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Fine Romance
How do we compare a Broadway musical to its Hollywood counterpart? A Fine Romance: Adapting Broadway to Hollywood in the Studio System Era answers this question by exploring the symbiotic relationship between a dozen Broadway musicals and their Hollywood film adaptations. From enduring classics like Oklahoma!, Brigadoon, and West Side Story to lesser-known gems such as Cabin in the Sky, Call Me Madam, and SilkStockings, author Geoffrey Block examines some of the best loved stage and screen musicals of all time as well as neglected works that deserve our attention and respect.Block delves into what happens during the transfer of stories from stage to film, the critical criteria that motivates decisions to alter or preserve stage elements when adapting to film, and the dramatic and musical consequences at play in these artistic and commercial choices. In telling this story, A Fine Romance engages with aesthetic and critical concerns while also considering the social issues around Broadway and Hollywood film through the lenses of race and ethnicity, class,gender, and sexual identity. Beginning with the stage debut of Show Boat in 1927 and concluding with the release of Bob Fosse's cinematic re-envisioning of Cabaret nearly a half century later in 1972, the romance between Broadway and Hollywood was frequently turbulent. Differing commercial and aesthetic models and goals of Broadway and Hollywood created both conflicting and harmonious collaborations. Attempts at economic and artistic domination, irreconcilable differences, and occasional broken promisesensued. At other times, the screen and stage creative teams aligned, resulting in well-crafted, much admired, and frequently breathtaking films.
R 1,547.00
Enchanted Evenings
This new second edition of Enchanted Evenings offers theater lovers an illuminating behind-the-scenes tour of some of America's best loved, most admired, and most enduring musicals. Readers will find such all-time favorites as Show Boat, Carousel, Kiss Me, Kate, Guys and Dolls, My Fair Lady, West Side Story, Sweeney Todd, Sunday in the Park with George, and Phantom of the Opera. Geoffrey Block provides a documentary history of each of the musicals, showing how each work took shape and revealing, at the same time, how the American musical evolved from the 1920s to today, both on stage and on screen. The book's particular focus is on the music, offering a wealth of detail about how librettist, lyricist, composer, and director work together to shape the piece. Block also includes trenchant social commentary and lively backstage anecdotes. Jerome Kern, Cole Porter, the Gershwins, Rodgers and Hart, Kurt Weill, Rodgers and Hammerstein, Lerner and Loewe, Frank Loesser, Leonard Bernstein, Stephen Sondheim, Andrew Lloyd Webber, and other luminaries emerge as hardworking craftsmen under enormous pressure to sell tickets without compromising their dramatic vision. The second edition includes a greatly expanded chapter on Sondheim, a new chapter on Lloyd Webber, and two new chapters on the film adaptations of the main musicals featured in the text (including such hard to find films as the original 1936 version of Anything Goes and the 1959 film adaptation of Porgy and Bess). Packed with information, including a complete discography and plot synopses and song-by-song scenic outlines for each of the fourteen shows, Enchanted Evenings is an essential reference as well as a riveting history. "A solid and fascinating work that should become a model of how to investigate and report on the evolution of a musical. Block's research is persuasive and his writing vivid. . . Indispensable for anyone who cares to know more about Broadway musicals than Playbill can provide." --Steven Bach, The Los Angeles Times Book Review
R 1,821.64
Experiencing Beethoven
The life and music of Beethoven still fascinate classical music lovers, new and old. His many symphonies, sonatas, concertos, string quartets, and his one opera enchant audiences, challenge performers, engage students, and support scholars in their work. In Experiencing Beethoven, music historian Geoffrey Block explores in layman’s terms a highly representative body of about two dozen Beethoven instrumental and vocal works, offering listeners who know him well, or are just discovering him, an opportunity to grasp the breadth and depth of his musical genius.Designed for those unversed in musical terminology or theory, Experiencing Beethoven places the composer’s works within the evolving context of his personal and professional life and social and cultural milieu. Block sheds light on the public and private audiences of Beethoven’s music, from the concerts for the composer’s own financial benefit to the debut of the “Eroica” Symphony at the palace of Prince Lobkowitz to the historic public premiere of his Ninth Symphony.Experiencing Beethoven paints a portrait of the composer’s youth in Bonn, his early triumphs and artistic maturation in Vienna, and—despite the challenges his music posed to his contemporaries— the recognition he received during his lifetime as the most acclaimed composer of the era. Block conveys the range and scope of Beethoven’s achievement, from his heroic style to his lyricism, grappling throughout with the composer’s power to communicate his idealistic musical vision to listeners in both his time and ours. Finally, Experiencing Beethoven explores why Beethoven’s music continues to enjoy an unwavering appeal in an age saturated with a range of musical styles.
