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Out of the Shadows
The long-awaited, explosive memoir by former senior intelligence official Jay Stratton, the central figure in the U.S. Government's modern investigation of unidentified anomalous phenomena (UAP) and non-human intelligent life.For over 16 years, Stratton investigated UAP and non-human intelligent life on behalf of the federal government. While serving at the Defense Intelligence Agency, Stratton learned of UAP incursions over nuclear weapon sites, leading him to co-found the Advanced Aerospace Weapons System Application Program (AAWSAP), the first official U.S. Government program to investigate UAP since the closure of the Air Force's Project Blue Book. Operating in the shadows of the intelligence community, Stratton discovered an 80-year coverup of the existence of non-human intelligent life and fought back against powerful gatekeepers who have hid the truth from the public, Congress, and even Presidents. While risking everything in pursuit of the truth, he created and led the Unidentified Aerial Phenomena Task Force (UAPTF), the first whole-of-government investigation of UAP, forcing the nation to confront the unknown. Now, Stratton breaks his silence to provide a startling first-hand account of the shocking discoveries, encounters, challenges, and behind-the-scenes revelations that profoundly altered his understanding of humanity's place in the universe and took a disturbing toll on him and his family.A bombshell account and a definitive memoir that reads like a political thriller, Out of the Shadows is a high-stakes journey into the deepest and most significant mystery in human history.
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Jews, Race and Popular Music
Jon Stratton provides a pioneering work on Jews as a racialized group in the popular music of America, Britain and Australia during the twentieth and early twenty-first centuries. Rather than taking a narrative, historical approach the book consists of a number of case studies, looking at the American, British and Australian music industries. Stratton's primary motivation is to uncover how the racialized positioning of Jews, which was sometimes similar but often different in each of the societies under consideration, affected the kinds of music with which Jews have become involved. Stratton explores race as a cultural construction and continues discussions undertaken in Jewish Studies concerning the racialization of the Jews and the stereotyping of Jews in order to present an in-depth and critical understanding of Jews, race and popular music.
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Not So Perfect Strangers
One fateful encounter upends the lives of two women in this tense domestic thriller, a modern spin on Alfred Hitchcock’s Strangers On A Train that flips the script on race and gender politics. “I’m a big believer that women should help each other, Tasha,” she says. “Don’t you think?” Tasha Jenkins has finally found the courage to leave her abusive husband. Taking her teenage son with her, Tasha checks into a hotel the night before their flight out of D.C. and out of Kordell Jenkins’s life forever. But escaping isn’t so easy, and Tasha soon finds herself driving back to her own personal hell. As she is leaving, a white woman pounds on her car window, begging to be let in. Behind the woman, an angry man is in pursuit. Tasha makes a split-second decision that will alter the course of her life: she lets her in and takes off. Tasha and Madison Gingell may have very different everyday realities, but what they have in common is marriages they need out of. The two women want to help each other, but they have very different ideas of what that means . . . They are on a collision course that will end in the case files of the D.C. MPD homicide unit. Unraveling the truth of what really happened may be impossible‒and futile. Because what has the truth ever done for women like Tasha and Madison?
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John Jay
From the award-winning and New York Times best-selling author of Seward and Stanton, here is the critically acclaimed and definitive biography of John Jay: a major Founding Father, a true national hero, and a leading architect of America's future.John Jay was a central figure in the early history of the American Republic. A New York lawyer, born in 1745, Jay served his country with the greatest distinction, and was one of the most influential of its Founding Fathers. In this first full-length biography of John Jay in almost 70 years, Walter Stahr brings Jay vividly to life, setting his astonishing career against the background of the American Revolution.Drawing on substantial new material, Walter Stahr has written a full and highly readable portrait of both the public and private man. It is the story not only of John Jay himself, the most prominent native-born New Yorker of the eighteenth century, but also of his engaging and intelligent wife, Sarah, who accompanied her husband on his wartime diplomatic missions. This lively and compelling biography presents Jay in the light he deserves.
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John Jay
John Jay was one of America's greatest Founding Fathers. First Chief Justice of the Supreme Court, Secretary for Foreign Affairs during the Confederation, President of the Continental Congress, Governor of New York -- the only surprise is that he never became President. A New York lawyer, Jay (1745-1829) negotiated (with Franklin and Adams) the treaty that ended the War of Independence and later, in Jay's Treaty of 1794, the first commercial agreement with Britain. Actively engaged in the Revolutionary War, and a major contributor to the development and ratification of the Constitution, he was a central figure in the early history of the American Republic. A slave owner himself, he was nevertheless an early exponent of the gradual abolition of slavery. John Jay is the first biography for over sixty years of this remarkable man. Drawing on substantial new material, Walter Stahr has written a full and highly readable portrait of both the public and the private man.
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Jewish Identity in Western Pop Culture
This book looks at the post-Holocaust experience with emphasis on aspects of its impact on popular culture.
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Do What Godmother Says
A modern-day writer and a Harlem Renaissance artist are connected by a painting with a deadly secret in this gripping dual-timeline gothic thriller. Shanice Pierce knows better than to heed bad omens. But she has a hard time ignoring the signs when she finds herself newly single and out of a job on the same seemingly cursed day. Then, while cleaning out her grandmother's house, Shanice comes across a painting she hasn't seen in years. Drawn to the haunting portrait in a way she can't explain, Shanice accepts her grandmother's offer to keep the family heirloom. She soon uncovers the story of the artist, a Harlem Renaissance painter named Estelle Johnson. The young woman was taken under wing by the wealthy art patron Maude Bachmann--or "Godmother" as she insisted her artists call her--and vanished shortly after Bachmann's brutal murder a century ago. As Shanice digs deeper, a paranoia that's haunted her for years returns. She becomes convinced she's being stalked, and that the deaths happening around her are connected to the staggering offer she turned down for the painting. But the truth hiding in plain sight is even more shocking--and deadly--than Shanice could possibly have imagined . . .
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