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Light of Evening
Jack Foley has been prominent in the San Francisco Bay Area poetry scene since the mid-1980s. The Light of Evening traces the arc of his life since his birth in New Jersey in 1940. Foley has spent his life in the pursuit of ways to continue writing poetry in a world in which the status of poetry has been seriously diminished. This candid autobiography offers a portrait of an artist who has continued to produce experimental as well as traditional work and who created theoretical underpinnings for that work. His exciting “choruses” – duets performed with his late wife Adelle – established him as a unique presenter of poetry in an area in which poets abound. Along with his creative work, Foley studied at Cornell with the brilliant and notorious deconstructionist critic Paul de Man. He lived through the 1960s in and around Berkeley, California, attending the university at the height of the Free Speech Movement. Following on the heels of Kenneth Rexroth, he has presented poetry on KPFA-FM, Berkeley’s radical radio station, for over thirty years. He produced a 1300-page history of Californian poetry from 1940 to 2005 that has been called “an oddball masterpiece ... the first adequate account of California's complex and contradictory literary life.” At eighty, Foley looks back at a life in which he managed to maintain himself as a contrarian poet who never resorted to the academy for sustenance and who never courted fame from the East Coast literary hegemony. The Light of Evening is the story of a complex, always-in-motion public intellectual for whom poetry was first, last, and always.
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Backward Glance O’er Travel’d Roads
California poet Jack Foley has been called “a brilliant critic and a unique poet whose work energetically records the disintegration of the patriarchy” and a writer of “genuinely avant-garde poetry.” His collaborative, multimedia poetry performances are both seminal and shamanic, evolving from the linguistic musical tradition of the original San Francisco Beat poets and extending their eye, ear and voice of penetrating clarity into a modern mythology. “A Backward Glance O’er Travel’d Roads” – a title from Walt Whitman – is a spiritual history, an attempt to show, as Wordsworth put it many years ago, “the growth of a poet’s mind.” Where did I begin? What forces moved me in what directions? What is the result of the effort to create art in a medium that is currently simultaneously respected, misunderstood, and discredited? What kind of poetry is possible in a dark time? “A Backward Glance O’er Travel’d Roads” throws light not only on Foley’s life and work, but also on the history of twentieth-century poetry, and on the efforts, successes, and failures of Modernism.
R 2,122.79
Light of Evening
Jack Foley has been prominent in the San Francisco Bay Area poetry scene since the mid-1980s. The Light of Evening traces the arc of his life since his birth in New Jersey in 1940. Foley has spent his life in the pursuit of ways to continue writing poetry in a world in which the status of poetry has been seriously diminished. This candid autobiography offers a portrait of an artist who has continued to produce experimental as well as traditional work and who created theoretical underpinnings for that work. His exciting “choruses” – duets performed with his late wife Adelle – established him as a unique presenter of poetry in an area in which poets abound. Along with his creative work, Foley studied at Cornell with the brilliant and notorious deconstructionist critic Paul de Man. He lived through the 1960s in and around Berkeley, California, attending the university at the height of the Free Speech Movement. Following on the heels of Kenneth Rexroth, he has presented poetry on KPFA-FM, Berkeley’s radical radio station, for over thirty years. He produced a 1300-page history of Californian poetry from 1940 to 2005 that has been called “an oddball masterpiece ... the first adequate account of California's complex and contradictory literary life.” At eighty, Foley looks back at a life in which he managed to maintain himself as a contrarian poet who never resorted to the academy for sustenance and who never courted fame from the East Coast literary hegemony. The Light of Evening is the story of a complex, always-in-motion public intellectual for whom poetry was first, last, and always.
