Search results for "Luzzi"
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My Two Italies
The child of Italian immigrants and an award-winning scholar of Italian literature, Joseph Luzzi straddles these two perspectives in My Two Italies to link his family's dramatic story to Italy's north-south divide, its quest for a unifying language, and its passion for art, food, and family. From his Calabrian father's time as a military internee in Nazi Germany - where he had a love affair with a local Bavarian woman - to his adventures amid the Renaissance splendour of Florence, Luzzi creates a deeply personal portrait of Italy that leaps past facile cliches about Mafia madness and Tuscan sun therapy. He delves instead into why Italian Americans have such a complicated relationship with the "old country," and how Italy produces some of the world's most astonishing art while suffering from corruption, political fragmentation, and an enfeebled civil society. With topics ranging from the pervasive force of Dante's poetry to the meteoric rise of Silvio Berlusconi, Luzzi presents the Italians in all their glory and squalor, relating the problems that plague Italy today to the country's ancient roots.He shares how his "two Italies" - the earthy southern Italian world of his immigrant childhood and the refined northern Italian realm of his professional life - join and clash in unexpected ways that continue to enchant the many millions who are either connected to Italy by ancestry or bound to it by love.
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Knowledge from Non-Knowledge
According to the received view in epistemology, inferential knowledge from non-knowledge is impossible - that is, in order for a subject to know the conclusion of their inference, they must know the essential premises from which that conclusion is drawn. In this book, Federico Luzzi critically examines this view, arguing that it is less plausible than intuition suggests and that it can be abandoned without substantial cost. In a discussion that ranges across inference, testimony and memory he analyses the full range of challenges to the view, connecting them to epistemological cases that support those challenges. He then proposes a defeater-based framework which allows the phenomenon of knowledge from non-knowledge across these three epistemic areas to be better understood. His book will be of interest to a wide range of readers in epistemology.
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Romantic Europe and the Ghost of Italy
In this groundbreaking study, unique in English, Joseph Luzzi considers Italian Romanticism and the modern myth of Italy. Ranging across European and international borders, he examines the metaphors, facts, and fictions about Italy that were born in the Romantic age and continue to haunt the global literary imagination. The themes of the book include the emergence of Italy as the “world’s university” (Goethe) and “mother of arts” (Byron), the influence of Dante’s Commedia on Romantic autobiography, and the representation of the Italian body politic as a woman at home and abroad. Luzzi also provides a critical reevaluation of the three crowns of Italian Romantic letters—Ugo Foscolo, Giacomo Leopardi, and Alessandro Manzoni—profoundly influential writers largely undiscovered in Anglo-American criticism. Reaching out to academic and general readers alike, the book offers fresh insights into the influence of Italian literary, cultural, and intellectual traditions on the foreign imagination from the Romantic age to the present.
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Cinema of Poetry
A Cinema of Poetry brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer. Joseph Luzzi considers the relation between film and literature, especially the cinematic adaptation of literary sources and, more generally, the fields of rhetoric, media studies, and modern Italian culture. The book balances theoretical inquiry with close readings of films by the masters of Italian cinema: Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Michelangelo Antonioni, Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, and others. Luzzi's study is the first to show how Italian filmmakers address such crucial aesthetic issues as the nature of the chorus, the relation between symbol and allegory, the literary prehistory of montage, and the place of poetry in cinematic expression-what Pasolini called the "cinema of poetry."While Luzzi establishes how certain qualities of film-its link with technological processes, capacity for mass distribution, synthetic virtues (and vices) as the so-called total art-have reshaped centuries-long debates, A Cinema of Poetry also explores what is specific to the Italian art film and, more broadly, Italian cinematic history. In other words, what makes this version of the art film recognizably "Italian"?
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Knowledge from Non-Knowledge
According to the received view in epistemology, inferential knowledge from non-knowledge is impossible - that is, in order for a subject to know the conclusion of their inference, they must know the essential premises from which that conclusion is drawn. In this book, Federico Luzzi critically examines this view, arguing that it is less plausible than intuition suggests and that it can be abandoned without substantial cost. In a discussion that ranges across inference, testimony and memory he analyses the full range of challenges to the view, connecting them to epistemological cases that support those challenges. He then proposes a defeater-based framework which allows the phenomenon of knowledge from non-knowledge across these three epistemic areas to be better understood. His book will be of interest to a wide range of readers in epistemology.
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Innocents of Florence
Among the wonders of the Italian Renaissance was Florence’s Hospital of the Innocents, Europe’s first orphanage. In an era when children were often trafficked or left to die or roam the streets, an orphanage devoted to their care and protection was a striking innovation. A symbol of Florence’s cultural and architectural brilliance, designed by Filippo Brunelleschi, the institution known as the Innocenti became a haven for more than 400,000 children across five centuries. With deep knowledge of the literary and artistic environment in which this new understanding of childhood flowered, Joseph Luzzi explores how the Innocenti taught children mercantile skills, rudimentary literature and, for a few, the arts. He does not shy away from addressing the flaws in the institution’s pursuit of its high-minded mission but gives readers the first comprehensive “biography” of a ground-breaking humanitarian institute.
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Dante's Divine Comedy
The life and times of Dante’s soaring poetic allegory of the soul’s redemptive journey toward GodWritten during his exile from Florence in the early 1300s, Dante Alighieri’s Divine Comedy describes the poet’s travels through hell, purgatory, and paradise, exploring the state of the human soul after death. His poema sacro, sacred poem, profoundly influenced Renaissance writers and artists such as Giovanni Boccaccio and Sandro Botticelli and was venerated by modern critics including Erich Auerbach and Harold Bloom. Dante’s “Divine Comedy” narrates the remarkable reception of Dante’s masterpiece, one of the most consequential religious books ever written.Tracing the many afterlives of Dante’s epic poem, Joseph Luzzi shows how it left its mark on the work of such legendary authors as John Milton, Mary Shelley, and James Joyce while serving as a source of inspiration for writers like Primo Levi and Antonio Gramsci as they faced the most extreme forms of political oppression. He charts how the dialogue between religious and secular ideas in The Divine Comedy has shaped issues ranging from changing conceptions of women’s identity and debates about censorship to the role of canonical literature in popular culture.An intimate portrait of a work that has challenged and inspired generations of readers, Dante’s “Divine Comedy” reveals how Dante’s strikingly original and controversial vision of the afterlife can help us define our spiritual beliefs, better understand ourselves, and navigate the complexities of modern life.
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