Search results for "Jonathan Lesser"
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That's the Spirit!
Calling all spirit enthusiasts, wannabe mixologists and fans of aperitifs and digestifs... That's the Spirit! is here to guide and entertain you through the world of spirits and liqueurs, including whiskies both familiar and surprising, dangerous tequila and mezcal, gin and its Dutch counterpart genever, under-rated grappa, love-it-or-hate-it Bailey's, legendary absinthe and enough rum to make you book a flight to Jamaica immediately.Behind this very well-stocked, virtual bar is author Jonathan Ray, who knows a thing or two about alcohol, being drinks editor of the Spectator. Through his personal selection of the 100 most deliciously fascinating spirits and liqueurs in the world, he tells us all about the makers behind the drinks, what makes certain brands so enduring and fascinating, which famous drinkers had one glass too many, and what makes specific tipples taste so irresistible.Among these 100 bottles are tips on your essential home cocktail kit, the world's best cocktail bars, which glassware is right for which drink, and the ultimate way to serve key spirits at home.
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Middlebrow Literature and the Making of German-Jewish Identity
For generations of German-speaking Jews, the works of Goethe and Schiller epitomized the world of European high culture, a realm that Jews actively participated in as both readers and consumers. Yet from the 1830s on, Jews writing in German also produced a vast corpus of popular fiction that was explicitly Jewish in content, audience, and function. Middlebrow Literature and the Making of German-Jewish Identity offers the first comprehensive investigation in English of this literature, which sought to navigate between tradition and modernity, between Jewish history and the German present, and between the fading walls of the ghetto and the promise of a new identity as members of a German bourgeoisie. This study examines the ways in which popular fiction assumed an unprecedented role in shaping Jewish identity during this period. It locates in nineteenth-century Germany a defining moment of the modern Jewish experience and the beginnings of a tradition of Jewish belles lettres that is in many ways still with us today.
R 2,901.00
Jonathan Edwards
During the last 15 years, the number of conferences on Jonathan Edwards has tripled and the number of books on him has doubled. The scope of scholarship on Edwards has broadened to include relatively neglected texts, as have efforts to fix him more firmly in the 18th century and to gauge his influence on the 20th. This bibliography demonstrates the growth of interest in Jonathan Edwards and serves as a guide to recent research about him.The volume includes entries for nearly 700 books, articles, dissertations, and reviews published on Jonathan Edwards between 1979 and 1993. The entries are grouped in chapters, with each chapter devoted to a particular year. The entries in each chapter are arranged alphabetically. Each entry includes an annotation, with extensive annotations for major works. A chronology lists Edwards's publications by long and short titles, and an introductory essay overviews the surge of critical interest in this influential 18th-century American theologian.
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Lore of the Bambino
More than seventy years after his death, Babe Ruth continues to fascinate generations of fans. His exciting adventures on and off the field have become essential reading for students of baseball and pop culture. While most Ruth biographies are filled with mundane facts, Lore of the Bambino is the equivalent of a greatest hits compilation. Ruth's extraordinary (and at times incredulous) tales carry readers on an enthralling journey through the life of the most celebrated sports figure of the twentieth century. All of the most popular anecdotes (such as the Babe's alleged "called shot" in the 1932 World Series) are thoroughly covered along with many lesser known narratives. The book is divided into two sections. In Part One, Ruth's life and career are recounted chronologically. Part Two contains assorted stand-alone anecdotes in shorter form. Appendices include statistics, a chronology, and salary details among other bits of pertinent information.
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Rainbow Jews
Rainbow Jews deals with the intersection of gay and Jewish identity in American and Israeli film and theater, from the 1960s to the present. Its main area of interest is the extent to which Jewish creative voices in the performing arts have constructed multidimensional images of, and a welcoming public space for, the gay, lesbian, and transgendered community as a whole. Through a close reading of the texts of numerous American and Israeli plays and films (some famous, but mostly lesser known), the author evaluates some of the key conventions and tropes that have been employed to construct, critique, and reflect the social reality of the connection between Jewishness and gay identity in the United States and Israel. Secondarily, the author explores ways in which gay-Jewish playwrights and filmmakers have assisted the re-evaluation of sexual norms within Judaism over the past three decades, inspiring and reinforcing measures across the spectrum of belief geared towards integrating Jewish members of the GLBT community into the overall Jewish historical narrative.
