Search results for "Martin Howse"
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Martin Scorsese
Impeccably designed, and copiously illustrated with more than two hundred stills and behind-the-scenes images, this is the definitive celebration of one of cinema’s most enduring talents. Since his emergence in the early seventies, Martin Scorsese has become one of the most respected names in cinema. Classics such as Taxi Driver, Raging Bull and Goodfellas are regularly cited as being among the finest films ever made. This lavish retrospective is a fitting tribute to a remarkable director, now into his sixth decade in cinema and showing no signs of slowing up. Leading film writer Tom Shone draws on his in-depth knowledge and distinctive viewpoint to present refreshing commentaries on all twenty-three main features, from the rarely shown Who’s That Knocking at My Door (1967) to the latest release, The Irishman (2019), as well as covering Scorsese’s parallel career as a documentary maker.
R 395.00
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Diff in June
"Diff in June" tells a day in the life of a personal computer, written by itself in its own language, as a sort of private log or intimate diary focused on every single change to the data on its hard disk. Using a small custom script, for the entire month of June 2011 Martin Howse registered each chunk of data which had changed within the file system from the previous day's image. Excluding binary data, one day's sedimentation has been published in this book, a novel of data archaeology in progress tracking the overt and the covert, merging the legal and illegal, personal and administrative, source code and frozen systematics. Martin Howse (London 1969 - www.1010.co.uk) is a programmer, writer, performer and explorer. He is a co-founder of micro-research, a mobile platform for psychogeophysical research with ongoing projects in Berlin, London, Suffolk and Peenemuende. Over the last ten years he has workshopped, performed, lectured and exhibited worldwide.
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Best Sermons Ever (Compact Edition)
Each sermon is introduced by a short note on the preacher and his time and a contemporary prayer is added at the end. The sermons range from hell fire to profound spiritual comfort. John Knox's sermon castigates the monstrous regiment of women, Bossuet preaches on the love of God and Martin Luther King on his dream of the Promised Land.Some sermons are familiar as are many of the authors but the book is also packed with surprises- including sermons by Herman Melville, Laurence Sterne and Thomas Aquinas. This unique book will edify, delight and amuse. It is also of quite exceptional historical interest.
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Saints in Politics
This book gives a picture of an important religious reform group in action during the period of the French Revolution, Napoleon, and the Industrial Revolution. In this period of injustice and misery the British ruling classes, frightened by the excesses of the French Revolution, determined, at a time when economic life was changing at a rate unequalled for centuries, that existing laws and institutions should not change. And yet from this time came the moral, philanthropic, and religious ideas which transformed later England and resulted in the abolition of the slave trade, educational reforms in India, emancipation of Negroes in the British possessions, popular education and the growth of Sunday schools in England, reform of the whole penal and judicial system, industrial and parliamentary reform, and a new spirit of religious tolerance and philanthropy. The moving force in human progress at this epoch was a "brotherhood of Christian politicians" lampooned in Parliament, during their lifetime, as "the Saints" and remembered in history as "The Clapham Sect," led by Wilberforce. Dr. Howse brings together for the first time in this book material on all the activities of the Sect. He gives us sketches of members of the Set, their life as a group at home, and in the midst of their campaigns, where novel methods and ceaseless labour brought results out of all proportion to the size of the group.
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Radar at Sea
This book tells in non-technical language how the British Navy contributed to the development of naval radar in World War 2. Addressed to the general reader, it tells not only the technical story in simple terms, but also of the operational use of shipborne radar at sea - for warning, for fire control, for fighter direction, for navigation, in all theatres of war - and particularly about the people who designed and fitted the equipment, and those who used it at sea.
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Radar at Sea
This book tells, in non-technical language, how the British Navy contributed to the development of naval radar in World War 2. Addressed to the general reader, it tells not only the technical story in simple terms, but also of the operational use of shipborne radar at sea - for warning, for fire control, for fighter direction, for navigation, in all theatres of war - and particularly about the people who designed and fitted the equipment, and those who used it at sea.
R 3,112.91
Heidegger in America
Heidegger in America explores the surprising legacy of his life and thought in the United States of America. As a critic of modern life, Heidegger often lamented the growing global influence of all things American. However, it was precisely in America where his thought inspired the work of generations of thinkers – not only philosophers but also theologians, architects, novelists, and even pundits. As a result, the reception and dissemination of Heidegger's philosophical writings transformed the intellectual and cultural history of the United States at a time when American influence was itself transforming the world. A case study in the complex and sometimes contradictory process of transnational exchange, Heidegger in America recasts the scope and methods of contemporary intellectual and cultural history in the age of globalization, challenging what we think we know about Heidegger and American ideas simultaneously.
