Search results for "Mark Doherty"
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Trad
A fable about tradition in a mad place, "Trad" is the hilarious tale of the very old Thomas and his even more ancient 'da'. When Thomas reveals that he once fathered a son in a long-ago fling, the pair set off across the Irish countryside to seek the unknown child, with nothing more than a hobble and a limp to help them. A surreal comedy from former comedian Mark Doherty, and a five-star hit at the 2005 Edinburgh Festival, "Trad" presents a deeply funny journey of discovery, fuelled by a past that's just as bizarre as the present. It opens at the Bush Theatre, London in April 2006.
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Show Trial
In 1947, the Cold War came to Hollywood. Over nine tumultuous days in October, the House Un-American Activities Committee held a notorious round of hearings into alleged Communist subversion in the movie industry. The blowback was profound: the major studios pledged to never again employ a known Communist or unrepentant fellow traveler. The declaration marked the onset of the blacklist era, a time when political allegiances, real or suspected, determined employment opportunities in the entertainment industry. Hundreds of artists were shown the door—or had it shut in their faces.In Show Trial, Thomas Doherty takes us behind the scenes at the first full-on media-political spectacle of the postwar era. He details the theatrical elements of a proceeding that bridged the realms of entertainment and politics, a courtroom drama starring glamorous actors, colorful moguls, on-the-make congressmen, high-priced lawyers, single-minded investigators, and recalcitrant screenwriters, all recorded by newsreel cameras and broadcast over radio. Doherty tells the story of the Hollywood Ten and the other witnesses, friendly and unfriendly, who testified, and chronicles the implementation of the postwar blacklist. Show Trial is a rich, character-driven inquiry into how the HUAC hearings ignited the anti-Communist crackdown in Hollywood, providing a gripping cultural history of one of the most transformative events of the postwar era.
R 3,825.00
Show Trial
In 1947, the Cold War came to Hollywood. Over nine tumultuous days in October, the House Un-American Activities Committee held a notorious round of hearings into alleged Communist subversion in the movie industry. The blowback was profound: the major studios pledged to never again employ a known Communist or unrepentant fellow traveler. The declaration marked the onset of the blacklist era, a time when political allegiances, real or suspected, determined employment opportunities in the entertainment industry. Hundreds of artists were shown the door—or had it shut in their faces.In Show Trial, Thomas Doherty takes us behind the scenes at the first full-on media-political spectacle of the postwar era. He details the theatrical elements of a proceeding that bridged the realms of entertainment and politics, a courtroom drama starring glamorous actors, colorful moguls, on-the-make congressmen, high-priced lawyers, single-minded investigators, and recalcitrant screenwriters, all recorded by newsreel cameras and broadcast over radio. Doherty tells the story of the Hollywood Ten and the other witnesses, friendly and unfriendly, who testified, and chronicles the implementation of the postwar blacklist. Show Trial is a rich, character-driven inquiry into how the HUAC hearings ignited the anti-Communist crackdown in Hollywood, providing a gripping cultural history of one of the most transformative events of the postwar era.
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Mask of Ra (Amerotke Mysteries, Book 1)
His great battles against the sea raiders in the Nile Delta have left Pharoah Tuthmosis II frail, but he finds solace in victory and in the welcome he is sure to receive on his return to Thebes. Across the river from Thebes, however, there are those who do not relish his homecoming, and a group of assassins has taken a witch to pollute the Pharaoh's unfinished tomb. Reunited with his wife, Hatusu, and his people, Tuthmosis stands before the statue of Amun-Ra, the roar of the crowd and the fanfare of trumpets ringing in his ears. But within an hour he is dead and the people of Thebes cannot forget the omen of wounded doves flying overhead. Rumours run rife, speculation sweeps the royal city and Hatusu vows to uncover the truth. With the aid of Amerotke, a respected judge of Thebes, she embarks on a path destined to reveal the great secrets of Egypt.
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Evil Spirit Out of the West (Akhenaten Trilogy, Book 1)
Known as the Veiled One, the ugly and deformed Akenhaten is a shadowy figure. As a child he is overlooked and despised by his own father. As an adult he is thrust into the political limelight when his elder brother dies. Mahu, ambitious and ruthless, watches the young prince carve his own path to power. He becomes Akenhaten's alter ego, his protector and confidant, standing by as Akenhaten proclaims that there is only one God, the Aten, and that he, Akenhaten, is that God's only son. Revolution and chaos follow in this dramatic reign filled with fraud, abduction, assassination, betrayal and treachery. But when Mahu becomes suspicious of Akenhaten's majestic and glorious wife Nefertiti, and the political skill of her brother, Ay, it seems that a hidden and malign influence may also be at work. And then Akenhaten disappears...