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COLLISIONS
Octogenarian Jack Foley's COLLISIONS is a book at play in the forests of the mind. The opening quotation from Dana Gioia defines the book's understanding of consciousness: "Human consciousness is an unstable republic of conflicting impulses, instincts, and appetites in perpetual flux." COLLISIONS is an attempt to honor that notion of the chaos of consciousness while at the same time giving the reader an experience of thought and feeling that is not so chaotic that it is overwhelming. It tries to tell the truth about the mind in a way that feels if not comfortable at least familiar: we too have felt that fire, that movement. The book asserts that the fundamental condition of poetry is words in motion, constantly dis/uncovering perceptions of the new. "Ecstasy seems to be linked to the instability of language." Familiar with the many forms of traditional poetry and comfortable with the making of new forms, Foley conceives of every living poet as an Orpheus attempting to rescue poetry-as-Eurydice. If poetry to some extent reveals the ramifications of the poet's identity, it does so in the context of the coruscations of words whose flashes move beyond identity into something more. The book deliberately plunges us into mystery as everything collides with everything else. Foley writes to a fellow poet, "'Home' is where you belong but 'home' isn't anywhere: it is always a profound absence: 'sound, noise that reaches for the ever-receding light.' I think that, underneath all the 'influences,' is this deep longing which is always asserted and always denied." Baudelaire: "heaven or hell who cares / In the depths of the unknown to find something new.
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Radical Representations
In this revisionary study, Barbara Foley challenges prevalent myths about left-wing culture in the Depression-era U.S. Focusing on a broad range of proletarian novels and little-known archival material, the author recaptures an important literature and rewrites a segment of American cultural history long obscured and distorted by the anti-Communist bias of contemporaries and critics.Josephine Herbst, William Attaway, Jack Conroy, Thomas Bell and Tillie Olsen, are among the radical writers whose work Foley reexamines. Her fresh approach to the U.S. radicals' debates over experimentalism, the relation of art to propaganda, and the nature of proletarian literature recasts the relation of writers to the organized left. Her grasp of the left's positions on the "Negro question" and the "woman question" enables a nuanced analysis of the relation of class to race and gender in the proletarian novel. Moreover, examining the articulation of political doctrine in different novelistic modes, Foley develops a model for discussing the interplay between politics and literary conventions and genres.Radical Representations recovers a literature of theoretical and artistic value meriting renewed attention form those interested in American literature, American studies, the U. S. left, and cultural studies generally.
R 1,362.61
Hardcore Diaries
The New York Times bestselling author Mick Foley returns to his fans favorite subject: Mick Foley and wrestling! What was I thinking? Another autobiography? A third? Who did I think I was, Winston Churchill? Why would I want to set my pen loose on hundreds of sheets of notebook paper unless I really felt I had something worth writing about? Besides, I had a wrestling comeback to prepare for, mentally and physically, provided I could get Vince McMahon and the WWE creative staff to embrace what I was sure was the single greatest storyline of my career. Then it hit me: the storyline. I would give WWE fans unprecedented access to World Wrestling Entertainment, covering everything from conception to completion. I would recount how I felt about specific interviews and matches, whether they helped or hurt. I would expose the backstage politics, shed some light on my rocky relationship with Vince McMahon, offer insights into my personal dealings with WWE Superstars, and tell stories about my favorite Divas. But I wasn't interested in writing just a wrestling book. I wanted to share moments from my personal life as well, from a humorous look at my unlikely dinner with polarizing neocon Paul Wolfowitz, to my haunting meeting with a severely burned boy in Afghanistan, to my peculiar obsession with a certain jolly old elf. I knew I could make the fans care about this storyline, provided I could once again find the passion to make the story come to life in arenas around the country and on television sets around the world. Most importantly, I had to ask myself a vital question, one upon which this whole idea, and therefore the book you hold, hinges: Was I willing to become the first voluntary member of the Vince McMahon "Kiss My Ass Club"? I sat on the idea for a few days, to let the idea ripen and mature in my mind, like a fine vintage wine, and to figure out if I was really willing to kiss his ass. I mean, literally kiss a man's ass. Sure, I'd been kissing the same guy's ass figuratively for a decade. But this was different. Did I really have the testicular fortitude required for such a task? In front of millions? Including my wife and kids? I made the call.
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On the Basis of Race
How universities can navigate affirmative action bans to protect diversity in student admissionsDiversity in higher education is under attack as the Supreme Court considers the future of affirmative action, or race-conscious admissions practices, at American colleges and universities. In On the Basis of Race, Lauren S. Foley sheds light on our current crisis, exploring the past, present, and future of this contentious policy.From Brown v. Board of Education in the mid-twentieth century to the current Students for Fair Admissions v. Harvard and University of North Carolina, Chapel Hill, Foley explores how organizations have resisted and complied with public policies regarding race. She examines how admissions officers, who have played an important role in the long fight to protect racial diversity in higher education, work around the law to maintain diversity after affirmative action is banned. Foley takes us behind the curtain of student admissions, shedding light on how multiple universities, including the University of Michigan, have creatively responded to affirmative action bans. On the Basis of Race traces the history of a controversial idea and policy, and provides insight into its uncertain future.
