Search results for "Hart"
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Kingdoms of God
What did Jesus mean by the expression, the Kingdom of God? As an answer, Kevin Hart sketches a "phenomenology of the Christ" that explores the unique way Jesus performs phenomenology. According to Hart, philosophers and theologians continually reinterpret Jesus's teaching of the Kingdom so that there are effectively many Kingdoms of God. Working in, while also displacing, a tradition inaugurated by Husserl and continued by philosophers such as Heidegger, Marion, and Lacoste, Hart puts forward a new phenomenology of religion that claims that ethics and religion are not always unified or continuous.
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New Hart's Rules
For over a hundred years, Hart's Rules has been the authority on style, helping writers and editors prepare copy for publication. The latest edition of this guide has been updated for the twenty-first century using the resources of Oxford Languages and with the advice of publishing experts.Twenty-one chapters give information on all aspects of writing and of preparing copy for publication, whether in print or electronically. New Hart's Rules gives guidance on a broad range of topics including publishing terms, layout and headings, how to treat illustrations, hyphenation, punctuation, and bibliographies and notes. All chapters have been revised and updated to reflect current practice (taking into account changes in the world and in the publishing industry over the lasteight years), with the help of a team of experts and consultants. Chapters that have been particularly heavily revised include those dealing with the use and presentation of illustrations, with the conventions of scientific publishing, and with the art of indexing. Additionally, an entirely new chapter has beenwritten to explore and summarize the differences between UK and US English.The text is designed and organized for maximum accessibility with clearly displayed examples throughout. Authoritative and comprehensive, and endorsed by the Society for Editors and Proofreaders, New Hart's Rules is the essential desk guide for all writers and editors. Together with the New Oxford Spelling Dictionary and the New Oxford Dictionary for Writers and Editors it forms the complete editorial reference set.
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Hart's Postscript
Published posthumously, the second edition of The Concept of Law contains one important addition to the first edition, a substantial Postscript, in which Hart reflects upon some of the central concerns that have been expressed about the book since its publication in 1961. The Postscript is especially noteworthy because it contains Hart's only sustained response to the objections pressed by his foremost critic, Ronald Dworkin, who succeeded him to the Chairof Jurisprudence at Oxford. The Postscript focuses on a range of issues covering both Hart's substantive view and his methodological commitments. In particular, Hart endorses Inclusive Legal Positivism, asserts that his is a methodology of descriptive jurisprudence which he contrasts with Dworkin'snormative jurisprudence or interpretivism, while denying that his theory of law has a semantic underpinning. The essays in this collection address each of these issues in a sustained way. The book contains discussions of Hart's semantic commitments, his rejection of a normative jurisprudence as well as the extent to which he can embrace Inclusive Legal Positivism in a way that is consistent with his other stated positions. The book's contributors include the leading advocates of alternativeschools of Positivist jurisprudence, important contributors to the methodogical disputes in jurisprudence and noted experts on the relationship of philosophy of language to jurisprudence. Among the contributors of note are: Joseph Raz, Jules L. Coleman, Stephen Perry , Brian Leiter, Scott Shapiro andAndrei Marmor.
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Young Rain
With Young Rain Kevin Hart continues his 'ransmemberment of song' into a realm all his own. . . ." —Harold Bloom "Kevin Hart is one of the finest poets writing in English today. I admire his erudition and his imagination, the way history, art, myth, literature and many things come together in his poetry. This book will be a feast for those who want poetry to be both metaphysics and song. An absolutely original and indispensable poet." —Charles Simic "Kevin Hart is one of the most sophisticated poets writing today, though the poems in Young Rain are disarmingly straightforward. They have an ease and lucidity that makes them seem almost casual, so that it is with a feeling of surprise that you realize that you have been drawn into a conversation of the utmost gravity concerning the private reaches of the self, darkness, and death, as in the powerful sequences 'Night Music' and 'Dark Retreat.' There is nothing oppressive about them, though, and the limpid rigor of the intellect they embody is leavened by the tenderness and sensuality of the poems in another sequence, 'Amo te Solo,' which possesses a lustiness that would seem at home in the Bible but has almost disappeared from contemporary poetry." —John Koethe In a 1985 interview with fellow poet John Kinsella, Kevin Hart reflected on the nature of poetry: "People sometimes think that the spiritual world is distinct from, even distant from, this world. . . . But the spiritual world is within this one: not as a secret, but as a radiance. . . . We find it through God's grace and our attention. Poetry is one form of attention, and poetry does not lead us to another world: it shows us this world, this relationship, this chair, this ivy on the outside wall." In Young Rain, Hart continues his exploration of the mysterious radiance within this world. ". . . Kevin Hart is the best Australian poet of the past 25 years." —Mark Strand
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Figure It Out! Human Proportions
When the proportions are right, the drawing looks right! Most artists whose work features the human head and figure don't have the time or opportunity to draw directly from models, so it's essential that they acquire the skills and tools to draw them accurately without using direct reference. Now, thanks to Chris Hart's foolproof method, even beginners can quick-check the proportions of their head and figure drawings, identify errors and swiftly fix mistakes. Richly illustrated with drawings from various angles, this follow-up to Hart's bestselling Figure It Out! includes step-by-step demonstrations and lessons that lead readers through the process.
