Search results for "Nicholson"
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![Paetus and Arria; A Tragedy in Five Acts [and in Verse]. to Which Is Prefixed a Letter, Addressed to T. Sheridan Esqre., on the Present State of the English Stage. [by John Nicholson.]](//exclusivebooks.co.za/cdn/shop/t/39/assets/placeholder-pixel_small.png?v=33125877389226915141771159651)

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Activities Incompatible: Memoirs of a Kremlinologist and a Family Man 1963-1971
Activities Incompatible, the third volume of Martin Nicholson's memoirs, covers the years 1963 to 1971, when the author started his career as an analyst of Soviet political affairs in the Research Department of the Foreign Office in London and continued in the Russian Secretariat of the British Embassy, Moscow. In 1971 he took his wife and two children to Moscow for his second tour of duty, as Head of the Russian Secretariat. By this time he had also been appointed one of two official Russian interpreters for the Foreign and Commonwealth Office. But the Cold War was still at its height, and the knives were out between London and Moscow over the Soviet Union's espionage activities in the UK. Martin was engulfed in the gathering storm of expulsions and counter-expulsions of diplomats and its dramatic climax. Here he tells the story from the inside.
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Twitching the Iron Curtain in Central Europe and London: Memoirs 1972-1984
Twitching the Iron Curtain is the fourth volume of Martin Nicholson's memoirs. It takes the author's career and family life from 1972 to 1984, following the abrupt end of his posting in Moscow in a flurry of expulsions and counter-expulsions of diplomats, described in the previous volume, Activities Incompatible. The present volume covers the author's postings in family-friendly, though still thoroughly Communist Prague (1972-1975) and Vienna (1978-1981), the forum for MBFR, the long-running East/West arms control negotiations, as well as London postings, where Martin followed the slow demise of the Soviet Union and witnessed at first hand Mikhail Gorbachev's dramatic visit to the UK in 1984. By the end of this period Martin's children were teenagers; their story also weaves its way through the narrative.
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Essential Jack Nicholson
For ten years Jack Nicholson toiled in low-budget films and guest spots in such television shows as Dr. Kildare and The Andy Griffith Show before his breakout performance in Easy Rider. Despite “retiring” in 2010, Nicholson remains one of the most revered actors of the last half century. Nominated for twelve Academy Awards—the most of any male actor—Nicholson has received three Oscars and countless other honors.The Essential Jack Nicholson looks at the key films in the career of one of Hollywood’s biggest stars. After a brief profile of the actor, James L. Neibaur highlights each of Nicholson’s most important works, explaining why his performances are essential viewing. In addition to Easy Rider, the films discussed include Five Easy Pieces, The Last Detail, Chinatown, One Flew over the Cuckoo’s Nest, The Shining, Reds, Terms of Endearment, Prizzi’s Honor, Ironweed, Batman, A Few Good Men, As Good as It Gets, About Schmidt, and The Departed.Neibaur also provides details about each film’s production, critical reaction, commercial reception, major nominations, and awards. A filmography of all of Nicholson’s movie roles (and select television performances) is also included. The Essential Jack Nicholson is a valuable source of information for fans of this iconic star and his films.
