Search results for "Griffiths"
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130-Storey Treehouse
There are lots of laughs at every level in The 130-Storey Treehouse, the tenth book in the number one bestselling Treehouse series from Andy Griffiths and Terry Denton.This is our Treehouse, come on up!We've added 13 new levels to our Treehouse (it used to be 117 storeys, but it keeps on growing!) including a soap bubble blaster, a GRABINATOR (it can grab anything from anywhere at any time), a time-wasting level, a toilet paper factory (because you can never have too much toilet paper) and an extraterrestrial observation centre . . . Which will come in handy when giant flying eyeballs from outer space come to grabinate US!
R 230.00
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R 306.00
Lost Londons
A major study of the transformation of early modern London. By focusing on policing, prosecution, and the language and perceptions of the authorities and the underclasses, Paul Griffiths explores the swift growth of London and the changes to its cultures, communities, and environments. Through a series of thematic chapters he maps problem areas and people; reconstructs the atmosphere of the streets; and traces the development of policing in the city. The book provided the first full study of petty crime before 1660, analysing worlds and words of crime, criminal rings and cultures, and tracking changing meanings of crime to reveal alternative emphases on environmental crimes and crimes committed by women. It also examines the key roles of Bridewell prison, hospitals, medical provision, and penal practices, shedding light on investigation, detection, surveillance, and public prosecution. Viewed through this fascinating account, the city will never look the same again.
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Wrong Son
The Wrong Son is a memoir of emotional precision — a searching, unsparingaccount of what it means to come into being in the absence of love. In 1963, a young husband loses his pregnant wife and eighteen-month-old sonin a car accident. Six months later, he meets a woman who abandons her ownhusband and child for him — a man who seems to her everything she has everwanted. Within two years, a boy is born into this family of grief and guilt, into a housealready filled with ghosts, where neither parent can see him clearly throughwhat each has lost. His mother demands perfection. His father, meanwhile, decides early on thatthis child exists only because the first one died — and cannot forgive him for it. Moulded by his mother, rejected by his father, he is given no space in which tobecome himself. Throughout his life, no matter how much he tries to invent himself, he is drivenby the fear that nothing real exists underneath. Fifty years on, after his parents’deaths, that fear begins to unmoor him. He turns to the work of psychoanalysts who were pioneers of early childhoodpsychology around the time he was born. Drawing on the insights of D.W. Winnicott and Jacques Lacan, The Wrong Sontraces a life shaped not only by loss and violence, but by psychic damage thatmay never fully be shaken off. With forensic clarity and unexpected humour, The Wrong Son is a quietlydevastating work: deeply human, psychologically attuned, and unafraid to staywith what cannot be resolved.
R 380.00
Swatchways and Little Ships
For over fifty years Maurice Griffiths cruised in a variety of small yachts amongst the rivers and creeks of the Thames Estuary and round the coasts of Suffolk, Essex and Kent. In this classic book he tells of the boats he owned in that time, and shows how the experience gained with these small craft helped to turn him into a dedicated yacht designer. There is more than an echo here of the magic the author found amongst his beloved swatchways, so although this book contains much lore and advice for the yacht designer, discerning owner and builder, it is also a book of delightful reminiscences.
R 660.00
Concrete Sea
The willingness to take risks with form and to push the reader’s expectations of what a poem might be make E A Griffiths’ poetry immediately distinctive. Here we find lyrical poems that are tiny, elliptical, often heart-breaking and utterly located in a sense of place that is at once home and yet the terrain of struggle.Drawing on Welsh tradition and the complexity that spins from needing to learn your native language so that even when it becomes fluent it never becomes the language of dream, the collection also opens a dialogue with concrete poetry. It’s a move that allows words to fragment, names to partially mirror themselves, breath to expand the possibilities of the poem on the page. The concrete poetry in this collection is as serious as a funeral, or electric shock therapy, yet it is also playful, generous and expansive.Moving between the concrete and the lyrical, Concrete Sea is a cohesive, tightly-written debut that invites us to feel into the experiences of the poems, emerging with the sense of another’s heart-print.