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Poetry and Revelation
Religious poetry has often been regarded as minor poetry and dismissed in large part because poetry is taken to require direct experience; whereas religious poetry is taken to be based on faith, that is, on second or third hand experience. The best methods of thinking about "experience" are given to us by phenomenology. Poetry and Revelation is the first study of religious poetry through a phenomenological lens, one that works with the distinction between manifestation (in which everything is made manifest) and revelation (in which the mystery is re-veiled as well as revealed). Providing a phenomenological investigation of a wide range of “religious poems”, some medieval, some modern; some written in English, others written in European languages; some from America, some from Britain, and some from Australia, Kevin Hart provides a unique new way of thinking about religious poetry and the nature of revelation itself.
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Economic Voting
The conventional wisdom of economic voting theory argues that a nation's economic performance drives electoral outcomes. Therefore, voters will hold an administration accountable for its economic stewardship. Austin Hart challenges the simplicity of this notion, drawing on cognitive-psychological research on priming to demonstrate that the intensity of voters' exposure to economic campaign messages systematically conditions the strength of the economic vote. However, this study goes further than simply saying 'campaigns matter'. Here, we learn that candidates who control the campaign narrative can capitalize on favorable economic conditions or - contrary to the predictions of conventional theory - overcome unfavorable conditions. Although the aim is not to dismiss the importance of structural variables in the study of elections, Hart shows that the choices candidates make about what to say and how often shape election outcomes in ways that cannot be explained by contextual or institutional forces alone.
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Hart Life
Colin Hart, the former Deep Purple and Rainbow tour manager devoted over thirty years of his life to these great rock musicians. This is his story and indeed theirs. A tale of excess in terms of greed, petulance, anger and devotion. It is counter balanced by extremes of pure talent, showmanship and, of course musicianship. He was the constant 'man in the middle' through all of the break ups, make-ups and revolving door line-up changes. Joining them at twenty-four years old and leaving with a curt email dismissal thirty years later, he was there every step of their rock 'n' roll way. A story of two of the most innovative, often copied, rock bands; seen through the eyes, ears and emotions of their 'mother hen' (as Jon Lord described him). He was their minder, chauffeur, carer, provider, protector, father confessor & confidant. In truth he is the only one who can tell this tale of both bands as he was the only one there on the road throughout the life of, not one, but both gigantic bands.
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Restoration of the Republic
Bringing to light a long-neglected aspect of Thomas Jefferson's political philosophy - the "ward republic" - Gary Hart here offers a blueprint for republican restoration in which every US citizen can participate democratically in the governing of his or her own life. With relevance for contemporary society, including a plan for homeland security, "Restoration of the Republic" provides insights into issues of national urgency as well as the timeless questions that bedevil the American democratic experiment.
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Nations of Nothing But Poetry
Modernism is typically associated with novelty and urbanity. So what happens when poets identify small communities and local languages with the spirit of transnational modernity? Are vernacular poetries inherently provincial or implicitly xenophobic? How did modernist poets use vernacular language to re-imagine the relations between people, their languages, and the communities in which they live?Nations of Nothing But Poetry answers these questions through case studies of British, Caribbean, and American poetries from the 1920s through the 1990s. With a combination of fresh insights and attentive close readings, Matthew Hart presents a new theory of a "synthetic vernacular"-writing that explores the aesthetic and ideological tensions within modernism's dual commitments to the local and the global. The result is an invigorating contribution to the field of transnationalmodernist studies. Chapters focus on a mixture of canonical and non-canonical writers, combining new literary histories—such as the story of how Melvin B. Tolson, while a resident of Oklahoma, was appointed Poet Laureate of Liberia—with analyses of poems by Gertrude Stein, W. H. Auden, Ezra Pound, and T. S.Eliot. More broadly, the book reveals how the language of modernist poetry was shaped by the incompletely globalized nature of a world in which the nation-state continued to be a primary mediator of cultural and political identity, even as its authority was challenged as never before. Through deft juxtaposition, Hart develops a new interpretation of modernist poetry in English-one that disrupts the critical opposition between nationalism and the transnational, paving the way for a political history ofmodernist cosmopolitanism.
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