R 4,912.03
Martin Scorsese
Martin Scorsese (b. 1942) has long been considered one of America’s greatest cinematic storytellers. Over the last fifty years he has created some of the most iconic moments in American film, never afraid to confront controversial issues with passion. While few of his films are directly autobiographical, his upbringing in New York’s Little Italy, the childhood asthma that kept him from playing sports, and his early desire to enter the priesthood all helped form his sensibilities and later shaped his distinct style. Community, religion, violence?these themes drive a Scorsese picture, and whether he examines the violence that bursts forth in the hand of Travis Bickle or the passion of Jesus Christ, Scorsese’s mastery of the history, art, and craft of filmmaking is undeniable.This collection was originally edited by the late Peter Brunette in 1999 and is now revised and extensively updated by Robert Ribera. It traces Scorsese’s evolution from the earliest days of the New American Cinema, his work with Roger Corman, and his days at New York University’s film program to his efforts to preserve the legacy of cinema, his documentary work, and his recent string of successes. Among new movies discussed are The Departed, Hugo, and The Wolf of Wall Street, and the documentaries No Direction Home and The Blues. Scorsese stands out as a director, producer, scholar, preservationist, and icon. His work both behind the camera and in the service of its history are a cornerstone of American and world cinemas. In these interviews, Scorsese takes us from Elizabeth Street to the heights of Hollywood and all the journeys in between.
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Martin Scorsese
Few filmmakers, if any, make the kind of impact that Martin Scorsese has made on American cinema. The winner of every prestigious film award, including the Oscar, Scorsese is a living legend. Bestselling author and award-winning filmmaker Mary Pat Kelly's groundbreaking biography reveals how this working-class boy from Manhattan's Little Italy became one of our most acclaimed, celebrated, and influential filmmakers.Martin Scorsese: A Journey maps Scorsese's personal and artistic evolution though his films, from early works like student films and Mean Streets through cinematic masterpieces like Taxi Driver, Raging Bull, The King of Comedy, Goodfellas. Across interviews with Scorsese himself; stars like Robert De Niro, Paul Newman, Liza Minelli, and Nick Nolte; colleagues including screenwriters and cinematographers; as well as family and friends, it reveals the story of a man in a way that only his community and fellow artists can, giving us unprecedented, intimate access to the making of these iconic films and the extraordinary mind behind them. Brimming with insight into Scorsese's life, values, process, humor, and inspirations, it is a remarkable account of America's premiere director, the shepherd of countless imaginations.
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Background to Discovery
Background to Discovery recounts the great voyages of discovery, from Dampier to Cook, that excited such fervent political and popular interest in eighteenth-century Europe. Perhaps this book's greatest strength lies in its remarkable synthesis of both the achievements of European maritime exploration and the political, economic, and scientific motives behind it. Writing essays on the literary and artistic response to the voyages as well, the contributors collectively provide a rich source for historians, geographers, and anyone interested in the history of voyage and travel. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
R 2,796.00
Leo Strauss
Leo Strauss is known to many people as a thinker of the right, who inspired hawkish views on national security and perhaps advocated war without limits. Moving beyond gossip and innuendo about Strauss's followers and the Bush administration, this book provides the first comprehensive analysis of Strauss's writings on political violence, considering also what he taught in the classroom on this subject. In stark contrast to popular perception, Strauss emerges as a man of peace, favorably disposed to international law and skeptical of imperialism - a critic of radical ideologies who warns of the dangers to free thought and civil society when intellectuals ally themselves with movements that advocate violence. Robert Howse provides new readings of Strauss's confrontation with fascist/Nazi jurist Carl Schmitt, his debate with Alexandre Kojève about philosophy and tyranny, and his works on Machiavelli and Thucydides and examines Strauss's lectures on Kant's Perpetual Peace and Grotius's Rights of War and Peace.
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How Plays Work
Why are readers who are generally at home with narrative and discursive prose, and even readily responsive to poetry, far less confident and intuitive when it comes to plays? The complication lies in the twofold character of the play as it exists on the page - as a script or score to be realized, and as literature. Martin Meisel's engaging account of how we read play plays on the page shows that the path to the fullest imaginative response is an understanding of howplays work. What is entailed is something like learning a language - vocabulary, grammar, syntax - but learning also how the language operates in those concrete situations where it is deployed.Meisel begins with a look at matters often taken for granted in coding and convention, and then - under 'Beginnings' - at what is entailed in establishing and entering the invented world of the play. Each succeeding chapter is a gesture at enlarging the scope: 'Seeing and Hearing', 'The Uses of Place', 'The Role of the Audience', 'The Shape of the Action', and 'The Action of Words'. The final chapters, 'Reading Meanings' and 'Primal Attractions', explore ways in which both the drive forsignificant understanding and the appetite for wonder can and do find satisfaction and delight. Cultivated in tone and jargon-free, How Plays Work is illuminated by dozens of judiciously chosen examples from western drama - from classical Greek dramatists to contemporary playwrights, both canonical and relatively obscure. It will appeal as much to the serious student of the theatre as to the playgoer who likes to read a play before seeing it performed.