R 301.14
If Not Critical
Eric Griffiths delivered hundreds of lectures at the Faculty of English in Cambridge, yet his lectures were never turned into books. If Not Critical brings together ten lectures, published here for the first time, that offer a representative selection of Dr Griffiths' original, fully-argued, and richly exemplified contributions to literary criticism and literary history. Crammed into his writing are decades of reading in several languages and across most genres and literary periods. In these lectures, he pursues the blind spots not only of other people's arguments, but of the whole business of criticism in general, with what he calls its 'over-concentration on a narrow range of examples . . . such over-concentration warps our thinking'. Implicit and explicit throughout his work is the argument that 'an appropriately wide range of instances is essential tomaking progress in conceptualisation'; that what we need, in order to do better thinking, is 'a keener attention to a greater variety of examples'. Such examples include, in these lectures, the works of Shakespeare, Dante, Kafka, Beckett, Racine, Rabelais, T. S. Eliot, and Jonathan Swift.
R 2,089.00
Substance of Things Heard
A choice selection of essays, reviews and interviews providing insights into musical performance, composition in the late 20th century and very early 21st, and the nature of opera.Paul Griffiths offers his own personal selection of some of his most substantial and imaginative articles and concert reviews from over three decades of indefatigable concertgoing around the world. He reports on premieres and other important performances of works by such composers as Elliott Carter, Sofia Gubaidulina, Karlheinz Stockhausen, and Steve Reich, as well as Harrison Birtwistle and other important British figures. Griffiths vividly conveys the vision, aura, and idiosyncrasies of prominent pianists, singers, and conductors [such as Herbert von Karajan], and debates changing styles of performing Monteverdi and Purcell. A particular delight is his response to the worldof opera, including Debussy's Pelléas et Mélisande [six contrasting productions], Pavarotti and Domingo in Verdi at New York's Metropolitan Opera, Schoenberg's Moses and Aaron, and two wildly different Jonathan Miller versions of Mozart's Don Giovanni. From the author's preface: "We cannot say what music is. Yet we are verbal creatures, and strive with words to cast a net around it, knowing most of this immaterial stuff will evadecapture. The stories that follow cover a wide range of events over a period of great change. Yet the net's aim was always the same, to catch the substance of things heard. "Criticism has to work largely by analogy and metaphor. This is no limitation. It is largely through such verbal ties that music is linked to other sorts of experience, not least the natural world and the orchestra of our feelings." Paul Griffiths's reviews and articleshave appeared extensively in both Britain [Times, Financial Times, Times Literary Supplement] and the United States [New Yorker, New York Times]. He has written numerous books on Bartók, Cage, Messiaen, Boulez, Maxwell Davies, twentieth-century music, opera, and the string quartet, and is the author of the recent Penguin Companion to Classical Music. He is also author of The Sea on Fire: Jean Barraqué.
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Printed Voice of Victorian Poetry
The Printed Voice of Victorian Poetry starts from a simple fact: our written language does not represent the way we speak. Intonation, accent, tempo, and pitch of utterance can be inferred from a written text but they are not clearly demonstrated there. The book shows the implications of this fact for linguists and philosophers of language and offers fundamental criticisms of some recent work in these fields. It aims principally to describe the ways in whichnineteenth-century English poets–Tennyson, Browning, Hopkins–responded creatively to the ambiguities involved in writing down their own voices, the melodies of their speech. Original readings of the poets' work are given, both at a minutely detailed level and with regard to major preoccupations of theperiod–immortality, morbidity, marriage, social divisions, and religious conversions–and in this way Eric Griffiths offers a new map of Victorian poetry.
R 4,447.00
Griffith Project, Volume 1
No other silent film director has been so extensively studied as D. W. Griffith. However, only a small group of his more than 500 films has been the subject of a systematic analysis and the vast majority of his other works still awaits proper examination. For the first time in film studies, the complete creative output of Griffith - from 'Professional Jealousy' (1907) to 'The Struggle' (1931) - will be explored in this multi-volume collection of contributions from an international team of leading scholars in the field.