R 2,491.00
Richard Rodgers
A lively book that examines—for the first time—the full range of music by one of America’s most celebrated composers Richard Rodgers was an icon of the musical theater, a prolific composer whose career spanned six decades and who wrote more than a thousand songs and forty shows for the American stage. In this absorbing book, Geoffrey Block examines Rodgers’s entire career, providing rich details about the creation, staging, and critical reception of some of his most popular musicals. Block traces Rodgers’s musical education, early work, and the development of his musical and dramatic language. He focuses on two shows by Rodgers and Hart (A Connecticut Yankee and The Boys from Syracuse) and two by Rodgers and Hammerstein (South Pacific and Cinderella), offering new insights into each one. He concludes with the first serious look at the five neglected and often maligned musicals that Rodgers composed in the 1960s and 1970s, after the death of Hammerstein.
R 1,295.00
Ives: Concord Sonata
Charles Ives's massive Concord Sonata, his second sonata for piano, named after the town of Concord in Massachusetts, is central to his output and clearly reflects his aesthetic perspective. Geoffrey Block's wide-ranging 1996 account of the work thus provides an ideal introduction to this fascinating composer. As well as a discussion of the Sonata's reception history from 1920 to the time of publication, and a chapter on its compositional genesis, this handbook includes a detailed narrative of the motivic content as well as a historical and analytical survey of the work's borrowings, both certifiable and newly proposed. The programmatic element of the Sonata is explored in the context of Ives's personal vision of four literary subjects associated with the town of Concord between 1840 and 1860: Emerson, Thoreau, Hawthorne, and the Alcotts.
R 456.00
Ives: Concord Sonata
Charles Ives's massive Concord Sonata, his second sonata for piano, named after the town of Concord in Massachusetts, is central to his output and clearly reflects his aesthetic perspective. Geoffrey Block's wide-ranging 1996 account of the work thus provides an ideal introduction to this fascinating composer. As well as a discussion of the Sonata's reception history from 1920 to the time of publication, and a chapter on its compositional genesis, this handbook includes a detailed narrative of the motivic content as well as a historical and analytical survey of the work's borrowings, both certifiable and newly proposed. The programmatic element of the Sonata is explored in the context of Ives's personal vision of four literary subjects associated with the town of Concord between 1840 and 1860: Emerson, Thoreau, Hawthorne, and the Alcotts.
R 3,912.93
Charles Ives
This comprehensive work reflects the renewed interest and recognition of Charles Ives's music, and it gathers into one volume previously scattered and hard-to-find material by and about the composer. The musical and historical significance of one of America's most famous twentieth-century composers is represented in a substantively annotated, discerning and critical bibliography that includes a foreword by the noted Ives scholar, J. Peter Burkholder. The book begins with an explanation of the scope, organization, and rationale of the material presented and provides an overview and discussion of the current status of Ives scholarship. This is followed by a biographical sketch, a catalog of works and performances, and a complete discography of all recordings in print as of 1985. The bibliography consists of four major sections devoted to collections and catalogs, biographical and aesthetic articles, and reviews and critical evaluations of Ives and his contemporaries; the final section, on Ive's work, is arranged according to the genres of orchestral and band music, chamber music, keyboard music, choral and partsongs, and songs, following John Kirkpatrick's widely used manuscript categorization. The annotations on several hundred books, essays, and reviews offer a historical perspective of the critical reception of Ives's music, tracing its development from obscurity to crusade to fad, to its present secure place in the repertoire. The extensive appendixes and indexes provide, in a conveniently centralized format, lists of materials not found in standard indexes or cited in earlier studies; they make accessible many items that appear in relatively obscure journals or archives.This definitive sourcebook will greatly facilitate further study and inspire new research on one of today's most controversial musical figures. It will be of great interest to musicologists, Ives scholars, and students of twentieth-century American music.