R 3,825.00
Rainbow Jews
Rainbow Jews deals with the intersection of gay and Jewish identity in American and Israeli film and theater, from the 1960s to the present. Its main area of interest is the extent to which Jewish creative voices in the performing arts have constructed multidimensional images of, and a welcoming public space for, the gay, lesbian, and transgendered community as a whole. Through a close reading of the texts of numerous American and Israeli plays and films (some famous, but mostly lesser known), the author evaluates some of the key conventions and tropes that have been employed to construct, critique, and reflect the social reality of the connection between Jewishness and gay identity in the United States and Israel. Secondarily, the author explores ways in which gay-Jewish playwrights and filmmakers have assisted the re-evaluation of sexual norms within Judaism over the past three decades, inspiring and reinforcing measures across the spectrum of belief geared towards integrating Jewish members of the GLBT community into the overall Jewish historical narrative.
R 1,735.00
Dominion Built of Praise
A constant feature of Jewish culture in the medieval Mediterranean was the dedication of panegyric texts in Hebrew, Judeo-Arabic, and other languages to men of several ranks: scholars, communal leaders, courtiers, merchants, patrons, and poets. Although the imagery of nature and eroticism in the preludes to these poems is often studied, the substance of what follows is generally neglected, as it is perceived to be repetitive, obsequious, and less aesthetically interesting than other types of poetry from the period. In Dominion Built of Praise, Jonathan Decter demurs. As is the case with visual portraits, panegyrics operate according to a code of cultural norms that tell us at least as much about the society that produced them as the individuals they portray. Looking at the phenomenon of panegyric in Mediterranean Jewish culture from several overlapping perspectives—social, historical, ethical, poetic, political, and theological—he finds that they offer representations of Jewish political leadership as it varied across geographic area and evolved over time.Decter focuses his analysis primarily on Jewish centers in the Islamic Mediterranean between the tenth and thirteenth centuries and also includes a chapter on Jews in the Christian Mediterranean through the fifteenth century. He examines the hundreds of panegyrics that have survived: some copied repeatedly in luxurious anthologies, others discarded haphazardly in the Cairo Geniza. According to Decter, the poems extolled conventional character traits ascribed to leaders not only diachronically within the Jewish political tradition but also synchronically within Islamic and, to a lesser extent, Christian civilization and political culture. Dominion Built of Praise reveals more than a superficial and functional parallel between Muslim and Jewish forms of statecraft and demonstrates how ideas of Islamic political legitimacy profoundly shaped the ways in which Jews conceptualized and portrayed their own leadership.
R 3,287.00
Society of Princes
The princes étrangers, or the foreign princes, were an influential group of courtiers in early modern France, who maintained their unofficial status as 'foreigners' due to membership in sovereign ruling families. Arguably the most influential of these were the princes of Lorraine, a sovereign state on France's eastern border. During the sixteenth century the Lorraine-Guise dominated the culture and politics of France, gaining a reputation as a powerful, manipulative family at the head of the Catholic League in the Wars of Religion and with close relationships with successive Valois monarchs and Catherine de Medici. After the traumas of 1588, however, although they faded from the narrative history of France, they nevertheless remained at the pinnacle of political culture until the end of the eighteenth century. This book examines the lesser-known period for the Guise at the later stages of the ancien régime, focusing on the recovery of lost fortunes, prestige, favour and influence that began towards the end of the reign of Louis XIII and continued through that of Louis XIV. Central to the work is the question of what it meant to be a member of a family of princely rank whose dynastic links outside the state guaranteed privileges and favours at the highest level. Jonathan Spangler investigates how an aristocratic family operated within that political culture, including facets of patronage (political, ecclesiastical, military, and the arts) and the meaning of dynasticism itself (marriages, testaments, women's roles, multiplicity of loyalties). The result is a thorough examination of the nature of crown-noble relations in the era of absolutism as seen through the example of the Lorraine-Guise. It sheds light on how the family which had so threatened the equilibrium of the late Valois monarchy became one of the strongest pillars supporting the regime of the later Bourbons.
