Search results for "Marcel Bauduin"
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Schlechthin böse?
Globale Phänomene wie politische Gewalt oder Terrorismus zu verstehen, ist eine große Herausforderung. Dieses Buch leistet hierzu einen Beitrag, indem die Problematik der Legitimität und Legitimation von Gewalt in den Mittelpunkt gestellt wird. Die Frage, unter welchen Bedingungen Gewalt legitim ist, wird aus der Perspektive der Gewaltakteure gestellt. Denn Legitimität ist keine für immer garantierte Eigenschaft, sondern sie muss stets aufs Neue geschaffen werden. Deshalb müssen sich „Terroristen“ permanent der legitimitätssuchenden Selbstverständigung stellen: die Rechtfertigung des eigenen Gewalthandelns in den Augen der Gemeinschaft. Die Analyse möchte dazu beitragen, politische Gewalt anders sehen zu lernen. Sie ist interdisziplinär angelegt, indem sie Politische Philosophie, verstehende Soziologie und Moralphilosophie integriert.
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What Is To Be Done?
The fall of the Berlin wall was seen by many as the final triumph of liberal democracy over communism. But now, in the wake of the great financial crisis of 2008 and its aftermath, things look a little different. New questions are arising about capitalism and democracy, new social movements are challenging established institutions and new political possibilities are emerging. Is democracy an inevitable hostage of capitalism, or can it reinvent itself to meet the challenge of globalization? In an exclusive, previously unpublished dialogue, Alain Badiou, a key figure of the radical left and a leading advocate of the communist idea, and Marcel Gauchet, a major exponent of anti-totalitarianism and a champion of liberal democracy, confront one another. Together, they take stock of history, interrogate one another�s views and defend their respective projects: on the one side, the revival of �the communist hypothesis,� and on the other, the radical reform of a contested democratic model.
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Baudelaire and the Art of Memory
This study is an examination of Baudelaire's art criticism and its relationship with his creative writing. It is the first book in English to treat in one volume the diverse aspects of the subject: the principal aesthetic ideas, the importance of Delacroix, Boudin, Meryon, Guys, and Manet, the essays on laughter and caricature, and the language and rhetoric of the Salons and other critical writings. The title reflects Baudelaire's conviction, whichemphasizes in relation to Delacroix, Daumier, Guys, and Wagner, that all art, whether it is painting, poetry or music, springs from the memory of the artist and speaks to the memory of the consumer of that art. This idea, exemplified in his own creative writing, extends to criticism itself, which is seen primarily asa phenomenon of recognition, and it is that sense of recognition that the author has sought to emphasize throughout.
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Baudelaire
This book of linked essays contains the first critical study of Baudelaire's development as a poet, from his youth onwards. It also includes studies of the development of Baudelaire's aesthetic, detailed commentaries on a number of his finest poems, and accounts of three intriguing and crucial 'encounters' with notable contemporaries. Of the essays, three are previously unpublished and four appeared as recently as 1988; the others have been thoroughly updated, revised and in some cases substantially expanded to take full account of recent scholarship. Summaries in English are provided for the seven essays in French, and vice versa. Together, the essays in this volume constitute a new and important contribution to the understanding and appreciation of Baudelaire's work.
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