R 2,649.00
Reason of Rules
Societies function on the basis of rules. These rules, rather like the rules of the road, coordinate the activities of individuals who have a variety of goals and purposes. Whether the rules work well or ill, and how they can be made to work better, is a matter of major concern. Appropriately interpreted, the working of social rules is also the central subject matter of modern political economy. This book is about rules - what they are, how they work, and how they can be properly analysed. The authors' objective is to understand the workings of alternative political institutions so that choices among such institutions (rules) can be more fully informed. Thus, broadly defined, the methodology of constitutional political economy is the subject matter of The Reason of Rules. The authors have examined how rules for political order work, how such rules might be chosen, and how normative criteria for such choices might be established.
R 2,065.33
R 244.00
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R 1,088.87
Charles Ives and the Classical Tradition
Although Charles Ives has long been viewed as the quintessential American composer, he placed himself in the European classical tradition, drew on it heavily for his aesthetic philosophy and musical techniques, and extended it to create something new. This book illuminates Ives's music by comparing it with that of other composers in Europe and the United States.Edited by two highly regarded Ives scholars, the book begins with essays that examine the influences on Ives of his musical predecessors and concludes with essays that find extensive parallels between Ives and such European contemporaries as Mahler, Schoenberg, Berg, and Stravinsky, whose music he knew little or not at all, but with whom he shared influences and concerns. Taken together, these chapters demonstrate that even apparently strange or distinctively American aspects of Ives's music--from his penchant for quotation to his juxtaposition of disparate styles--have strong precedents and parallels among European composers. Ives emerges as a composer at home in the classical tradition, engaged in exploring the same issues that confronted composers of his generation on both sides of the Atlantic.
R 1,354.00
R 873.62
Building Blocks of Tabletop Game Design
Building Blocks of Tabletop Game Design: An Encyclopedia of Mechanisms, Second Edition compiles hundreds of game mechanisms, organized by category. The book can be read cover to cover and used as a reference to solve a specific design problem or for inspiration and research on new designs. This second edition collects even more mechanisms, expands on and updates existing entries, and includes color images. Building Blocks is a great starting point for new designers, a handy guidebook for the experienced, and an ideal classroom reference.Each Game Mechanisms Entry Contains: The definition of the mechanism An explanatory diagram of the mechanism Discussion of how the mechanism is used in successful games Considerations for implementing the mechanism in new designs
R 3,224.00
R 244.00
Genesis
Hidden somewhere, deep in the Cloud, something is collating information. It reads everything, it learns, it watches. And it plans. Around the world, researchers, engineers and entrepreneurs are being killed in a string of apparently unrelated accidents. But when intelligence-agency analysts spot a pattern they struggle to find the culprit, blocked at every step - by reluctant allies and scheming enemies. Meanwhile a multi-billionaire inventor and forward-thinker is working hard to realise his dream, and trying to keep it hidden from everyone - one government investigating him, and another helping him. But deep in the Cloud something is watching him, too. And deep in the Cloud, it plans.
