Search results for "Geoff Rodoreda"
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Indiewood, USA
In this book, the author has published extensively on American cinema. It covers a range of well-known films and film-makers. This is the first book to analyse the relationship and interaction between Independent film and Hollywood.Indiewood is the place where Hollywood and the American independent sector meet, where lines blur and two very different kinds of cinema come together in a striking blend of creativity and commerce. This is an arena in which innovative, sometimes challenging cinema reaches out to the mainstream. Or, alternatively, a zone of duplicity and compromise in which the 'true' heritage of the indie sector is co-opted as an offshoot of Hollywood."Indiewood" is the first book to provide objective analysis of this distinctive region of the contemporary American film landscape. Case studies include the work of Quentin Tarantino, Charlie Kaufman and Steven Soderbergh and the output of the studio 'specialist' divisions Miramax and Focus Features.From the stylized violence and cult film referencing of "Kill Bill" to the literary resonances of "Shakespeare in Love" and from the mind-bending scripts of Kaufman ("Being John Malkovich", "Adaptation", "Eternal Sunshine of the Spotless Mind") to Soderbergh's "Traffic" and "Solaris", Geoff King examines the way Indiewood features combine mainstream with more unconventional features in an attempt to have it both ways: to remain accessible while offering markers of distinction designed to appeal to more particular, niche-audience constituencies.
R 1,029.00
Radicals
An authoritative and original history of the working classes and the British Left The political Left in Britain rose out of the Industrial Revolution, as the working classes emerged as the leading force in the call for social change. Their contributions extended widely to political representation, the birth of the Labour Party and women’s suffrage, the autodidact tradition in adult education, and Britain’s literary culture. Throughout subsequent decades, the working classes remained central to the British radical tradition. Geoff Andrews traces the history of the Left and the Labour Party through the ideas of leading thinkers, writers, educationalists, trade unionists, and politicians. Ranging from the Workers Educational Association to the General Strike and the Women’s Liberation Movement, Andrews uncovers the voices of key figures. The first account of the Labour Party to put the working classes at the heart of its history, this fascinating book tells a wider story of their progressive contribution to British culture, politics, and the movements which have driven social change.
R 905.00
Films of Nicholas Ray
Films like In a Lonely Place, Johnny Guitar, They Live by Night, and most of all Rebel Without a Cause were to ensure cult status for Ray as one of the most revered of all American 'maverick' auteurs. This new edition of Geoff Andrew's unique and acclaimed study of his films discusses Ray's stylistic artistry and abiding thematic concerns, and his work with such legends as James Dean, Humphrey Bogart, James Mason, Joan Crawford and Richard Burton. Above all the book shows how the vivid emotional authenticity of his films, coupled with his special brand of visual expressionism and his eloquently voiced disenchantment with the American Dream, were in established for him a profoundly loyal following in America and Europe that lasts to this day. This new edition, which covers all of Ray's films, includes an updated introduction and fresh reflections on the enduring importance in the 21st century of one of the greatest directors to have worked in Hollywood.
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Roy Ward Baker
This book traces the career of Roy Ward Baker, one of the great survivors of the British film and television industry. He directed the landmark British film Morning Departure (1949), worked at Twentieth Century Fox in Hollywood in the early 1950s where he directed Marilyn Monroe's 'breakthrough' film (Don't Bother to Knock), and followed this with a succession of fine films for Rank, culminating in the best version of the Titanic disaster, A Night to Remember in 1958. Yet within three years he was unable to secure a job in the British film industry and he moved to television series such as The Avengers, The Saint and Minder. Later Baker re-emerged as a major director of science-fiction (Quatermass and the Pit) and horror films (Asylum).Geoff Mayer provides an industrial and aesthetic context in which to understand the interrelationship between a skilled classical director and the transformation of the British film industry in the 1950s.
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