R 9,329.82
Engines of the Imagination
At what point did machines and technology begin to have an impact on the cultural consciousness and imagination of Europe? How was this reflected through the art and literature of the time? Was technology a sign of the fall of humanity from its original state of innocence or a sign of human progress and mastery over the natural world? In his characteristically lucid and captivating style, Jonathan Sawday investigates these questions and more by engaging with the poetry, philosophy, art, and engineering of the period to find the lost world of the machine in the pre-industrial culture of the European Renaissance. The aesthetic and intellectual dimension of these machines appealed to familiar figures such as Shakespeare, Francis Bacon, Montaigne, and Leonardo da Vinci as well as to a host of lesser known writers and artists in the sixteenth and seventeenth centuries. This intellectual engagement with machines in the European Renaissance gave rise to new attitudes towards gender, work and labour, and even fostered the new sciences of artificial life and reason which would be pursued by figures such as Descartes, Hobbes, and Leibniz in the seventeenth century. Writers, philosophers and artists had mixed and often conflicting reactions to technology, reflecting a paradoxical attitude between modern progress and traditional values. Underpinning the enthusiastic creation of a machine-driven world, then, were stories of loss and catastrophe. These contradictory attitudes are part of the legacy of the European Renaissance, just as much as the plays of Shakespeare or the poetry of John Milton. And this historical legacy helps to explain many of our own attitudes towards the technology that surrounds us, sustains us, and sometimes perplexes us in the modern world.
R 9,339.65
Cinema Expanded
Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast newhorizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it.Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold new account of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode offilmmaking that has historically investigated and challenged the nature and limits of cinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake out cinema's uniqueaesthetic terrain - its ontology, its independence, its identity.In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, it urgently addresses current and crucial debates about the fate of the moving image amidst a digital age ofnear-constant technological change.
R 1,970.74
Welcoming the Undesirables
This text tells the poignant and puzzling story of how earlier this century, in spite of the power of anti-Semitic politicians and intellectuals, Jews made their exodus to Brazil, "the land of the future." What motivated the Brazilian government, he asks, to create a secret ban on Jewish entry in 1937 just as Jews desperately sought refuge from Nazism? And why, just one year later, did more Jews enter Brazil legally than ever before? The answers lie in the Brazilian elite's radically contradictory images of Jews and the profound effect of these images on Brazilian national identity and immigration policy. Lesser's work reveals the convoluted workings of Brazil's wartime immigration policy, as well as the attempts of desperate refugees to twist the prejudices on which it was based to their advantage. His subtle analysis and anecdotes shed light on such pressing issues as race, ethnicity, nativism, and nationalism in postcolonial societies at a time when "ethnic cleansing" in Europe is once again driving increasing numbers of refugees from their homelands.
R 999.00
Renaissance Drama and the Politics of Publication
Shifting our focus from author to publisher and from first performance to first edition, Zachary Lesser offers a vantage point on the drama of Shakespeare, Marlowe, Webster, and their contemporaries. Renaissance Drama and the Politics of Publication reimagines the reception and meaning of plays by reading them through the eyes of their earliest publishers. Since success in the book trade required specialization, locating a play within its publisher's output allows us to see how the publisher read it and speculated that customers would read it. Their readings often differ radically from our own and so revise our views of the drama's engagement with early modern culture. By reading the 1633 Jew of Malta as a part of Nicholas Vavasour's Laudian specialty, for example, or the 1622 Othello in the context of Thomas Walkley's trade in parliamentary news, Lesser's study reveals the politics of these publications - for early modern readers and for us.
R 2,223.72
R 701.40
Engines of the Imagination
At what point did machines and technology begin to have an impact on the cultural consciousness and imagination of Europe? How was this reflected through the art and literature of the time? Was technology a sign of the fall of humanity from its original state of innocence or a sign of human progress and mastery over the natural world? In his characteristically lucid and captivating style, Jonathan Sawday investigates these questions and more by engaging with the poetry, philosophy, art, and engineering of the period to find the lost world of the machine in the pre-industrial culture of the European Renaissance. The aesthetic and intellectual dimension of these machines appealed to familiar figures such as Shakespeare, Francis Bacon, Montaigne, and Leonardo da Vinci as well as to a host of lesser known writers and artists in the sixteenth and seventeenth centuries. This intellectual engagement with machines in the European Renaissance gave rise to new attitudes towards gender, work and labour, and even fostered the new sciences of artificial life and reason which would be pursued by figures such as Descartes, Hobbes, and Leibniz in the seventeenth century. Writers, philosophers and artists had mixed and often conflicting reactions to technology, reflecting a paradoxical attitude between modern progress and traditional values. Underpinning the enthusiastic creation of a machine-driven world, then, were stories of loss and catastrophe. These contradictory attitudes are part of the legacy of the European Renaissance, just as much as the plays of Shakespeare or the poetry of John Milton. And this historical legacy helps to explain many of our own attitudes towards the technology that surrounds us, sustains us, and sometimes perplexes us in the modern world.