R 587.00
R 1,186.00
Enemy's Country
Geoffrey Hill is University Professor at Boston University. He holds an honorary D. Litt. from the University of Leeds and is an Honorary Fellow of both Keble College, Oxford and Emmanuel College, Cambridge. Amongst many other recognitions of his work as a poet, he has received the Hawthornden Prize and the Whitbread Award. He gave the Clark Lectures, on which this book is based, in 1986.`Well done!' is a familiar cry with a complex sense. It may applaud the merest knack, patronize a decent competence, or squarely recognize something at once finely-achieved and morally just. The language of true valuing is constantly shadowed by parodies of itself - sales-talk, sociable politeness, or gush. The Enemy's Country is concerned with the ways in which judgement is conveyed through language, and with the difficulty of clearing the terms of judgement not from butfor the pressures of circumstance so that what is said may be fitting.Poetry has sometimes been credited with a special place as a form of conduct in language, as if it were a world of words of its own from which the poet masterfully dispenses a distinctly free speech. These essays enquire whether such high praises, even when sincere, are apt to the real conditions of poets' work, to their share of drudgery, their fears of misapprehension or their need to please, to the entanglements of meaning in historical communities. The 'sheer perfection' of lyric utteranceis shown to involve a recognition and acceptance of the poet's place in `the scheme of things', a scheme of business and accommodation which is not ideally clean but which remains a ground of the art's refinement.Dryden is at the centre of the book. Around his exemplary figure, Geoffrey Hill describes with biting erudition and minutely sympathetic imagination the perplexities and felicity of genius in writers such as Donne, Hobbes, and Marvell. The book closes with a study of Pound's `Envoi:1919' in which Hill, characteristically, brings together humour, scrupulousness, and enquiring commitment to the hopes of poetry. The Enemy's Country enacts `virtue's struggle to clear and maintain its own meaningamid the commonplace approximation, the common practice of men'.
R 1,856.00
Identity through History
For people who live in small communities transformed by powerful outside forces, narrative accounts of culture contact and change create images of collective identity through the idiom of shared history. How may we understand the processes that make such accounts compelling for those who tell them? Why do some narratives acquire a kind of mythic status as they are told and retold in a variety of contexts and genres? Identity Through History attempts to explain how identity formation developed among the people of Santa Isabel in the Solomon Islands who were victimised by raiding headhunters in the nineteenth century, and then embraced Christianity around the turn of the century. Making innovative use of work in psychological and historical anthropology, Geoffrey White shows how these significant events were crucial to the community's view of itself in shifting social and political circumstances.
R 2,156.85
Identity through History
For people who live in small communities transformed by powerful outside forces, narrative accounts of culture contact and change create images of collective identity through the idiom of shared history. How may we understand the processes that make such accounts compelling for those who tell them? Why do some narratives acquire a kind of mythic status as they are told and retold in a variety of contexts and genres? Identity Through History attempts to explain how identity formation developed among the people of Santa Isabel in the Solomon Islands who were victimised by raiding headhunters in the nineteenth century, and then embraced Christianity around the turn of the century. Making innovative use of work in psychological and historical anthropology, Geoffrey White shows how these significant events were crucial to the community's view of itself in shifting social and political circumstances.
R 4,154.63
Broken Hierarchies
Broken Hierarchies collects twenty books of poems by Geoffrey Hill, written over sixty years, and presents them in their definitive form. Four of these books (Ludo, Expostulations on the Volcano, Liber Illustrium Virorum, and Al Tempo de' Tremuoti) have never before appeared in print, and three of them (Hymns to Our Lady of Chartres, Pindarics, and Clavics) have been greatly revised andexpanded.
R 1,817.00
Belief in Evidence in the Nineteenth-Century Novel
What makes us believe anything told to us by another person? How does this work in scenes of judgment where we operate almost exclusively with report from others, like a trial by jury? Thomas Reid declared in 1785 that 'we give the name of evidence to whatever is a ground of belief', and such defining formulations both echo and were echoed by seminal writings on the law of evidence. The ideas of belief and evidence have depended upon each other for a very long time. Belief in Evidence traces the relationship between these terms as they expressed themselves in British evidence-thinking and in nineteenth-century novels that explicitly engaged the problem of when and whom to believe, and on what evidentiary grounds. In his foundational Essay concerning Human Understanding (1690), John Locke foregrounded the problem of forming judgments about things we have not experienced ourselves but only heard from others. His ideas provided a foundation for the first systematic treatise of English evidence law, Geoffrey Gilbert's The Law of Evidence (1754). Locke's anecdote of the 'King of Siam'--which illustrated how we weigh probabilities in determining what to believe--found itself repeated with astonishing frequency over the next two centuries wherever legal scholars aimed to illustrate the problem of belief in evidence. This period should be understood as a sort of Age of Evidence, during which evidence-thinking and evidence law became solidified in disciplinary terms, and dispersed well beyond the legal profession. Both following and complicating legal notions of evidence and belief, the novel in England in the era of literary realism addressed many of the same mediating factors delineated by Locke and the law of evidence: the age and experience of the persons called upon to believe; the perceived character of witnesses and defendants; the number of witnesses; and how the experience that shapes us is conditioned by place and identity. Staging complex scenes of judgment, authors like Mary Shelley, Jane Austen, Elizabeth Gaskell, George Eliot, Wilkie Collins, and Anthony Trollope all confronted the problem of belief in evidence, which became central to their models of realistic representation.