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William Nicholson
A fully illustrated publication to accompany the first major presentation of William Nicholson (1872- 1949) in over two decades, spanning the entire career of an extraordinarily versatile and popular artist. Defying categorisation, Nicholson sat both at the heart of the art world and apart from artistic movements of his day. In this book, his spectacular output is considered afresh, from his acclaimed prints and book illustrations to his sensitive portraits of individuals of all ages and from all groups in British society. In unrivalled still lifes to expansive landscapes, Nicholson’s pictures are not simply representations of the visible world or scenes ripe with hidden symbolism; his are paintings of dazzling brushwork and exquisite colours that speak of his delight in the observation of his subjects. Exploring the premise that Nicholson’s work is more complex than previous interpretations have suggested, this publication will position Nicholson’s output as a product of the artist’s times, as revealed by his portrayals of key figures of the British Empire and his close relationship with London’s theatre world. Distributed for Pallant House Gallery
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Becoming Jack Nicholson
One of the most celebrated figures in the world of cinema, Jack Nicholson has appeared in more than fifty films, stamping each with his larger-than-life presence. Because Nicholson brought a set of traits and attitudes with him to his roles that the actor and filmmakers variously inflected, audiences associated certain characteristics with his screen identity. At times his rebelliousness was celebrated as an act of self-expression against an oppressive system (Five Easy Pieces, The Passenger, One Flew Over the Cuckoo’s Nest), and at others it was revealed as an absurd masculine fantasy (The Last Detail, Chinatown, and The Shining). In each, the actor embodies an inherent tension between a desire to make authentic choices and a pressure to conform to societal expectations of manly behavior. In Becoming Jack Nicholson: The Masculine Persona from Easy Rider to The Shining, Shaun Karli looks at the actor’s on-screen presence in eight key films between 1969 and 1980. Karli explores how in each of these films, the actor and the filmmakers played upon audience expectations of “Jack Nicholson” to challenge prevailing attitudes about masculinity and power. Focusing on the actor's image in a string of counterculture films that spanned the 1970s, Karli argues that audiences created a composite "understanding" of the Nicholson persona in these movies. Examining both the actor and the on-screen version of the Nicholson character, this book offers a fascinating look at one of the major screen figures of the past forty years. Becoming Jack Nicholson will appeal to scholars of cinema, but also to those interested in gender studies, American studies, and sociology.
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![Bent on Conquest. [A Novel.]](//exclusivebooks.co.za/cdn/shop/t/39/assets/placeholder-pixel_small.png?v=33125877389226915141771159651)
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Comparative Theology and the Problem of Religious Rivalry
In theological discourse, argues Hugh Nicholson, the political goes "all the way down." One never reaches a bedrock level of politically neutral religious facts, because all theological discourse - even the most sublime, edifying, and "spiritual"—is shot through with polemical elements. Liberal theologies, from the Christian fulfillment theology of the nineteenth century to the pluralist theology of the twentieth, have assumed that religious writings attain spiritual truth and sublimity despite any polemical elements they might contain. Through his analysis and comparison of the Christian mystical theologian Meister Eckhart and his Hindu counterpart ÍaSkara, Nicholson arrives at a very different conclusion. Polemical elements may in fact constitute the creativesource of the expressive power of religious discourses. Wayne Proudfoot has argued that mystical discourses embody a set of rules that repel any determinate understanding of the ineffable object or experience they purport to describe. In Comparative Theology and the Problem of Religious Rivalry, Nicholson suggeststhat this principle of negation is connected, perhaps through a process of abstraction and sublimation, with the need to distinguish oneself from one's intra- and/or inter-religious adversaries.Nicholson proposes a new model of comparative theology that recognizes and confronts one of the most urgent cultural and political issues of our time: namely, the "return of the political" in the form of anti-secular and fundamentalist movements around the world. This model acknowledges the ineradicable nature of an oppositional dimension of religious discourse, while honoring and even advancing the liberal project of curtailing intolerance and prejudice in the sphere of religion.
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Alphabet
William Nicholson was still in his twenties when he started working on books for the publisher William Heinemann that combined a hugely powerful woodcut style with peerlessly precise observation and sly humour. An Alphabet brings together a collection of portraits, from A is an Artist to Z is a Zoologist whose liveliness is only increased by the calligraphic vigour of Nicholson's print style. A great classic of British book illustration, unavailable for decades. Published simultaneously with two other works The Square Book of Animals and The Book of Blokes.
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![Paetus and Arria; A Tragedy in Five Acts [and in Verse]. to Which Is Prefixed a Letter, Addressed to T. Sheridan Esqre., on the Present State of the English Stage. [by John Nicholson.]](http://exclusivebooks.co.za/cdn/shop/products/9781241067564_8260fd2a-d5e8-4c51-bcf4-a150da8fc5d5.jpg?height=645&pad_color=fff&v=1707423903&width=315)
























![Bent on Conquest. [A Novel.]](http://exclusivebooks.co.za/cdn/shop/products/9781240886029_36dbc0d5-72f7-46ad-bea0-5e523d43c975.jpg?height=645&pad_color=fff&v=1707423425&width=315)















