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Goethe
First published in 1972, Goethe presents a biography looking at one of the few great Europeans to be universally recognized as a hero of culture, and in the light of modern sociological thought puts the hero into his background, human, social and political. Goethe is seen in the context of his times- not as the Great Poet or the Great Lover but as the worried contemporary of the French Revolution and Napoleon. The author is much more interested than most biographers in the mature Goethe and the problems of the poet’s old age. This stems from his intense preoccupation with Goethe’s friend and biographer Eckermann, whose Conversations (for which Eckermann is ranked by many with Boswell) he is re-editing.This is an interesting read for scholars of German language & literature and European literature.
R 5,625.25

Goethe
Croce admired Goethe partly because the latter possessed a knowledge of human nature in all its aspects but nonetheless kept his mind above and beyond political sympathies and the quarrels of nations. In this volume originally published in English in 1923, Croce distils his critical ideas about Goethe with the aim of helping readers to better understand the German poet’s work.
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Goethe
This is a concise survey and criticism of Goethe's work, for the general reader and the student. It is intended as a useful first book from which the reader can proceed to more specialised studies. Here Goethe's work is seen as a whole, and from the point of view of literary criticism. The first chapter summarises Goethe's life. The other chapter discuss the works, singly and in groups. Much attention is given to the poems; and there are two long chapters on Faust. Werther, Wilhelm Meister, Elective Affinities, and the Divan are given a chapter each; so are the dramatic works, the autobiographical writings, and the scientific work. A refreshing aspect of the book is that while Dr Gray takes account of earlier criticism he also seeks to see Goethe's work entirely afresh, and to reappraise it; by questioning the value of some works, he enhances the valuation of others. Quotation is in German, but English translations are given in footnotes. There is a useful comparative table of biographical dates, which shows what was happening, politically and culturally, in Europe while Goethe lived. There are references at the end of the book, a select bibliography and an index. The book can be used in conjunction with Dr Gray's selection of the poems. The two books together are the best possible introduction to one the greatest European men of letters.
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On Goethe
On Goethe contains the full range of Walter Benjamin's reflections on the central figure in modern German culture. The writings in this volume—newly translated, fully annotated, and framed by an extensive introduction—display a variety of styles and cover a vast array of topics. The collection revolves around two strikingly different essays. Whereas "Goethe's Elective Affinities" develops a theory of critique in which a work is illuminated wholly from within itself, an article Benjamin wrote on Goethe for the Soviet Encyclopedia represents his first large-scale attempt to elaborate a historical-materialist methodology. The other thirty translations stand in similarly productive tension with one another. Some are concerned with concepts of beauty and categories of the aesthetic, others with the relation of art to politics and the status of "classical authors" in contemporary culture, and still others with what remains of humanistic traditions in the wake of their disappearance under fascist regimes and what synthesis is required for the construction of a historical object. The volume provides a glimpse into the laboratory of Benjamin's thought, while granting readers a series of insights into the epochal phenomena that gather around the name "Goethe."
R 4,641.00

Goethe
Keine ausführliche Beschreibung für "Goethe" verfügbar.
R 8,797.95

On Goethe
On Goethe contains the full range of Walter Benjamin's reflections on the central figure in modern German culture. The writings in this volume—newly translated, fully annotated, and framed by an extensive introduction—display a variety of styles and cover a vast array of topics. The collection revolves around two strikingly different essays. Whereas "Goethe's Elective Affinities" develops a theory of critique in which a work is illuminated wholly from within itself, an article Benjamin wrote on Goethe for the Soviet Encyclopedia represents his first large-scale attempt to elaborate a historical-materialist methodology. The other thirty translations stand in similarly productive tension with one another. Some are concerned with concepts of beauty and categories of the aesthetic, others with the relation of art to politics and the status of "classical authors" in contemporary culture, and still others with what remains of humanistic traditions in the wake of their disappearance under fascist regimes and what synthesis is required for the construction of a historical object. The volume provides a glimpse into the laboratory of Benjamin's thought, while granting readers a series of insights into the epochal phenomena that gather around the name "Goethe."
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Auto-Biography of Goethe
The playwright and critic John Oxenford (1812–77) had an acute aptitude for languages. Although he translated both Molière and Calderón into English, he specialised in German translations and set high standards, not least with his rendering of several works by Johann Wolfgang von Goethe (1749–1832). Among the greatest literary figures of his day, Goethe combined considerable achievements as a poet, novelist and playwright with his diverse interests in natural science and politics. This two-volume translation of his autobiography first appeared in 1848–9. In Volume 1, Goethe tells the story of his life from the day he was born until the publication of The Sorrows of Young Werther, which attained cult status almost immediately after it was released in 1774. As the protagonist of his own story, Goethe reflects here on how he himself came of age.
R 2,591.51

Goethe
First published in 1972, Goethe presents a biography looking at one of the few great Europeans to be universally recognized as a hero of culture, and in the light of modern sociological thought puts the hero into his background, human, social and political. Goethe is seen in the context of his times- not as the Great Poet or the Great Lover but as the worried contemporary of the French Revolution and Napoleon. The author is much more interested than most biographers in the mature Goethe and the problems of the poet’s old age. This stems from his intense preoccupation with Goethe’s friend and biographer Eckermann, whose Conversations (for which Eckermann is ranked by many with Boswell) he is re-editing.This is an interesting read for scholars of German language & literature and European literature.
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R 771.39

R 2,440.00

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