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R 1,364.11
Building Blocks of Tabletop Game Design
Building Blocks of Tabletop Game Design: An Encyclopedia of Mechanisms, Second Edition compiles hundreds of game mechanisms, organized by category. The book can be read cover to cover and used as a reference to solve a specific design problem or for inspiration and research on new designs. This second edition collects even more mechanisms, expands on and updates existing entries, and includes color images. Building Blocks is a great starting point for new designers, a handy guidebook for the experienced, and an ideal classroom reference.Each Game Mechanisms Entry Contains: The definition of the mechanism An explanatory diagram of the mechanism Discussion of how the mechanism is used in successful games Considerations for implementing the mechanism in new designs
R 5,862.00
Geoffrey of Aspall, Part 2
Geoffrey of Aspall, who died in 1287 and was master of Arts by 1262, was active at Oxford in the years 1255 to1265. He wrote commentaries on several Aristotelian works, and was certainly a major protagonist of the introduction of Aristotelian learning to Oxford. In particular, he produced a very extensive question-style commentary on Aristotle's Physics, which contains important discussions of the fundamental topics of Aristotle's natural philosophy, likematter, form, natural agency, causes, change, the infinite and the continuum, time, the eternity of the world, self-movers. Aspall's Physics commentary shows the influence of Grosseteste's metaphysics of light and of Roger Bacon's view on the physical role of intentional species, as well as a strong inclinationto ontological realism.Aspall's commentary on Aristotle's Physics is edited here in two volumes, which together form the first critical edition of this work. The Latin text is accompanied by a facing English translation, and the text is extensively cross-referenced and provided with scholarly apparatus. The detailed introduction guides the reader through the intricacies of the textual transmission of Aspall's commentary, and also presents the main topics discussed in this commentary. The appendix to theedition makes available alternative versions of some sections of Aspall's commentary.
R 4,855.00
R 964.96
Geoffrey Hill
A collection of new essays on the remarkable work produced by the poet Geoffrey Hill since the mid-1990s. Hill is widely recognised as the finest living English poet and the quality of his recent publications has been matched by the pace at which he produces quantities of profound and startlingly original verse. This book brings together work on Hill by figures as diverse as Rowan Williams and Christopher Ricks, along with penetrating treatments of these latewritings by younger scholars, in order to provide a series of fresh perspectives on some of the finest and most challenging poetry now being written. It explores topics including physicality, death, confession, and recusancy, and also contains a large-scale bibliography of Hill's writings, which will beinvaluable to all those seeking to read more widely in the work of this fascinating and exceptional figure.
R 5,607.00
Oslo Accords
This text presents a comprehensive legal analysis of the Oslo Accords. Professor Geoffrey Watson begins by rejecting suggestions that the Accords are non-binding political undertakings. He argues instead that they are binding international agreements between subjects of international law. Professor Watson next analyzes Israeli and Palestinian compliance with the Accords. Watson concludes that each side has a mixed record of compliance, but that neither side has committed so serious a breach as to warrant termination of the Accords. Finally, Professor Watson offers some suggestions on how international law might help shape a final status agreement between the parties.
