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Go: A Kidd’s Guide to Graphic Design
Now in paperback! A curious kid's guide to graphic design, covering form, function, color, typography, and much more, plus 10 hands-on design projects. Written by Chip Kidd, "the closest thing to a rock star" in the design world (USA Today). Design is all around you. And whether you realize it or not, you are already a designer. In Go, renowned graphic designer Chip Kidd explains not just the elements of design, including form, line, color, scale, typography, and more, but most important, how to use those elements in creative ways. Like putting the word "go" on a stop sign, Go is all about shaking things up--and kids love its playful spirit and belief that the world looks better when you look at it differently. Kidd writes about scale: When a picture looks good small, don't stop there--see how it looks when it's really small. Or really big. He explains the difference between vertical lines and horizontal lines. The effect of cropping a picture to make it beautiful--or, cropping it even more to make it mysterious and compelling. How different colors signify different moods. The art of typography, including serifs and sans serifs, kerning and leading. The book ends with ten hands-on design projects for kids. "An excellent introduction to graphic design through [the author's] own excellent work. Anyone interested in the subject, including most practitioners, will find it delightful."--Milton Glaser
R 410.00

Captain Kidd
2025 Readers' Favorite Book Awards Gold Medal-winner A breakneck adventure of war, romance, and politics in the golden age of piracy.Captain William Kidd stands as one of the most notorious “pirate” outlaws ever, but his legend is tainted by a bed of lies. Having captivated imaginations for more than three hundred years and inspired many stories about pirates, troubling questions remain. Was he really a criminal or is the truth more inconvenient: that he was a buccaneer’s worst nightmare, a revered pirate hunter turned fall guy for scheming politicians? In Captain Kidd, his ninth-great-grandson, bestselling author Samuel Marquis, reveals the real story. Kidd was an English American privateer and leading New York husband and father. The King of England himself dubbed Kidd “trusty and well-beloved,” and some historians describe him as a “worthy, honest-hearted, steadfast, much -enduring sailor” who was the “victim of a deliberate travesty of justice.” With honors far more esteemed than the menacing Blackbeard, or any other sea rover at the turn of the seventeenth century, how can Kidd be considered both gentleman and pirate, both hero and villain? Marquis’ biography recreates Kidd’s perilous world of explosive naval warfare and the daring integrity he exemplified as a pirate hunter, as well as the political scandal that entangled Kidd in British–American history, rocking the New World and the Old, and threatening England’s valuable trade with India. Captain Kidd is both thrilling and tragic. Behind the legend is a real man woven into the tapestry of early America, rendering him a unique colonial hero and scapegoat whose life story was fascinating, exciting, bizarre, and heartrending.
R 798.00

