Search results for "Hewitt"
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Northman: John Hewitt (1907-87)
This, the first ever biography of John Hewitt, is based on archival material, both personal and literary. In many ways it is also a biography of his wife, Roberta (nee Black), whose manuscript journal is also in the public domain. To establish Hewitt's late arrival as a poet, the book opens with a chapter recounting his negotiations with a London publisher over a long period and the eventual appearance of No Rebel Word (1949). Successive chapters trace hiseducation, courtship, literary apprenticeship, first employment as a junior gallery curator in Belfast, the political conflicts of the 1930s and then the War Years, his rejection for the post of director in Belfast's Civic Museum and Gallery, and his utopian commitment to regionalism. Appointment to theHerbert Gallery in Coventry in 1956 brought recognition and confidence. His leanings towards socialist realism came to accommodate abstract art, and he defended the sculptor Barbara Hepworth against the penny-pinching ratepayers. Throughout this two-part career, Hewitt maintained his output as poet, culminating in the Collected Poems (1968). His Irish political commitments never wavered, though he became cautious about forms of nationalism which proclaimed themselves left-wing. RobertaHewitt's work for the Coventry Labour Party provided an outlet for her energies and her domestic frustrations. Throughout these forty years, the poetry is kept constantly in view, sometime by reference to individual pieces and their origins, and some by means of longer 'breaks for text' where more detailedcriticism is practised. In 1972, the Hewitts returned to Belfast whenthe Troubles reached an ugly peak. Committed to anti-sectarianism, Hewitt withheld support from all parties, though he took an interest in trade union activity. Publishing (perhaps too much) poetry in his last decade-and-a-half, he died very much in harness.
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Poems
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Tell Me A Story
In more than a half century with CBS News, Don Hewitt has been responsible for many of the greatest moments in television history, including the first broadcasts of political conventions in 1948 the first Kennedy-Nixon debate in 1960 and, most spectacularly, for the past 34 years, 60 Minutes , for which he has been the creator, executive producer, and driving force of the news program that has redefined television journalism. In Tell Me a Story , Hewitt presents his own remarkable life story in his own words, from his time as a reporter for Stars & Stripes during the Second World War, to the heady exhilaration of the early days of television, to the triumphs and controversies of 60 Minutes . Hewitt has been at the centre of events, covering some of the leading cultural and political figures of our century, and working with an All-Star roster of journalists. Hewitt also speaks bluntly, with affection and humour, about the promise and the shortcomings of television news, and offers surprising perspectives on its continued power and potential as we move into a new media environment. The key to his success, as Hewitt is fond of saying, is "I may not know a lot, but I think I know how to tell a story." Never has his storytelling talent been on better display than in the pages of this extraordinary book.
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Temporary European
Write guidebooks, make travel TV, lead bus tours? Cameron Hewitt has been Rick Steves' right hand for more than 20 years, doing just that. The Temporary European is a collection of vivid, entertaining travel tales from across Europe. Cameron zips you into his backpack for engaging and inspiring experiences: sampling spleen sandwiches at a Palermo street market; hiking alone with the cows high in the Swiss Alps; simmering in Budapest's thermal baths; trekking across an English moor to a stone circle; hand-rolling pasta at a Tuscan agriturismo; shivering through Highland games in a soggy Scottish village; and much more. Along the way, Cameron introduces us to his favorite Europeans. In Mostar, Alma demonstrates how Bosnian coffee isn't just a drink, but a social ritual. In France, Mathilde explains that the true mastery of a fromager isn't making cheese, but aging it. In Spain, Fran proudly eats acorns, but never corn on the cob. While personal, the stories also tap into the universal joy of travel. Cameron's travel motto (inspired by a globetrotting auntie) is "Jams Are Fun"-the fondest memories arrive when your best-laid plans go sideways. And he encourages travelers to stow their phones and guidebooks, slow down, and savor those magic moments that arrive between stops on a busy itinerary. The stories are packed with inspiration and insights for your next trip, including how to find the best gelato in Italy, how to select the best produce at a Provencal market, how to navigate Spain's confusing tapas scene, and how to survive the experience of driving in Sicily (hint: just go numb). And you'll get a reality check for every traveler's "dream job": researching and writing guidebooks; guiding busloads of Americans on tours around Europe; scouting and producing a travel TV show; and working with Rick Steves and his merry band of travelers. It's a candid account of how the sausage gets made in the travel business-told with warts-and-all honesty and a sense of humor. For Rick Steves fans, or anyone who loves Europe, The Temporary European is inspiring, insightful, and fun.
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Social Choreography
Through the concept of “social choreography” Andrew Hewitt demonstrates how choreography has served not only as metaphor for modernity but also as a structuring blueprint for thinking about and shaping modern social organization. Bringing dance history and critical theory together, he shows that ideology needs to be understood as something embodied and practiced, not just as an abstract form of consciousness. Linking dance and the aesthetics of everyday movement—such as walking, stumbling, and laughter—to historical ideals of social order, he provides a powerful exposition of Marxist debates about the relation of ideology and aesthetics.Hewitt focuses on the period between the mid-nineteenth century and the early twentieth and considers dancers and social theorists in Germany, Britain, France, and the United States. Analyzing the arguments of writers including Friedrich Schiller, Theodor Adorno, Hans Brandenburg, Ernst Bloch, and Siegfried Kracauer, he reveals in their thinking about the movement of bodies a shift from an understanding of play as the condition of human freedom to one prioritizing labor as either the realization or alienation of embodied human potential. Whether considering understandings of the Charleston, Isadora Duncan, Nijinsky, or the famous British chorus line the Tiller Girls, Hewitt foregrounds gender as he uses dance and everyday movement to rethink the relationship of aesthetics and social order.