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Epistemology with a Broad and Long View
Epistemology with a Broad and Long View is an original and provocative challenge to standard epistemologies that assume that the reasonability of beliefs is wholly a function of considerations indicating their current likelihood. Richard Foley argues that this view, although widely accepted, is excessively narrow. Foley argues for a less constricted epistemology that acknowledges that, in addition to beliefs and degrees-of-confidence, intellectual commitments play a vital role in our intellectual lives; that the key issue in overseeing all these attitudes is whether it's appropriate to revise or add to them for our purposes; and that a mixture of practical, ethical, political, social, and long-term intellectual considerations, and not just ones about current likelihood, determine what's appropriate. On this view, there is no purely epistemic notion of reasonability. There are truth-related considerations, but except in those rare cases where there is complete certainty, they don't determine the reasonability of our belief-like attitudes. They do so only in partnership with a broad and long range of non-truth-related considerations. Foley suggests that a failure to recognize these partnerships can result in theoretical confusion, and also can impede our ability to understand and deal with dogmatists who have unlikely or toxic views. Foley's overriding theme is that a broad and long view is as necessary for making sense of the reasonableness or unreasonableness of our opinions, as it is for other aspects of our lives.
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Jack
Jack Wilson was born in 1923, the eldest son of mill workers. Money was never plentiful and so as a child he knew poverty, but lived surrounded by the love of his family. It was as a member of the Royal Navy during the Second World War that he travelled the world facing constant danger and wondering whether or not he would ever see his wife and family again. Lurching ships in icy seas with the constant threat of being washed overboard, the hidden dangers of enemy submarines, lucky escapes as well as his brush with the D-Day landings are only the beginning of Jack's story. The end of the war came and Jack began his service as a policeman, working his way through the ranks from Constable to Chief Inspector. No day was ever the same as one minute he dealt with the mundane, but was also faced with kidnappings, murders, and the hunt for missing persons, as well as a frightening siege at the hands of armed I.R.A. gunmen. As a policeman he always wanted the best outcome for the crimes which he became involved with and at the heart of his policing were the principles he had learned in his early life, of respect, truth, honesty and family loyalty. Jack is generous of spirit, proud and caring... and this is his story.
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Balanced Brand
Companies usually assume if their sales are good, then their brand and reputation must be strong. But all too often, they don't have a clear understanding of the values that drive brand and reputation and actually sustain long-term profitability and growth. This leaves companies vulnerable to dangerous backlash between corporate values, and those of their stakeholders: customers, employees, shareholders, media, government, and community. Even well-known and seemingly successful brands and reputations have suffered from this backlash (e.g. Nike and overseas sweatshops, Wal-Mart and unfair employment practices, McDonald's and obesity issues.) Every stakeholder applies their personal and professional values to judge the performance of a company. Branding expert John Foley has developed the BalancedBrand System, which helps companies assess corporate values, identify potential flashpoints, and align values to build a stronger brand and reputation. BalancedBrand identifies and helps manage the forces that will change the way business does business. Foley and co-author Julie Kendrick have created new tools that build and protect brands and reputations.
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Midnight Feast
The deliciously twisty new locked room murder mystery from the #1 New York Times bestselling author of The Guest List and The Paris ApartmentWelcome to the opening weekend of The ManorA luxury resort built on top of old secrets in an ancient woodTHE FOUNDERTHE HUSBANDTHE MYSTERY GUESTTHE KITCHEN HELPAll have an agenda. All have a past. But not everyone will survive....The Midnight Feast
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On the Basis of Race
How universities can navigate affirmative action bans to protect diversity in student admissionsDiversity in higher education is under attack as the Supreme Court considers the future of affirmative action, or race-conscious admissions practices, at American colleges and universities. In On the Basis of Race, Lauren S. Foley sheds light on our current crisis, exploring the past, present, and future of this contentious policy.From Brown v. Board of Education in the mid-twentieth century to the current Students for Fair Admissions v. Harvard and University of North Carolina, Chapel Hill, Foley explores how organizations have resisted and complied with public policies regarding race. She examines how admissions officers, who have played an important role in the long fight to protect racial diversity in higher education, work around the law to maintain diversity after affirmative action is banned. Foley takes us behind the curtain of student admissions, shedding light on how multiple universities, including the University of Michigan, have creatively responded to affirmative action bans. On the Basis of Race traces the history of a controversial idea and policy, and provides insight into its uncertain future.