R 8,121.00
Memorializing Pearl Harbor
Memorializing Pearl Harbor examines the challenge of representing history at the site of the attack that brought America into World War II. Analyzing moments in which history is re-presented—in commemorative events, documentary films, museum design, and educational programming—Geoffrey M. White shows that the memorial to the Pearl Harbor bombing is not a fixed or singular institution. Rather, it has become a site in which many histories are performed, validated, and challenged. In addition to valorizing military service and sacrifice, the memorial has become a place where Japanese veterans have come to seek recognition and reconciliation, where Japanese Americans have sought to correct narratives of racial mistrust, and where Native Hawaiians have challenged their ongoing erasure from their own land. Drawing on extended ethnographic fieldwork, White maps these struggles onto larger controversies about public history, museum practices, and national memory.
R 4,202.89
R 610.00
Geoffrey Hill
Geoffrey Hill (1932–2016) was often hailed as one of the most important – and one of the most difficult – poets of his lifetime. This book is a timely investigation into a writer whose work seems simultaneously to invite analysis and to refuse explanations of its sensuous, allusive language. It provides an introduction to Hill’s work for readers coming to it for the first time and offers an account of his poetics that will be of interest to his more experienced readers. Alongside many close readings of poems spanning Hill’s long and varied career, the author brings to light findings from the Geoffrey Hill Archive in Leeds and investigates the poet’s important critical writings. Hill’s often antagonistic engagement with the thought of other poets and philosophers supplies the book’s structure. Coleridge, Eliot, F. H. Bradley and Ezra Pound are engaged by Hill in a dramatic contest over what the author claims is his visionary aim for poetry: the realisation of the objective conditions of judgement. Above all, Hill is presented as a quintessentially modernist poet – at odds with modernity, and at the same time creating a language answerable to its rich, traumatic complexity.
R 2,975.00
Geoffrey Hill and his Contexts
Geoffrey Hill is one of the most significant poets currently at work in the English language. The essays gathered in this book present a number of new contexts in which to explore a wide range of his writings, from the poems he wrote as an undergraduate to the recent volumes A Treatise of Civil Power (2007) and Collected Critical Writings (2008). Connections are made between the early and the later poetry, and between the poetry and the criticism, and archival materials are considered along with the published texts. The essays also make comparisons across disciplines, discussing Hill’s work in relation to theology, philosophy and intellectual history, to literature from other languages, and to the other arts. In doing so, they cast fresh light upon Hill’s dense, original and sometimes challenging writings, opening them up in new ways for all readers of his work.
R 3,286.00
R 818.00
R 1,015.00
R 1,269.00
Geoffrey Hill and the Ends of Poetry
The idea of the end is an essential motivic force in the poetry of Geoffrey Hill (1932–2016). This book shows that Hill’s poems are characteristically ‘end-directed’. They tend towards consummations of all kinds: from the marriages of meanings in puns, or of words in repeating figures and rhymes, to syntactical and formal finalities. The recognition of failure to reach such ends provides its own impetus to Hill's poetry.This is the first book on Hill to take account of his last works. It is a significant contribution to the study of Hill's poems, offering a new thematic reading of his entire body of work. By using Hill's work as an example, the book also touches on questions of poetry's ultimate value: what are its ends and where does it wish to end up?
R 5,101.23
Cognitive Variations
Sir Geoffrey Lloyd presents a cross-disciplinary study of the problems posed by the unity and diversity of the human mind. On the one hand, as humans we all share broadly the same anatomy, physiology, biochemistry, and certain psychological capabilities - the capacity to learn a language, for instance. On the other, different individuals and groups have very different talents, tastes, and beliefs, for instance about how they see themselves, other humans and the worldaround them. These issues are highly charged, for any denial of psychic unity savours of racism, while many assertions of psychic diversity raise the spectres of arbitrary relativism, the incommensurability of beliefs systems and their mutual unintelligibility. Lloyd surveys a fascinating range of subjects, examining where different types of arguments, scientific, philosophical, anthropological and historical can take us. He discusses colour perception, spatial cognition, animal and plant taxonomy, the emotions, ideas of health and well-being, concepts of the self, agency and causation, varying perceptions of the distinction between nature and culture, and reasoning itself. To avoid the pitfalls of misleading dichotomies (especially betweencross-cultural universalism and cultural relativism) he pays due attention to the multidimensionality of the phenomena to be apprehended and to the diversity of manners, or styles, of apprehending them. The weight to be given to different factors, physical, biological, psychological, cultural, ideological,varies as between different subject-areas and sometimes even within a single area. He uses recent work in social anthropology, linguistics, cognitive science, neurophysiology, and the history of ideas to redefine the problems and clarify how our evident psychic diversity can be reconciled with our shared humanity.