R 2,505.01
My Less Than Secret Life
My Less Than Secret Life is the companion volume to Jonathan Ames's first memoirish endeavor, "the mildly perverted and wildly amusing" (Vanity Fair) What's Not to Love? This collection of the cult author's fiction and essays includes Ames's public diary, the bi-weekly columns he penned for the New York Press. The entries of this diary are a record of his mad adventures: his ill-fated debut as an amateur boxer fighting as 'The Herring Wonder', a faltering liaison with a Cuban prostitute, his public outing of George Plimpton as a Jew, his discussion with Eve Ensler about his dear friend The Mangina, a renegade mission as a Jew into the heart of Waspy Maine, and other such harrowing escapades. Whether trying to round up a partner for an orgy, politely assisting in an animal sacrifice, or scamming tickets to the WWF's Royal Rumble for his son, Jonathan Ames proves himself a ballsier Everyman whose transgressions and compassionate meditations will satisfy the voyeur and encourage the halfhearted. But be warned. As Jonathan says, "I don't like to be a bad influence. It's bad enough that I have influence over myself." "...Ames has always been one of my favorite contemporary writers ...for his . ..fearless commitment to the most demanding psychosexual comedies."--Rick Moody
R 651.00
Neither Believer nor Infidel
Shedding new light on both classic and lesser-known works in the Melville canon with particular attention to the author's literary use of the Bible, Neither Believer Nor Infidel examines the debate between religious skepticism and Christian faith that infused Herman Melville's writings following Moby-Dick. Jonathan A. Cook's study is the first to focus on the decisive role of faith and doubt in Melville's writings following his mid-career turn to shorter fiction, and still later to poetry, as a result of the commercial failures of Moby-Dick and Pierre. Nathaniel Hawthorne claimed that Melville "can neither believe nor be comfortable in his unbelief," a remark that encapsulates an essential truth about Melville's attitude to Christianity. Like many of his Victorian contemporaries, Melville spent his literary career poised between an intellectual rejection of Christian dogma and an emotional attachment to the consolations of non-dogmatic Christian faith. Accompanying this ambivalence was a lifelong devotion to the text of the King James Bible as both moral sourcebook and literary template. Following a biographical overview of skeptical influences and manifestations in Melville's early life and career, Cook examines the evidence of religious doubt and belief in "Bartleby, the Scrivener," "Cock-a-Doodle-Doo!," "The Encantadas," Israel Potter, Battle-Pieces, Timoleon, and Billy Budd. Accessible for both the general reader and the scholar, Neither Believer Nor Infidel clarifies the ambiguities of Melville's pervasive use of religion in his fiction and poetry. In analyzing Melville's persistent oscillation between metaphysical rebellion and attenuated belief, Cook elucidates both well-known and under-appreciated works.
R 1,235.00
Surrealism and the Art of Crime
Corpses mark surrealism's path through the twentieth century, providing material evidence of the violence in modern life. Though the shifting group of poets, artists, and critics who made up the surrealist movement were witness to total war, revolutionary violence, and mass killing, it was the tawdry reality of everyday crime that fascinated them. Jonathan P. Eburne shows us how this focus reveals the relationship between aesthetics and politics in the thought and artwork of the surrealists and establishes their movement as a useful platform for addressing the contemporary problem of violence, both individual and political.In a book strikingly illustrated with surrealist artworks and their sometimes gruesome source material, Eburne addresses key individual works by both better-known surrealist writers and artists (including André Breton, Louis Aragon, Aimé Césaire, Jacques Lacan, Georges Bataille, Max Ernst, and Salvador Dalí) and lesser-known figures (such as René Crevel, Simone Breton, Leonora Carrington, Benjamin Péret, and Jules Monnerot). For Eburne "the art of crime" denotes an array of cultural production including sensationalist journalism, detective mysteries, police blotters, crime scene photos, and documents of medical and legal opinion as well as the roman noir, in particular the first crime novel of the American Chester Himes. The surrealists collected and scrutinized such materials, using them as the inspiration for the outpouring of political tracts, pamphlets, and artworks through which they sought to expose the forms of violence perpetrated in the name of the state, its courts, and respectable bourgeois values.Concluding with the surrealists' quarrel with the existentialists and their bitter condemnation of France's anticolonial wars, Surrealism and the Art of Crime establishes surrealism as a vital element in the intellectual, political, and artistic history of the twentieth century.