Captain Kidd's Lost Ship
The troubled chain of events involving Captain Kidd’s capture of Quedagh Merchant and his eventual execution for piracy in 1701 are well known, but the exact location of the much sought-after ship remained a mystery for more than 300 years. In 2010, a team of underwater archaeologists confirmed that the sunken remains of Quedgah Merchant had finally been found off the coast of the Dominican Republic.Kidd’s shipwreck reveals insights into life aboard a pirate ship, as well as the forces of world-scale economies in the 17th century. Using evidence from the site, Frederick Hanselmann deconstructs the tales of the nefarious captain, and what emerges is a true story of an adventurer and privateer contextualized by issues of economics, politics, empire, and individual ambition. The analysis takes in the site’s main features, wood samples from the hull, the hull’s construction, and mass spectrometry of sampled ballast stones. As Hanselmann unravels the mysteries surrounding the “Moorish” Quedagh Merchant, he finds linkages to world trade and the expansion of globalization in an extensive network connecting British, Indian, colonial American and Armenian kings, emperors, lords, governors, merchants, sailors, and pirates. Captain Kidd’s Lost Ship also makes a powerful case for in situ preservation, demonstrating that the community-based approach used for the Quedagh Merchant shipwreck avoids the artificial divide between cultural and natural resources. Today, the site is accessible to the general public as a “Living Museum of the Sea” that preserves cannons, anchors, corals, and the history of one of the world’s most famous pirates.
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Captain Kidd
2025 Readers' Favorite Book Awards Gold Medal-winner A breakneck adventure of war, romance, and politics in the golden age of piracy.Captain William Kidd stands as one of the most notorious “pirate” outlaws ever, but his legend is tainted by a bed of lies. Having captivated imaginations for more than three hundred years and inspired many stories about pirates, troubling questions remain. Was he really a criminal or is the truth more inconvenient: that he was a buccaneer’s worst nightmare, a revered pirate hunter turned fall guy for scheming politicians? In Captain Kidd, his ninth-great-grandson, bestselling author Samuel Marquis, reveals the real story. Kidd was an English American privateer and leading New York husband and father. The King of England himself dubbed Kidd “trusty and well-beloved,” and some historians describe him as a “worthy, honest-hearted, steadfast, much -enduring sailor” who was the “victim of a deliberate travesty of justice.” With honors far more esteemed than the menacing Blackbeard, or any other sea rover at the turn of the seventeenth century, how can Kidd be considered both gentleman and pirate, both hero and villain? Marquis’ biography recreates Kidd’s perilous world of explosive naval warfare and the daring integrity he exemplified as a pirate hunter, as well as the political scandal that entangled Kidd in British–American history, rocking the New World and the Old, and threatening England’s valuable trade with India. Captain Kidd is both thrilling and tragic. Behind the legend is a real man woven into the tapestry of early America, rendering him a unique colonial hero and scapegoat whose life story was fascinating, exciting, bizarre, and heartrending.
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Benjamin Kidd
This is an intellectual biography of Benjamin Kidd, a leading Social Darwinist in the years before World War I, and a social prophet in the tradition of Comte and Spencer. His first book Social Evolution, published in 1894, was an immediate and enormous success around the world. In it, Kidd developed a collectivist form of Social Darwinism in tune with the values of Progressivism in America and the 'new liberalism' in Britain. By many it was regarded as the basis for a properly scientific sociology, and the combination of its claims to scientific methodology, with an emphasis on non-rational forces as the agents of progress accurately caught the temper of its times. Launched on his career as a writer, Kidd's subsequent books and journalism continued to exercise extraordinary influence. His 'social imperialism', linking a bio-political defence of empire with a programme of social reform, won currency in the Anglo-American world at a time of expansionary fervour.
R 2,185.96

Freud in Oz
Children’s literature has spent decades on the psychiatrist’s couch, submitting to psychoanalysis by scores of scholars and popular writers alike. Freud in Oz turns the tables, suggesting that psychoanalysts owe a significant and largely unacknowledged debt to books ostensibly written for children. In fact, Kenneth B. Kidd argues, children’s literature and psychoanalysis have influenced and interacted with each other since Freud published his first case studies.In Freud in Oz, Kidd shows how psychoanalysis developed in part through its engagement with children’s literature, which it used to articulate and dramatize its themes and methods, turning first to folklore and fairy tales, then to materials from psychoanalysis of children, and thence to children’s literary texts, especially such classic fantasies as Peter Pan and Alice’s Adventures in Wonderland. He traces how children’s literature, and critical response to it, aided the popularization of psychoanalytic theory. With increasing acceptance of psychoanalysis came two new genres of children’s literature—known today as picture books and young adult novels—that were frequently fashioned as psychological in their forms and functions.Freud in Oz offers a history of reigning theories in the study of children’s literature and psychoanalysis, providing fresh insights on a diversity of topics, including the view that Maurice Sendak and Bruno Bettelheim can be thought of as rivals, that Sendak’s makeover of monstrosity helped lead to the likes of the Muppets, and that “Poohology” is its own kind of literary criticism—serving up Winnie the Pooh as the poster bear for theorists of widely varying stripes.
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Almond in Peterhouse
Originally published in 1950, this book presents a collection of poems by Franklin Kidd. This book will be of value to anyone with an interest in English poetry and the writings of Kidd.
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British Identities before Nationalism
Inspired by debates among political scientists over the strength and depth of the pre-modern roots of nationalism, this study attempts to gauge the status of ethnic identities in an era whose dominant loyalties and modes of political argument were confessional, institutional and juridical. Colin Kidd's point of departure is the widely shared orthodox belief that the whole world had been peopled by the offspring of Noah. In addition, Kidd probes inconsistencies in national myths of origin and ancient constitutional claims, and considers points of contact which existed in the early modern era between ethnic identities which are now viewed as antithetical, including those of Celts and Saxons. He also argues that Gothicism qualified the notorious Francophobia of eighteenth-century Britons. A wide-ranging example of the new British history, this study draws upon evidence from England, Scotland, Ireland and America, while remaining alert to European comparisons and influences.
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