R 2,321.00
Richard Rodgers Reader
Richard Rodgers was one of America's most prolific and best-loved composers. A world without "My Funny Valentine," "The Lady is a Tramp," "Blue Moon," and "Bewitched," to name just a few of the songs he wrote with Lorenz Hart, is scarcely imaginable, and the musicals he wrote with his second collaborator, Oscar Hammerstein--Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music--continue to enchant and entertain audiences. Arranged in four sections, Rodgers and Hart (1929-1943), Rodgers and Hammerstein (1943-1960), Rodgers After Hammerstein (1960-1979), and The Composer Speaks (1939-1971), The Richard Rodgers Reader offers a cornucopia of informative, perceptive, and stylish biographical and critical overviews. It also contains a selection of Rodgers's letters to his wife Dorothy in the 1920s, the 1938 Time magazine cover story and New Yorker profiles in 1938 and 1961, and essays and reviews by such noted critics as Brooks Atkinson, Eric Bentley, Leonard Bernstein, Lehman Engel, Walter Kerr, Ken Mandelbaum, Ethan Mordden, George Jean Nathan, and Alec Wilder. The volume features personal accounts by Richard Adler, Agnes de Mille, Joshua Logan, Mary Martin, and Diahann Carroll. The collection concludes with complete selections from more than thirty years of Rodgers's own writings on topics ranging from the creative process, the state of the Broadway theater, even Rodgers's bout with cancer, and a generous sample from the candid and previously unpublished Columbia University interviews. For anyone wishing to explore more fully the life and work of a composer whose songs and musicals have assumed a permanent--and prominent--place in American popular culture, The Richard Rodgers Reader will offer endless delights.
R 3,958.14
R 286.16
Geoffrey Hill and the Ends of Poetry
The idea of the end is an essential motivic force in the poetry of Geoffrey Hill (1932–2016). This book shows that Hill’s poems are characteristically ‘end-directed’. They tend towards consummations of all kinds: from the marriages of meanings in puns, or of words in repeating figures and rhymes, to syntactical and formal finalities. The recognition of failure to reach such ends provides its own impetus to Hill's poetry.This is the first book on Hill to take account of his last works. It is a significant contribution to the study of Hill's poems, offering a new thematic reading of his entire body of work. By using Hill's work as an example, the book also touches on questions of poetry's ultimate value: what are its ends and where does it wish to end up?
R 1,687.96
R 1,562.34
R 813.00
Selected Poems
This first selection of Geoffrey Hill's poetry charts the evolution of a complex, uncompromising, visionary body of work over fifty years. It includes poems from Hill's astonishing debut, For the Unfallen, through the verset-sequence Mercian Hymns, to acclaimed recent work, including The Orchards of Syon and Without Title.
R 371.00
Mind, Body and Culture
Concerned with the aspects of human behaviour which have been traditionally described as cultural or social, the author draws on his background in physics to suggest a scientific approach involving a reconceptualization of many of our assumed concepts. Are culture, society and similar concepts from anthropology and sociology of any real use in making sense of human social life? How can we understand the relationship between the social group and the individual human beings, with their self-awareness and sense of personal identity, who make it up? Drawing on his background in physics, Dr Samuel suggests a scientific approach involving a reconceptualization of many of the concepts we take for granted. The multimodal framework, or MMF, derives from this approach. It incorporates many of the insights of social and cultural anthropology, particularly the work of Gregory Bateson and Victor Turner, as well as being influenced by recent developments in the philosophy of science and related fields. Finally, the book considers some of the implications of the MMF for biological approaches, and focuses on questions of brain structure and on evolutionary explanations for human social behaviour.
R 4,644.27
