Search results for "Jacobs"
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Die Groot Jaco Jacobs Storieboek
Vir die eerste keer word vyf van Jaco Jacobs se gewilde kinderverhale saam in een waarde-vir-geld omnibus uitgegee! Geniet hierdie fantastiese verhale oor onbeskofte feetjies, ’n geheimsinnige meermin, ’n superheld-boetie, ’n baie stink poets en ’n klomp raserige dinosourusse! Die omnibus bevat: Pasop vir die feetjies; Borrels; Superboetie; Koebaai, Gorilla en Die probleem met dinosourusse.
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Jewish Question, 1875–1884
Although born in Australia, the historian and folklorist Joseph Jacobs (1854–1916) spent his adult years in England and America. Educated at Cambridge and Berlin, he came to public attention in 1882 following the publication in The Times of a series of articles on the persecution of Jews in Russia that had followed the assassination of Alexander II. The Mansion House Committee to aid the Jews of Russia was established as a result of these articles. In 1885 he published this book, listing all the printed works on the 'Jewish Question' that had appeared in the previous decade. It is notable that those items originating in Germany form the bulk of the bibliography, providing as much material as all other countries combined. Revealing in its scope, this has been described as the most important contemporary bibliography on the subject.
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Dentist of Auschwitz
In 1941 Berek Jakubowicz (now Benjamin Jacobs) was deported from his Polish village and remained a prisoner of the Reich until the final days of the war. His possession of a few dental tools and rudimentary skills saved his life. Jacobs helped assemble V1 and V2 rockets in Buchenwald and Dora-Mittelbau; spent a year and a half in Auschwitz, where he was forced to remove gold teeth from corpses; and survived the RAF attack on three ocean liners turned prison camps in the Bay of Lubeck. This is his story.
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Jacob in Jubilees
The patriarch Jacob functions as the main character in Jubilees, one of the most important early Jewish texts outside the Bible. This study investigates two important connections made by the author of Jubilees, Jacob and the Torah, and Jacob and the Abrahamic Promise (Gen 12:1–3 and parallels), both of which play an important role in Jubilees. Jacob functions as the perfect Israelite who follows the Deuteronomic commandments (addressed to Israel in the second person singular) to the utmost, and thus exemplifies the "holy seed" or "rest" of Israel, who will also inherit the Abrahamic Promise when they fulfil the Torah as Jacob did. Esau functions as an archetype of the apostate Israelite who will be left outside of the Promise. The study illuminates the early reception history of the Abrahamic Promise and its close connection with Deuteronomy. It gives background for scholars of early Judaism and Christianity dealing with the reception of the Law and the Promise as well as of the parting of Judaism and Christianity, where different readings of the patriarchal stories were influential (e.g., Sifre Deuteronomy).
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Jacob’s Apartment
Some questions can shake even the strongest faith.At first glance, college roommates Jacob and Sarah seem like polar opposites. Jacob is a Christian; Sarah is an atheist. Sarah is a drinker, and Jacob, a teetotaler. But they have been friends for years, finding commonality in their shared dream to create art.Jacob’s world is turned upside down when his father dies, causing him to question his faith. Meanwhile, Sarah wrestles with her own demons, searching for solace in one-night stands after her boyfriend (and professor) leaves her for a job in New York. A coming-of-age graphic novel in the vein of Ghost World and Fun Home, Jacob’s Apartment weaves together the threads of spiritual faith, identity, purpose, love, and loss to create an engrossing world in which waking and sleeping dreams collide.
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Jacob & Esau
Jacob and Esau is a profound new account of two millennia of Jewish European history that, for the first time, integrates the cosmopolitan narrative of the Jewish diaspora with that of traditional Jews and Jewish culture. Malachi Haim Hacohen uses the biblical story of the rival twins, Jacob and Esau, and its subsequent retelling by Christians and Jews throughout the ages as a lens through which to illuminate changing Jewish-Christian relations and the opening and closing of opportunities for Jewish life in Europe. Jacob and Esau tells a new history of a people accustomed for over two-and-a-half millennia to forming relationships, real and imagined, with successive empires but eagerly adapting, in modernity, to the nation-state, and experimenting with both assimilation and Jewish nationalism. In rewriting this history via Jacob and Esau, the book charts two divergent but intersecting Jewish histories that together represent the plurality of Jewish European cultures.