R 3,973.00
Medea
Giving access to the latest critical thinking on the subject, Medea is a comprehensive guide to sources that paints a vivid portrait of the Greek sorceress Medea, famed in myth for the murder of her children after she is banished from her own home and replaced by a new wife. Emma Griffiths brings into focus previously unexplored themes of the Medea myth, and provides an incisive introduction to the story and its history.Studying Medea’s ‘everywoman’ status – one that has caused many intricacies of her tale to be overlooked – Griffiths places the story in ancient and modern context and reveals fascinating insights into ancient Greece and its ideology, the importance of life, the role of women and the position of the outsider.In clear, user-friendly terms, the book situates the myth within analytical frameworks such as psychoanalysis, and Griffiths highlights Medea’s position in current classical study as well as her lasting appeal.
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Hunters and Collectors
Hunters and Collectors is about historical consciousness and environmental sensibilities in European Australia from the mid-nineteenth century to the present. It is in part a collective biography of amateur antiquarians, archaeologists, naturalists, journalists and historians: people who shaped the Australian historical imagination. Dr Griffiths illuminates the way these avid collectors and investigators of the Australian land and of its indigenous inhabitants contributed a sense of identity at colony-wide and eventually nationwide level. He also considers the rise of professional history, anthropology and archaeology in the universities, which ignored the efforts of the amateurs. Griffiths shows how the seemingly trivial activities of these hunters and collectors feed into the political and environmental debates of the 1990s. This book is outstanding in its originality, interpretative insight and literary flair.
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Films of D. W. Griffith
The Films of D. W. Griffith serves as an introduction to, and a cultural argument for, the work of the first widely acknowledged master filmmaker. Situating D. W. Griffith within film history and American studies, Scott Simmon addresses Griffith's competing reputations as a genius of cinematic form and a retrograde purveyor of reactionary and racist tales. His study includes extended discussion of Griffith's controversial drama of the Civil War and Reconstruction, The Birth of a Nation, and of his grandiose historical epic, Intolerance, but identifies his enduring work within the approximately 450 shorter films that he directed for the Biograph Company between 1908 and 1913, years of rapid change in the film industry. Major discussion is given to the evolution of Griffith's Biograph films about contemporary city life and to his early domestic melodramas or 'woman's films'. In this cultural reading, Griffith's films are located at a crisis point between two centuries, drawing power from the popular attitudes of nineteenth-century America as they create the patterns for the twentieth century's most distinctive art form.
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Son of Mars
"A Son of Mars" in 2 volumes is one of the best-known mystery crime novels by Arthur Griffiths first published in 1880. Arthur Griffiths (1838-1908) was a British military officer, prison administrator and author who published more than 60 books during his lifetime, many of them mystery crime novels, such as A Son of Mars (1880) and Fast and Loose (1885). He was also a military historian who wrote extensively about the wars of the 19th century, and was for a time military correspondent for The Times newspaper.
R 366.34
Youth and Authority
It is now well-known that there was a separate age of youth in sixteenth-and seventeenth-century society (and before) but in much of the writing on this subject, youth has emerged as a passive construct of the adult society, lacking formative experiences. Paul Griffiths seeks to redress this imbalance by presenting a more `positive' image of young people, showing that they had a creative presence, an identity, and a historical significance which has never been fullyexplored.The author looks beyond the prescriptive codes of moralists and governors to survey the attitudes and activities of young people, examining their reaction to authority and to society's concept of the `ideal place' for them in the social order. He sheds new light on issues as diverse as juvenile delinquency, masculinity, the celebration of Shrovetide, sexual behaviour and courtship, clothing, catechizing, office-holding, vocabularies of insult, prostitution, and church seating plans. Hisresearch reveals much about the nature of youth culture, religious commitment, and master/servant relations, and leads to the identification of a separate milieu of `masterless' young people.Contemporary moralists called youth `the choosing time', a time of great risks and great potential; and the best time to incalculate political conformity and sound religion. Yet the concept of choice was double-edged, it recognized that young people had other options besides these expectations. This ambiguity is a central theme of theis book which demonstrates that although there was a critical politics of age during this period, young people had their own initiatives and strategies and grew upin all sorts of ways.
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