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STERNE - HOWES CH
This book provides a re-interpretation of the terms "realism" and "idealism" in international relations, and a critical examination of key figures in international theory: Hans Morgenthau, Kenneth Waltz and Hedley Bull. Morgenthau and Bull are traditionally regarded as the "Grand Theorists" of realism, but this book argues, contrary to conventional wisdom, that they could more properly be categorized as idealists. Griffiths' contention is that, in addition to imagination, nostalgia and complacency are also forms of political idealism. He argues that Morgenthau's work suffers from the shortcomings of "nostalgic idealism". In contrast, Hedley Bull's analysis of international society is based on a more realistic understanding of world politics.
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Martin Scorsese
Martin Scorsese's current position in the international film community is unrivaled, and his name has become synonymous with the highest standards of filmmaking excellence. He is widely considered America's best living film director, and his Taxi Driver and Raging Bull appear frequently on worldwide surveys of the best films of all time. Here, in the first biographical account of this artist's life, Vincent LoBrutto traces Scorsese's Italian-American heritage, his strict Catholic upbringing, the continuing role of religion in his life and art, his obsessive love of cinema history, and the powerful impact that the streets of New York City had on his personal life and his professional career. Meanwhile, the filmmaker's humble, soft-spoken public persona tells only part of the story, and LoBrutto will delve into the other side of a complex and often tortured personality. Scorsese's intense passion, his private relationships, his stormy marriages, and his battles with drugs and depression are all chronicled here, and, in many cases, for the first time. In addition, the book includes an interview with the director, as well as filmographies cataloging his work as a director, producer, actor, and presenter.As his Best Director award at the 2007 Oscars clearly demonstrated, Scorsese has become something like Hollywood royalty in recent years, finally enjoying the insider status and favor that eluded him for most of his career. But these recent developments aside, Scorsese is also notable as a distinctly American type of artist, one whose work-created in a medium largely controlled by commercialism and marketing-has always been unmistakably his own, and who thus remains a touchstone of artistic integrity in American cinema. In Martin Scorsese: A Biography, readers can examine not only the work of one of the form's genuine artists, but also the forces that have propelled the man behind it.
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How History Works
How History Works assesses the social function of academic knowledge in the humanities, exemplified by history, and offers a critique of the validity of historical knowledge. The book focusses on history’s academic, disciplinary ethos to offer a reconception of the discipline of history, arguing that it is an existential liability: if critical analysis reveals the sense that history offers to the world to be illusory, what stops historical scholarship from becoming a disguise for pessimism or nihilism? History is routinely invoked in all kinds of cultural, political, economic, psychological situations to provide a reliable account or justification of what is happening. Moreover, it addresses a world already receptive to comprehensive historical explanations: since everyone has some knowledge of history, everyone can be manipulated by it. This book analyses the relationship between specialized knowledge and everyday experience, taking phenomenology (Husserl) and pragmatism (James) as methodological guides. It is informed by a wide literature sceptical of the sense academic historical expertise produces and of the work history does, represented by thinkers such as Schopenhauer, Nietzsche, Valéry, Anders and Cioran. How History Works discusses how history makes sense of the world even if what happens is senseless, arguing that behind the smoke-screen of historical scholarship looms a chaotic world-dynamic indifferent to human existence. It is valuable reading for anyone interested in historiography and historical theory.
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Leo Strauss
Leo Strauss is known to many people as a thinker of the right, who inspired hawkish views on national security and perhaps advocated war without limits. Moving beyond gossip and innuendo about Strauss's followers and the Bush administration, this book provides the first comprehensive analysis of Strauss's writings on political violence, considering also what he taught in the classroom on this subject. In stark contrast to popular perception, Strauss emerges as a man of peace, favorably disposed to international law and skeptical of imperialism - a critic of radical ideologies who warns of the dangers to free thought and civil society when intellectuals ally themselves with movements that advocate violence. Robert Howse provides new readings of Strauss's confrontation with fascist/Nazi jurist Carl Schmitt, his debate with Alexandre Kojève about philosophy and tyranny, and his works on Machiavelli and Thucydides and examines Strauss's lectures on Kant's Perpetual Peace and Grotius's Rights of War and Peace.
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