R 1,529.00
Baseball's Most Notorious Personalities
Of the 17,000-plus players who have donned major league uniforms over the years, not all were particularly nice or ethical. In fact, the actions of a handful were so heinous, they left an indelible mark on the sport. In Baseball’s Most Notorious Personalities: A Gallery of Rogues, Jonathan Weeks thoroughly examines this dark side of our National Pastime.Liars, cheats, hotheads, even axe murderers—you’ll find them all here in the Gallery. From scapegoats to maniacs, meddling managers to fanatical fans, this book profiles them all. Included are players such as Brooklyn outfielder Len Koenecke, who tried to crash a chartered plane in a maniacal suicide attempt; Ty Cobb, who was known to slide into bases with spikes flying and brawl with anyone who dared oppose him, including an attack on a fan who heckled him from the stands; and Marty Bergen, a talented catcher for the Boston Beaneaters who murdered his family with an axe. These are just a few of the many intriguing individuals found in this volume.Spanning three centuries of baseball—from the 1800s into the current decade—Baseball’s Most Notorious Personalities covers various themes of notoriety. Though some of the stories may be familiar to the dedicated baseball enthusiast, even the most die-hard fan will be shocked and surprised by some of the actions of well-known and lesser-known players, managers, fans, and team owners contained in this book. Baseball’s Most Notorious Personalities is a fascinating read for all baseball fans and historians.
R 2,931.00
Intimacy of Paper in Early and Nineteenth-Century American Literature
The true scale of paper Production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures.The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper Production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race.
R 1,043.00
Music in the Post-9/11 World
Music in the Post-9/11 World addresses the varied and complex roles music has played in the wake of September 11, 2001. Interdisciplinary in approach, international in scope, and critical in orientation, the twelve essays in this groundbreaking volume examine a diverse array of musical responses to the terrorist attacks of that day, and reflect upon the altered social, economic, and political environment of "post-9/11" music production and consumption. Individual essays are devoted to the mass-mediated works of popular musicians such as Bruce Springsteen and Darryl Worley, as well as to lesser-known musical responses by artists in countries including Afghanistan, Egypt, Mexico, Morocco, Peru, and Senegal. Contributors also discuss a range of themes including the role played by Western classical music in rites of mourning and commemoration, "invisible" musical practices such as the creation of television news music, and implicit censorship in the mainstream media. Taken as a whole, this collection presents powerful evidence of the central role music has played in expressing, shaping, and contesting worldwide public attitudes toward the defining event of the early twenty-first century.
R 9,388.81
Stranger Among Saints
"An absorbing, perceptive biography...Deftly crafted history illuminates the nation's earliest days." —Kirkus Reviews Sometime between 1610 and 1611, William Shakespeare wrote The Tempest. The idea for the play came from the real-life shipwreck in 1609 of the Sea Venture, which was caught in a hurricane and grounded on the coast of Bermuda during a voyage to resupply England’s troubled colony at Jamestown, in present-day Virginia. A lesser known passenger was Stephen Hopkins. During the ten months the Sea Venture passengers were marooned on Bermuda, Hopkins was charged with trying to incite a mutiny and condemned to die, only to have his sentence commuted moments before it was to be carried out. In 1620, Hopkins signed on to another colonial venture, joining a group of religious radicals on the Mayflower. The Pilgrims encountered their own tempest, a furor that started when they anchored off Cape Cod and lasted for their first twelve months in the New World. Disease and sickness stole nearly half their number, and their first contacts with the Indigenous Americans were contentious.The entire enterprise hung in the balance, and it was during these trials that Hopkins became one of the expedition’s leaders, playing a vital role in bridging the divide of suspicion between the English immigrants and their Native neighbors.