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Shawn Shook: Memoir of a Derelict
Shawn Shook is a thirty-something bookstore employee plans to revive his great uncle's Cold War-era short stories; unfortunately, inertia engrosses Shawn Shook, who employs booze and a box of waterproof markers as tools to cope with a personal tragedy. The impotent protagonist covers the walls of his rented apartment with stories that serve no purpose other than narcissistic self-therapy. Shook surrounds himself with the words of others, and sadly perpetuates his "vortex of language" without realizing that, as his prized Oxford English Dictionary could tell him, words are defined as distinct from actions. Despite its melancholic shell, Shawn Shook features many comedic moments, including Shawn's humorous encounters with moronic bookstore patrons and delusional coworkers.
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R 342.00
How Film Became History
By the 1930s, filmmakers had access to a backlog of footage from around thirty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element to the grammar of cinema: the voiceover narration. Together, the film inventory and offscreen commentary gave rise to the archival documentary, the motion picture genre that preserves and rewinds history.Thomas Doherty tells the story of the archival documentary, spotlighting the first films that set out deliberately to preserve history on screen. He shows how newsreels and documentaries challenged the era’s restrictive censorship and how film began to engage with the great political issues of the day. Doherty considers a range of films—some well-known, others obscure—including J. Stuart Blackton’s The Film Parade (1933), Laurence Stallings and Truman Talley’s The First World War (1934), Cornelius Vanderbilt Jr.’s Hitler’s Reign of Terror (1934), Max Eastman and Herbert Axelbank’s Tsar to Lenin (1937), and the March of Time screen magazine. Tracing the creation of the archival documentary, How Film Became History illuminates how motion pictures have come to shape our vision of the past.
R 3,237.00
How Film Became History
By the 1930s, filmmakers had access to a backlog of footage from around thirty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element to the grammar of cinema: the voiceover narration. Together, the film inventory and offscreen commentary gave rise to the archival documentary, the motion picture genre that preserves and rewinds history.Thomas Doherty tells the story of the archival documentary, spotlighting the first films that set out deliberately to preserve history on screen. He shows how newsreels and documentaries challenged the era’s restrictive censorship and how film began to engage with the great political issues of the day. Doherty considers a range of films—some well-known, others obscure—including J. Stuart Blackton’s The Film Parade (1933), Laurence Stallings and Truman Talley’s The First World War (1934), Cornelius Vanderbilt Jr.’s Hitler’s Reign of Terror (1934), Max Eastman and Herbert Axelbank’s Tsar to Lenin (1937), and the March of Time screen magazine. Tracing the creation of the archival documentary, How Film Became History illuminates how motion pictures have come to shape our vision of the past.
R 824.00
Likely Lad
Peter Doherty's is the last of the great rock 'n' roll stories - bad boy and public enemy. To his devoted fans, he is a cult hero, a modern-day Rimbaud. Musically, he has defined the past twenty years of indie rock with his sound, lyrics, lifestyle and aesthetic. Since The Libertines rose to international fame, Doherty has proved endlessly fascinating. A whirlwind of controversy and scandal has tailed him ever since the early 2000s, so much so that all too often his talents as a songwriter and performer have been overlooked; for every award and accolade, there is a scathing review. Hard drugs, tiny gigs on the hoof, huge stadium shows, collaborations, obliterations, gangsters and groupies - Doherty has led a life of huge highs and incredible lows. With his wildest days behind him, Doherty candidly explores - with sober and sometimes painful insight - some of his greatest and darkest moments, taking us inside the creative process, decadent parties, substance-fuelled nights, his time in prison and tendency for self-destruction. With his trademark wit and humour, Doherty also details his childhood years, key influences, pre-fame London shenanigans, and reflects on his era-defining relationship with Libertines co-founder Carl Barât and other significant people in his life. There is humour, warmth, insight, baleful reflection and a defiant sense of triumph. A Likely Lad is Doherty's version of the story - the genuine man behind the fame and infamy. This is a rock memoir like no other.
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Pre-Code Hollywood
Pre-Code Hollywood explores the fascinating period in American motion picture history from 1930 to 1934 when the commandments of the Production Code Administration were violated with impunity in a series of wildly unconventional films-a time when censorship was lax and Hollywood made the most of it. Though more unbridled, salacious, subversive, and just plain bizarre than what came afterwards, the films of the period do indeed have the look of Hollywood cinema-but the moral terrain is so off-kilter that they seem imported from a parallel universe. In a sense, Doherty avers, the films of pre-Code Hollywood are from another universe. They lay bare what Hollywood under the Production Code attempted to cover up and push offscreen: sexual liaisons unsanctified by the laws of God or man, marriage ridiculed and redefined, ethnic lines crossed and racial barriers ignored, economic injustice exposed and political corruption assumed, vice unpunished and virtue unrewarded-in sum, pretty much the raw stuff of American culture, unvarnished and unveiled.No other book has yet sought to interpret the films and film-related meanings of the pre-Code era-what defined the period, why it ended, and what its relationship was to the country as a whole during the darkest years of the Great Depression...and afterward.
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