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Goldmark Case
In 1962 John Goldmark, cattle rancher, Harvard Law School graduate, and distinguished three-term state legislator for a lightly populated area in north central Washington, was overwhelmingly defeated in his bid for reelection. He and his wife, Sally, had been accused of being communists by a small group of right-wing extremists. The Goldmarks sued their accusers for libel and when their case came to trial in the winter of 1963-64 it has become a cause celebre throughout the country.Witnesses of national reputation crossed the country to testify, the eastern press covered the case, and issues of civil liberties, the communist challenge to the values of American society, and the radical right movement were fought out before a rural jury. The charge that the American Civil Liberties Union was a communist front, among other issues, was litigated for the first time. Today the Goldmark trial can still tell us much about democracy, civil liberties, and trial by jury.William Dwyer was the Goldmarks' chief counsel. His gripping story of their nightmare and ultimate vindication is a classic of American trial court history. He provides a vivid picture of the political climate and its effect on everyone involved--plaintiffs, defendants, and counsel for both sides. In addition he gives us a fascinating description of the courtroom drama itself, revealed in the extensively quoted testimony, and a fascinating account of the way trial lawyers plan the strategy of a case: from jury selection, the questioning and cross-examination of witnesses, to final arguments.
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Goldmark-Eröffnungsbilanz und Technik der Goldmarkbuchführung
Dieser Buchtitel ist Teil des Digitalisierungsprojekts Springer Book Archives mit Publikationen, die seit den Anfängen des Verlags von 1842 erschienen sind. Der Verlag stellt mit diesem Archiv Quellen für die historische wie auch die disziplingeschichtliche Forschung zur Verfügung, die jeweils im historischen Kontext betrachtet werden müssen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.
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Forms of Relation
Drawing on literary texts, conversion manuals, and colonial correspondence from sixteenth- and seventeenth-century Spain and Peru, Forms of Relation focuses on nonprocreative and nonbiological kinship ties, revealing the importance of these relationships to debates and struggles over colonial governance and identities.Goldmark begins with one Dominican friar’s polemic against Spanish abuses of Indigenous women’s reproductive labor, which threatened to lead to maternal infanticide, the death of the Indies’ populations, and the failure of evangelization. He consults texts from sixteenth-century Peru describing how Inca authorities thwarted marriages between nonelite Inca women and Spanish men in an attempt to preserve Inca political power. He uncovers Spanish and Criollo teachers’ petitions, submitted in the early seventeenth century to the Archbishopric’s Archive of Lima, that hoped to convince authorities that by following these petition authors’ "good examples," an Indigenous person could claim Christian rights. Forms of Relation illustrates why we must and how we can interrogate the dominant paradigms of mestizaje, heterosexuality, and biology that are too often left unchallenged in studies of Spanish colonialism, demonstrating how nonprocreative kinships proved critical to the creation of that regime.
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Forms of Relation
Drawing on literary texts, conversion manuals, and colonial correspondence from sixteenth- and seventeenth-century Spain and Peru, Forms of Relation focuses on nonprocreative and nonbiological kinship ties, revealing the importance of these relationships to debates and struggles over colonial governance and identities.Goldmark begins with one Dominican friar’s polemic against Spanish abuses of Indigenous women’s reproductive labor, which threatened to lead to maternal infanticide, the death of the Indies’ populations, and the failure of evangelization. He consults texts from sixteenth-century Peru describing how Inca authorities thwarted marriages between nonelite Inca women and Spanish men in an attempt to preserve Inca political power. He uncovers Spanish and Criollo teachers’ petitions, submitted in the early seventeenth century to the Archbishopric’s Archive of Lima, that hoped to convince authorities that by following these petition authors’ "good examples," an Indigenous person could claim Christian rights. Forms of Relation illustrates why we must and how we can interrogate the dominant paradigms of mestizaje, heterosexuality, and biology that are too often left unchallenged in studies of Spanish colonialism, demonstrating how nonprocreative kinships proved critical to the creation of that regime.
