistent and original position in current debates in literary and cultural studies. Vermeulen identifies a persistent belief in the potency of aesthetic mediation at the heart of Hartman's project, and shows how his work repeatedly reasserts that belief in the face of institutional, cultural and intellectual factors that seem to deny the singular importance of literature. The book allows Hartman to emerge as a major literary thinker whose relevance extends far beyond the domains of Romanticism, of literary theory, and of trauma studies.
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Chronicle of Geoffrey le Baker of Swinbrook
Geoffrey le Baker's chronicle covers the reigns of Edward II and Edward III up to the English victory at Poitiers. David Preest's new translation includes extensive notes and an introduction by Richard Barber.Geoffrey le Baker's chronicle covers the reigns of Edward II and Edward III up to the English victory at Poitiers. It starts in a low key, copying an earlier chronicle, but by the end of Edward II's reign he offers a much more vivid account. His description of Edward II's last days is partly based on the eyewitness account of his patron, Sir Thomas de la More, who was present at one critical interview. Baker's story of Edward's death, like many other details from his chronicle, was picked up by Tudor historians, particularly by Holinshed, who was the source for Shakespeare's history plays. The reign of Edward III is dominated, not by Edward III himself, but by Baker's real hero, Edward prince of Wales. His bravery aged 16 at Crécy is presented as a prelude to his victory at Poitiers, a battle which Baker is able to describe in great detail, apparently from what he was told by the prince's commanders. It is a rarity among medieval battles, because - in sharp contrast to the total anarchy at Crécy - the prince and his staff were able to see the enemy's manoeuvres. Throughout the chronicle there are sharply defined vignetteswhich stay in the mind - the killing of the Scottish champion on Halidon Hill, the drowning of Sir Edward Bohun, the earls of Salisbury and Suffolk as prisoners carried in a cart, the death of Sir Walter Selby and his two sons, the bravery of Sir Thomas Dagworth against a cobbler's son, the duel between Otho and the duke of Lancaster, John Dancaster and the lewd washerwoman. Baker writes in a complex Latin which even scholars find problematic, and David Preest's new translation will be widely welcomed by anyone interested in the fourteenth century. There are extensive notes and an introduction by Richard Barber.
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Sketch-Book of Geoffrey Crayon, Gent.
With these words, Washington Irving expresses the dilemma of every American artist in the nineteenth century. The Sketch-Book (1820-1) looks simultaneously towards audiences on both sides of the Atlantic, as Irving explores the uneasy relationship of an American writer to English literary traditions. He sketches a series of encounters with the cultural shrines of the parent nation, and in two brilliant experiments with tales transplanted from Europe creates the firstclassic American short stories, 'Rip Van Winkle' and 'The Legend of the Sleepy Hollow'. The result was not only a hugely successful travel book; it exerted a strong formative influence on American writers from Nathaniel Hawthorne and Edgar Allan Poe to Henry James, and is well worth rediscovery in its own right today. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader. In her introduction, Susan Manning suggests that the author forged a new idiom, the 'Literary Picturesque', to accommodate and turn to advantage his dilemma of dual literary allegiances. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Reading Geoffrey Chaucer
Reading Geoffrey Chaucer: An Introduction offers students, general readers, and teachers an accessible series of essays on select works by Chaucer that emphasizes how those works’ deepest concerns and most fraught complexities remain urgently relevant in our present day. Each chapter connects Chaucer’s world with particular problems of our own, such as autocratic patriarchal social orders and geopolitical religious/racial conflict. Introducing modern critical approaches to those problems – gender studies and postcolonial theory, for example – each chapter provides in-depth discussion of how Chaucer explores their nature, implications, and consequences by way of his distinctive literary idiom. Texts covered include the General Prologue of the Canterbury Tales and the tales told by the Knight, Miller, Man of Law, Wife of Bath, Pardoner, and Prioress and the House of Fame, Legend of Good Women, and Troilus and Criseyde. Each chapter is self-contained, supplying essential backgrounds along with full summaries of the works under discussion. But the book is also criss-crossed with recurrent inquiries, which collectively trace some of the most characteristic qualities of Chaucer’s writing. With its unusual combination of breadth and depth, this introduction to Chaucer helps readers at all levels of familiarity appreciate why his work continues to matter.
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