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Patriotism and Piety
In Patriotism and Piety, Jonathan Den Hartog argues that the question of how religion would function in American society was decided in the decades after the Constitution and First Amendment established a legal framework. Den Hartog shows that among the wide array of politicians and public figures struggling to define religion’s place in the new nation, Federalists stood out - evolving religious attitudes were central to Federalism, and the encounter with Federalism strongly shaped American Christianity.Den Hartog describes the Federalist appropriations of religion as passing through three stages: a “republican” phase of easy cooperation inherited from the experience of the American Revolution; a “combative” phase, forged during the political battles of the 1790s–1800s, when the destiny of the republic was hotly contested; and a “voluntarist” phase that grew in importance after 1800. Faith became more individualistic and issue-oriented as a result of the actions of religious Federalists.Religious impulses fueled party activism and informed governance, but the redirection of religious energies into voluntary societies sapped party momentum, and religious differences led to intraparty splits. These developments altered not only the Federalist Party but also the practice and perception of religion in America, as Federalist insights helped to create spaces of voluntary, national organizations in which Americans could practice their faith in interdenominational settings.Patriotism and Piety focuses on the experiences and challenges confronted by a number of Federalists, from well-known leaders such as John Adams, John Jay, Charles Cotesworth Pinckney, and Timothy Dwight to lesser-known but still important figures such as Caleb Strong, Elias Boudinot, and William Jay.
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Bob Dylan on Film
In May 1967, during a discussion about his yet-to-be-released film Eat the Document, Bob Dylan cryptically remarked, ‘The film is finished. It’s different.’ It would not be the last time he could make this claim. Beyond his musical prowess, Dylan’s career encompasses a lesser-explored facet – that of a filmmaker creating works that defy convention. This book delves into these cinematic forays, unravelling the intriguing interplay of Dylan’s presence both behind and in front of the camera.Dylan’s cinematic experiments, ranging from the ground-breaking Dont Look Back (1967) to the enigmatic Masked and Anonymous (2003), stand as unique and thought-provoking additions to his artistic legacy. Unveiling an experimental and inquisitive sensibility, these films draw inspiration not only from cinematic predecessors but also from Dylan’s songcraft. Often residing in the periphery of Dylan studies, a closer examination of his cinematic oeuvre reveals an underrated auteur who fearlessly transcends the boundaries of the page, stage, and screen.
R 2,635.43
Renaissance Drama and the Politics of Publication
Shifting our focus from author to publisher and from first performance to first edition, Zachary Lesser offers a vantage point on the drama of Shakespeare, Marlowe, Webster, and their contemporaries. Renaissance Drama and the Politics of Publication reimagines the reception and meaning of plays by reading them through the eyes of their earliest publishers. Since success in the book trade required specialization, locating a play within its publisher's output allows us to see how the publisher read it and speculated that customers would read it. Their readings often differ radically from our own and so revise our views of the drama's engagement with early modern culture. By reading the 1633 Jew of Malta as a part of Nicholas Vavasour's Laudian specialty, for example, or the 1622 Othello in the context of Thomas Walkley's trade in parliamentary news, Lesser's study reveals the politics of these publications - for early modern readers and for us.
R 4,903.80
Princely Brothers and Sisters
In Princely Brothers and Sisters, Jonathan R. Lyon takes a fresh look at sibling networks and the role they played in shaping the practice of politics in the Middle Ages. Focusing on nine of the most prominent aristocratic families in the German kingdom during the Staufen period (1138–1250), Lyon finds that noblemen—and to a lesser extent, noblewomen—relied on the cooperation and support of their siblings as they sought to maintain or expand their power and influence within a competitive political environment. Consequently, sibling relationships proved crucial at key moments in shaping the political and territorial interests of many lords of the kingdom.Family historians have largely overlooked brothers and sisters in the political life of medieval societies. As Lyon points out, however, siblings are the contemporaries whose lives normally overlap the longest. More so than parents and children, husbands and wives, or lords and vassals, brothers and sisters have the potential to develop relationships that span entire lifetimes. The longevity of some sibling bonds therefore created opportunities for noble brothers and sisters to collaborate in especially potent ways. As Lyon shows, cohesive networks of brothers and sisters proved remarkably effective at counterbalancing the authority of the Staufen kings and emperors. Well written and impeccably researched, Princely Brothers and Sisters is an important book not only for medieval German historians but also for the field of family history.