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American Credo
American society may be hostile to the thought of ideologies, but it possesses a sophisticated but little understood ability to engage in deep conflicts over political ideas, while at the same time reducing adversarial positions to legitimate derivatives of American history and development. The study asks how this occurs; how the sources, traditions and usages of core ideas and their derivative compounds animate political discourse and structure the basis ofpolitical conflict; and how it is possible to sustain a high incidence of competitive value-laden argument and principled political conflict within a stable political order. The fundamental aim of this study is to examine the traditions and usages of American political ideas within the arena of practical politics. By locating them in their respective contexts, it will be possible to assess both their changing meanings and their shifting relationships to one another. In surveying America's core ideas both in isolation and in combination, the book facilitates an informed awareness of their political and cultural leverage as forms of persuasion and sources of legitimacy. American Credo roots the examination of American political ideas firmly in the milieu of social drives, political movements and contemporary issues within which the ideas themselves are embedded. This not only allows the study to investigate the interior properties and traditional prioritiesof America's key values but permits the theoretical implications and practical consequences of these ideas to be traced and evaluated. By marshalling a wide variety of evidence from different disciplines and perspectives, and by employing innovative principles of organisation, the study offersclarity and depth in support of an inventive explanatory scheme. It concludes with a review of the current and likely future challenges to the protocols and conventions surrounding the matrix of ideational coexistence.
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Working Without a Net
In this book Foley offers a major new theory of rationality. His aim is to escape the `doldrums of Descartes' by lowering the standard for what is rational from his impossibly demanding level of certainty. Foley takes a belief's being rational as a matter of its seeming from some perspective to be objectively likely to be true. This makes for an attractive mix of subjective and objective components in his concept of rationality. The subjective component makesrationality attainable; the objective component preserves the discipline of external constraint.
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Wrestling with the Left
In Wrestling with the Left, Barbara Foley presents a penetrating analysis of the creation of Invisible Man. In the process she sheds new light not only on Ralph Ellison’s celebrated novel but also on his early radicalism and the relationship between African American writers and the left during the early years of the cold war. Foley scrutinized thousands of pages of drafts and notes for the novel, as well as the author’s early journalism and fiction, published and unpublished. While Ellison had cut his ties with the Communist left by the time he began Invisible Man in 1945, Foley argues that it took him nearly seven years to wrestle down his leftist consciousness (and conscience) and produce the carefully patterned cold war text that won the National Book Award in 1953 and has since become a widely taught American classic. She interweaves her account of the novel’s composition with the history of American Communism, linking Ellison’s political and artistic transformations to his distress at the Communists’ wartime policies, his growing embrace of American nationalism, his isolation from radical friends, and his recognition, as the cold war heated up, that an explicitly leftist writer could not expect to have a viable literary career. Foley suggests that by expunging a leftist vision from Invisible Man, Ellison rendered his novel not only less radical but also less humane than it might otherwise have been.
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Weave and the Wave
The aim of The Weave and the Wave is to explain the development, influence and benefits for the individual of the simple idea that everything is relation and process. This idea was common in early cultures, lost in the Christian era but gradually rediscovered and has now permeated disciplines right across the sciences and humanities, leading to radical new thinking about time, complexity, history, matter, individualism, the self, the brain, the body, the senses, emotion, perception, memory, learning, ageing, and the nature, attitude to, and experience of inanimate objects, all relevant to the individual and everyday life. For the process philosophers who first fully developed this way of thinking had no desire to theorize and create a new specialism, or to benefit existing specialisms, but only to make everyday experience richer, more vivid and more intense, while cautioning that this requires constant effort. If everything is connected and constantly changing, then it is necessary to pay attention constantly and learn constantly. Michael Foley, a poet and novelist, pays attention to all this and more in a witty, engaging, literary style that draws on the arts and personal experience as well as philosophy and science.
R 2,758.00
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