R 1,729.06
Marc Jacobs: Unseen
Entering fashion history in 1993 with his notorious ‘grunge’ collection for Perry Ellis, Marc Jacobs would soon be hailed by American Vogue as ‘the dauphin of grungy, understated cool’. He quickly rose to become one of the most influential designers of his generation, both at the helm of his own label and as creative director of Louis Vuitton from 1998 to 2014. Known for his collaborations with prominent artists, musicians and muses – from Stephen Sprouse to Sonic Youth, Debbie Harry, Sofia Coppola and Chloë Sevigny, Marc Jacobs ‘changed what it means to be a fashion designer, just as once upon a time Andy Warhol changed what it meant to be an artist’, according to fashion historian Valerie Steele. Opening with an essay on the designer’s work, Marc Jacobs: Unseen unfolds chronologically, revisiting the designer’s most iconic creations and revealing previously unseen behind-the-scenes moments of models, hairdressers, stylists, make-up artists and Marc Jacobs himself at their most creative. Robert Fairer’s stunning and highenergy photographs capture the youth, glamour and spirit that defined Jacobs’s shows.
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Empire from the Margins
The writings of three early modern Jewish historians highlight the divided allegiances of a Jewish diaspora living in and between the Spanish and Ottoman empires In 1492, the year that marked the start of Spain's transatlantic expansion, the Spanish monarchs expelled their Jewish subjects and triggered a mass Jewish migration to the lands of the Ottoman empire. But while the rise of these rival empires had tremendous impact on the Jewish population's geography, the historical accounts of contemporary Jews have remained peripheral to the study of early modern imperialism. In Empire from the Margins, Martin Jacobs seeks to understand how the history of empires appears through the lens of marginalized communities and to explore how Jews responded to Spanish and Ottoman imperial expansion. He approaches this history through the Hebrew chronicles of three sixteenth- and seventeenth-century Jewish authors. Elijah Capsali of Crete, Joseph ha-Kohen of Genoa, and Joseph Sambari of Cairo all lived in early modern hubs with global connections, and—in unusual detail for premodern Jewish historians—they described how the Spanish and Ottoman empires redrew the political, cultural, and religious map of the Mediterranean region while simultaneously transforming the transatlantic world. As Jews, these writers belonged to an ethno-religious minority within the Mediterranean basin where the Spanish and Ottoman empires were centered, and from here they expressed marginalized views on the Spanish and Ottoman regimes. At the same time, these Jewish authors belonged to Jewish networks that transcended imperial boundaries, and they voiced conflicting loyalties between different authorities and cultures. And Jacobs shows that, in writing about the Spanish and Ottoman expansion, these authors also grappled with the Jews' precarious position in their host societies and their own multilayered identities. Their shifting positionalities illuminate the divided allegiances of a Jewish diaspora living in and between competing empires.
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Eye's Mind
The Eye's Mind significantly alters our understanding of modernist literature by showing how changing visual discourses, techniques, and technologies affected the novels of that period. In readings that bring philosophies of vision into dialogue with photography and film as well as the methods of observation used by the social sciences, Karen Jacobs identifies distinctly modernist kinds of observers and visual relationships. This important reconception of modernism draws upon American, British, and French literary and extra-literary materials from the period 1900-1955. These texts share a sense of crisis about vision's capacity for violence and its inability to deliver reliable knowledge. Jacobs looks closely at the ways in which historical understandings of race and gender inflected visual relations in the modernist novel. She shows how modernist writers, increasingly aware of the body behind the neutral lens of the observer, used diverse strategies to displace embodiment onto those "others" historically perceived as cultural bodies in order to reimagine for themselves or their characters a "purified" gaze. The Eye's Mind addresses works by such high modernists as Vladimir Nabokov, Virginia Woolf, and (more distantly) Ralph Ellison and Maurice Blanchot, as well as those by Henry James, Zora Neale Hurston, and Nathanael West which have been tentatively placed in the modernist canon although they forgo the full-blown experimental techniques often seen as synonymous with literary modernism. Jacobs reframes fundamental debates about modernist aesthetic practices by demonstrating how much those practices are indebted to the changing visual cultures of the twentieth century.
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Contemporary Perspectives on Jane Jacobs
Jane Jacobs's famous book The Death and Life of Great American Cities (1961) has challenged the discipline of urban planning and led to a paradigm shift. Controversial in the 1960s, most of her ideas became generally accepted within a decade or so after publication, not only in North America but worldwide, as the articles in this volume demonstrate. Based on cross-disciplinary and transnational approaches, this book offers new insights into her complex and often contrarian way of thinking as well as analyses of her impact on urban planning theory and the consequences for planning practice. Now, more than 50 years after the initial publication, in a period of rapid globalisation and deregulated approaches in planning, new challenges arise. The contributions in this book argue that it is not possible simply to follow Jane Jacobs's ideas to the letter, but instead it is necessary to contextualize them, to look for relevant lessons for cities and planners, and critically to re-evaluate why and how some of her ideas might be updated. Bringing together an international team of scholars and writers, this volume develops conclusions based on new research as to how her work can be re-interpreted under different circumstances and utilized in the current debate about the proclaimed ’millennium of the city’, the 21st century.
