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Architectural Novel
Scholars in disciplines from architecture and the fine arts, to the various branches of history and social studies, will find this study timely given contemporary European controversies over what constitutes national identity and what parts are played by race, philosophy and religion, economics, immigration, and invasion. Many major European national identities barely predate the nineteenth century and were shaped not just by wars, philosophies, industrial change, and governmental policies, but also by artistic manipulation of how people perceived public spaces: landscapes, cityscapes, religious and cultural structures, museums, and monuments commemorating conflict. Among the most masterful manipulators of the day were popular nineteenth-century French and British novelists, who gave famous buildings a special prominence in their writing. Some, like Victor Hugo are still read and respected by scholars. Others, like Alexandre Dumas, though still widely read, are undervalued by contemporary critics. Still others, like William Harrison Ainsworth, a prolific English writer, are all but forgotten. These three writers authored architectural novels which gave major ancient Gothic buildings a new and portable cultural presence well beyond their physical location. During these revolutionary times, when national symbolism was being questioned and challenged, the threatened rupture with the past was admirably addressed through their art.
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Cook and Colour at Christmas
Get ready to colour and cook this Christmas. This simple and fun colouring book features a range of simple and easy to follow recipes for some festive baking favourites, including cookies, breads and muffins! The children read through the recipe, colour in their ingredients list and then, with a responsible adult, get cooking!A great little stocking filler for your wannabe master bakers!
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Minotaur
On February 11, 1912, an estimated 120,000 people in Paris participated in a ceremony that was at once moving and macabre: a public procession to Père Lachaise Cemetery, where the remains of a soldier named Albert Aernoult would be incinerated after a series of angry speeches denouncing the circumstances of his death. This ceremony occurred at a pivotal point in the "Aernoult-Rousset Affair," a three-year agitation over the practice of French military justice that was labeled a "proletarian Dreyfus Affair." Aernoult had died in one of the French Army's Algerian penal camps in the summer of 1909, allegedly at the hands of his officers. His death came to the attention of the public through the intervention of a fellow prisoner, a career criminal named Émile Rousset, who provoked prosecution in a military court in order to launch his own J'accuse against camp officers. Rousset's charges seemed to be bearing fruit until he himself was indicted for murder, whereupon the entire Affair took on a new intensity. Cerullo's lively, suspenseful account of this dramatic story, which has never been fully told, will become the standard. In the current era of special military courts, commissions, and prisons, the subject of military justice is an urgent one. Minotaur will interest historians of modern France, military historians and students of military justice, and legal scholars, while also appealing to general readers of modern European history and military law.
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