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If It's Not Close, They Can't Cheat
This is a book about winning elections in an age when security has trumped almost every other issue and the technology of political effectiveness is evolving with lightning quickness. Hewitt offers real-world tactics for individuals who (1) care about the future of the United States and (2) want to work effectively to help elect candidates who will lead the country-on a national or local level-in the right direction.In this book, Hugh Hewitt does more than rehash conservative grievances, preach to the choir, or even preach to the choir plus the undecideds. He aims to change the behavior of the choir, one reader at a time. Hewitt includes material targeted to people of faith when appropriate and appeals to all readers who consider themselves conservative or center-right. Material has been updated to cover current events in 2006.
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Correspondence and American Literature, 1770–1865
Elizabeth Hewitt uncovers the centrality of letter-writing to antebellum American literature. She argues that many canonical American authors turned to the epistolary form as an idealised genre through which to consider the challenges of American democracy before the Civil War. The letter was the vital technology of social intercourse in the nineteenth century and was adopted as an exemplary genre in which authors from Crevecoeur and Adams through Jefferson, to Emerson, Melville, Dickinson and Whitman, could theorise the social and political themes that were so crucial to their respective literary projects. They interrogated the political possibilities of social intercourse through the practice and analysis of correspondence. Hewitt argues that although correspondence is generally only conceived as a biographical archive, it must instead be understood as a significant genre through which these early authors made sense of social and political relations in the nation.
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I Am Weak, I Am Strong
Even on the days you struggle to stay strong, you can live a resilient and hopeful life.After receiving a devastating brain cancer diagnosis, Jay Hewitt had a decision to make: Should he give up on faith or practice what he preached and trust that with God all things are possible? In I Am Weak, I Am Strong, Jay chronicles his journey of turning toward Jesus even when circumstances urged him to turn away. Faith in action for Jay included competing in an IRONMAN triathlon while undergoing cancer treatment. His race was a grand gesture of love for his young daughter--and a call to resilience for all of us.I Am Weak, I Am Strong reminds us that our true "superpower" comes from God. As you read Jay's honest and inspiring words, you will:Understand the counterintuitive wisdom of strength in weaknessLearn to discern the voice of God and his calling for your lifeLive with resilience in the face of any trialDiscover how God moves mountains--even when you least expect itFeel empowered to pray authentically, boldly, and continually For anyone who is searching for hope in anxiety and grief, needs validation and compassion in times of doubt, is curious about faith in the face of death, or longs for a more authentic relationship with God, I Am Weak, I Am Strong will teach you that faith grows from the freedom to doubt.Strength grows from realizing how weak we are on our own. And light grows when we follow God's dreams for us, even through the darkness.
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Protest and Progress
As both a preeminent scholar of Balck Angelican and Episcopalians and devout parishoner, the late James Hewitt writes an illuminus hsitory of one of the most famous black congregrations in America. From its humble beginnings, St. Philip's originated from classes conducted by Elais Neau and other Angelic clerks for the society for the propagations of the Gospel in Foreign Parts. From these cateisem classes emerged a higly educated, African-American group comprised of free and enslaved blacks. W.E.B Dubuois hailed it as the foundation for the Talented Tenth in his classic book Souls of Balck Folk After the American Revolution, St. Philip's has since becoem the church of middle-class blacks across New York City. Hewlitt's careful and percise scholarship chronicles over two centuries of of the church's history, which fills a significant lagun in African-American Religious history.
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Protest and Progress
As both a preeminent scholar of Balck Angelican and Episcopalians and devout parishoner, the late James Hewitt writes an illuminus hsitory of one of the most famous black congregrations in America. From its humble beginnings, St. Philip's originated from classes conducted by Elais Neau and other Angelic clerks for the society for the propagations of the Gospel in Foreign Parts. From these cateisem classes emerged a higly educated, African-American group comprised of free and enslaved blacks. W.E.B Dubuois hailed it as the foundation for the Talented Tenth in his classic book Souls of Balck Folk After the American Revolution, St. Philip's has since becoem the church of middle-class blacks across New York City. Hewlitt's careful and percise scholarship chronicles over two centuries of of the church's history, which fills a significant lagun in African-American Religious history.
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True Science of Music
The physics of music has fascinated scholars and scientists since ancient times, from Pythagoras' concept of celestial harmony, to the work of Galileo, Mersenne, Euler and Ohm, culminating in the nineteenth century in Helmholtz's definitive work, On the Sensations of Tone. Daniel Chandler Hewitt (1789–1869) was a piano maker who also devised improvements to the seraphine (a form of reed organ). This idiosyncratic work, first published in 1864, only a year after Helmholtz's German text (also reissued in this series in the 1875 English translation), discusses the mathematics of musical intervals according to Hewitt's 'Triune', or three-fold, system of calculation using his Musical Ratiometer (included at the end of the volume). Musical examples, gathered at the end of the work, illustrate his arguments and include a close analysis of the intervals and chord structures of the Moonlight and the Appassionata piano sonatas by Beethoven.
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