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Tunes for 'Toons
In this first in-depth examination of music written for Hollywood animated cartoons of the 1930s through the 1950s, Daniel Goldmark provides a brilliant account of the enormous creative effort that went into setting cartoons to music and shows how this effort shaped the characters and stories that have become embedded in American culture. Focusing on classical music, opera, and jazz, Goldmark considers the genre and compositional style of cartoons produced by major Hollywood animation studios, including Warner Bros., MGM, Lantz, and the Fleischers. "Tunes for 'Toons" discusses several well-known cartoons in detail, including "What's Opera, Doc?", the 1957 Warner Bros. parody of Wagner and opera that is one of the most popular cartoons ever created. Goldmark pays particular attention to the work of Carl Stalling and Scott Bradley, arguably the two most influential composers of music for theatrical cartoons. Though their musical backgrounds and approaches to scoring differed greatly, Stalling and Bradley together established a unique sound for animated comedies that has not changed in more than seventy years.Using a rich range of sources including cue sheets, scores, informal interviews, and articles from hard-to-find journals, the author evaluates how music works in an animated universe. Reminding readers of the larger context in which films are produced and viewed, this book looks at how studios employed culturally charged music to inspire their stories and explores the degree to which composers integrated stylistic elements of jazz and the classics into their scores.
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Grove Music Guide to American Film Music
The Grove Music Guide to American Film Music documents the lives and works of many of the individuals responsible for writing music for some of the most popular and well-known films, television shows, video games, and music videos ever created. Its 150 articles and 30 images, updated and expanded from The Grove Dictionary of American Music by film scholar Daniel Goldmark, cover key composers, sound engineers, and other figures in American film music history,and include in-depth articles on film music, musical film, production music, video game music, television music, television musicals, and music videos.This book is intended first and foremost as a musical primer for the student of American film, television, and video, whether you're a casual fan, a longtime listener, or someone wanting to gain a deeper understanding of those who have shaped the modern media soundtrack. Bibliographies are curated, not comprehensive, and are most detailed for the subject areas and composers who have been especially popular with historians.
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Funny Pictures
This collection of essays explores the link between comedy and animation in studio-era cartoons, from filmdom's earliest days through the twentieth century. Written by a who's who of animation authorities, "Funny Pictures" offers a stimulating range of views on why animation became associated with comedy so early and so indelibly, and illustrates how animation and humor came together at a pivotal stage in the development of the motion picture industry. To examine some of the central assumptions about comedy and cartoons and to explore the key factors that promoted their fusion, the book analyzes many of the key filmic texts from the studio years that exemplify animated comedy. "Funny Pictures" also looks ahead to show how this vital American entertainment tradition still thrives today in works ranging from The Simpsons to the output of Pixar.
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Haikus for New York City
There are infinite stories about New York City, here are 41 in haiku form.In this love letter to his favorite city, lifelong New Yorker Peter C. Goldmark, Jr. has crafted a collection of haiku that are simultaneously nostalgic and perceptive. Touching on everything from the city's beloved landmarks to the rising costs of living and the famous lie, "There is a train directly behind this one," the poems in this book capture the true essence of this special place.Given everything New York has endured recently, this book offers a timely celebration of a unique and wonderful city and its people—written to honor the ties and realities that bind them together. Alongside the sweet, and often funny, haiku poems, wistful illustrations help bring New York to life.From the preface by the author:"And then as 2019 and 2020 unfolded, both our country and our city came under stress. The adventure in self-government in America began to wobble seriously. And then the COVID pandemic hit. All this made me realize how much I valued my city—its beauty, its diversity and variety, its remarkable people, its grit and resilience…and how fragile and unique it was."A portion of the proceeds supports Citizens NYC, a non-profit that helps neighborhoods work together to meet challenges like COVID.
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