R 9,948.33
Jacob’s Wealth
Various biblical studies on wealth and poverty have been published over the last thirty years. Some of these studies touch on the wealth of the patriarchs in Genesis 12-50, but they focus predominantly on other parts of the Bible. Scholars who have studied the patriarchal narratives in detail comment on aspects of patriarchal wealth, but do not offer an in-depth analysis of this topic. This book on Jacob’s wealth shows that such an analysis is warranted. In the Jacob story, material possessions and their associated attitudes and actions are essential to understand the various relationship dynamics. Often, possessions are the cause of conflict, but they also play a role in conflict resolution. As a result, this study contributes to a fuller understanding of the Jacob-cycle.
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Eye's Mind
The Eye's Mind significantly alters our understanding of modernist literature by showing how changing visual discourses, techniques, and technologies affected the novels of that period. In readings that bring philosophies of vision into dialogue with photography and film as well as the methods of observation used by the social sciences, Karen Jacobs identifies distinctly modernist kinds of observers and visual relationships.This important reconception of modernism draws upon American, British, and French literary and extra-literary materials from the period 1900-1955. These texts share a sense of crisis about vision's capacity for violence and its inability to deliver reliable knowledge. Jacobs looks closely at the ways in which historical understandings of race and gender inflected visual relations in the modernist novel. She shows how modernist writers, increasingly aware of the body behind the neutral lens of the observer, used diverse strategies to displace embodiment onto those "others" historically perceived as cultural bodies in order to reimagine for themselves or their characters a "purified" gaze.The Eye's Mind addresses works by such high modernists as Vladimir Nabokov, Virginia Woolf, and (more distantly) Ralph Ellison and Maurice Blanchot, as well as those by Henry James, Zora Neale Hurston, and Nathanael West which have been tentatively placed in the modernist canon although they forgo the full-blown experimental techniques often seen as synonymous with literary modernism. Jacobs reframes fundamental debates about modernist aesthetic practices by demonstrating how much those practices are indebted to the changing visual cultures of the twentieth century.
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Harriet Jacobs Family Papers
This is the only collection of papers of an African American woman held in slavery.Although millions of African American women were held in bondage over the 250 years that slavery was legal in the United States, Harriet Jacobs (1813-97) is the only one known to have left papers testifying to her life. Her autobiography, ""Incidents in the Life of a Slave Girl"", holds a central place in the canon of American literature as the most important slave narrative by an African American woman.Born in Edenton, North Carolina, Jacobs escaped from her owner in her mid-twenties and hid in the cramped attic crawlspace of her grandmother's house for seven years before making her way north as a fugitive slave. In Rochester, New York, she became an active abolitionist, working with all of the major abolitionists, feminists, and literary figures of her day, including Frederick Douglass, Lydia Maria Child, Amy Post, William Lloyd Garrison, Susan B. Anthony, Harriet Beecher Stowe, Fanny Fern, William C. Nell, Charlotte Forten Grimke, and Nathan Parker Willis.Jean Fagan Yellin has devoted much of her professional life to illuminating the remarkable life of Harriet Jacobs. Over three decades of painstaking research, Yellin has discovered more than 900 primary source documents, approximately 300 of which are now collected in two volumes. These letters and papers written by, for, and about Jacobs and her activist brother and daughter provide for the thousands of readers of Incidents - from scholars to schoolchildren - access to the rich historical context of Jacobs' struggles against slavery, racism, and sexism beyond what she reveals in her pseudonymous narrative. Accompanied by a CD containing a searchable PDF file of the entire contents, this collection is an essential launching point for future scholarship on Jacobs' life and times.
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Jacob Frank
Jacob Frank is the second and last major exponent of apostate messianism, the concept that lead to the Sabbatain heresy. His picaresque life is recounted by Alexandr Kraushar. The editor's 'A Note for the General Reader' and his annotations to Kraushar's text explore the sources, and the reasons for the disappearance, of the Sabbatain heresy. These observations are reflected against aspects of early 20th Century European history. Also explored are affinities to the tenets of Sabbatian theology found in lines of T.S.Eliot's Four Quartets and in the role of the Old Bolsheviks in Stalin's Purge Trials.
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