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Sibling Aggression
Most people see aggression between siblings as an unavoidable, normal and ultimately harmless aspect of child development, yet it can often cause social adjustment and behavioral problems, some of which may be severe and even precursors to other forms of violence. This volume addresses a significant void in family studies and child development literature by providing an empirically based guide to the causes, assessment and treatment of sibling aggression. Caspi considers both extreme (severe physical and sexual abuse) and lesser (competition and antagonism) forms of aggression and provides a step-by-step treatment program for five family dynamics that commonly exacerbate sibling aggression. Treatment is based on task-centered and family systems models and bolstered by case studies. Key features: oFills the void in the ""emerging frontier"" of sibling violence oAddresses both severe and lesser forms of aggression oIncludes step-by-step assessment and treatment procedures oOffers case studies oExamines cross-cultural factors in sibling violence as well as abuse of disabled siblings
R 2,161.08
Companion to Golden Age Theatre
This Companion is a readable and up-to-date guide to all aspects of the extraordinary flowering of theatre in Early-Modern Spain.Spain's artistic Golden Age produced Cervantes's great novel, Don Quijote, the sublime poetry of Quevedo and Góngora, and nurtured the prodigious talent of Velázquez, and yet it was the theatre that captured the imaginationof its people. Men and women of all social classes flocked to the new playhouses to see and hear the latest offerings of their favourite dramatists, and to be seen and heard. As well as dealing with the lives and major works of the most significant playwrights of the period - Lope de Vega, Tirso de Molina, Miguel de Cervantes, Calderón de la Barca - the Companion focusses on other aspects of the growth and maturing of Golden Age theatre, reflecting the interests and priorities of modern scholarship. These include: the sixteenth-century origins of the comedia nueva; the lesser-known dramatists, including women playwrights; life in the theatre; the Corpus Christi street theatre and minor genres; performance studies; and the critical reception of the drama. The Companion also contains a guide to comedia versification, a full bibliography and advice on further reading. JONATHAN THACKER is a Fellow of Merton College, Oxford.
R 738.65
R 1,204.00
Age of the Ship of the Line
For nearly two hundred years huge wooden warships called “ships of the line” dominated war at sea and were thus instrumental in the European struggle for power and the spread of imperialism. Foremost among the great naval powers were Great Britain and France, whose advanced economies could support large numbers of these expensive ships. This book, the first joint history of these great navies, offers a uniquely impartial and comprehensive picture of the two forces—their shipbuilding programs, naval campaigns, and battles, and their wartime strategies and diplomacy. Jonathan R. Dull is the author of two award-winning histories of the French navy. Bringing to bear years of study of war and diplomacy, his book conveys the fine details and the high drama of the age of grand and decisive naval conflict. Dull delves into the seven wars that Great Britain and France, often in alliance with lesser naval powers such as Spain and the Netherlands, fought between 1688 and 1815. Viewing war as most statesmen of the time saw it—as a contest of endurance—he also treats the tragic side of the Franco-British wars, which shattered the greater security and prosperity the two powers enjoyed during their brief period as allies. Purchase the audio edition.
R 797.00
Age of the Ship of the Line
For nearly two hundred years huge wooden warships called “ships of the line” dominated war at sea and were thus instrumental in the European struggle for power and the spread of imperialism. Foremost among the great naval powers were Great Britain and France, whose advanced economies could support large numbers of these expensive ships. This book, the first joint history of these great navies, offers a uniquely impartial and comprehensive picture of the two forces—their shipbuilding programs, naval campaigns, and battles, and their wartime strategies and diplomacy. Jonathan R. Dull is the author of two award-winning histories of the French navy. Bringing to bear years of study of war and diplomacy, his book conveys the fine details and the high drama of the age of grand and decisive naval conflict. Dull delves into the seven wars that Great Britain and France, often in alliance with lesser naval powers such as Spain and the Netherlands, fought between 1688 and 1815. Viewing war as most statesmen of the time saw it—as a contest of endurance—he also treats the tragic side of the Franco-British wars, which shattered the greater security and prosperity the two powers enjoyed during their brief period as allies. Purchase the audio edition.
R 432.00
