Search results for "Paddy Docherty"
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Blood and Bronze
An incisive history revealing Britain’s conquest of the Kingdom of Benin and the plunder of its fabled Bronzes. The Benin Bronzes are among the British Museum’s most prized possessions. Celebrated for their great beauty, they embody the history, myth and artistry of the ancient Kingdom of Benin, once West Africa’s most powerful, and today part of Nigeria. But despite the Bronzes’ renown, little has been written about the brutal imperial violence with which they were plundered. Paddy Docherty’s searing new history tells that story: the 1897 British invasion of Benin. Armed with shocking details discovered in the archives, Blood and Bronze sets this assault in its late Victorian context. As British power faced new commercial and strategic pressures elsewhere, it ruthlessly expanded in West Africa. Revealing both the extent of African resistance and previously concealed British outrages, this is a definitive account of the destruction of Benin. Laying bare the Empire’s true motives and violent means, including the official coverup of grotesque sexual crimes, Docherty demolishes any moral argument for Britain retaining the Bronzes, making a passionate case for their immediate repatriation to Nigeria.
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Docherty
'His face made a fist at the world. The twined remnant of umbilicus projected vulnerably. Hands, feet and prick. He had come equipped for the job.'Newborn Conn Docherty, raw as a fresh wound, lies between his parents in their tenement room, with no birthright but a life's labour in the pits of his small town. But the world is changing, and, lying next to him, Conn's father Tam has decided that his son's life will be different from his own. Gritty, dark and tender, McIlvanney's Docherty is a modern classic.
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Cloud Hunter
Set against the backdrop of decadence and corruption that came to symbolise the excesses of the Celtic Tiger boom years, the story follows one loner's journey as he tries to claw his way out of the gutter. Alone, broke, a jobless dreamer, he roams the streets of Dublin in search of work, love and a way out of his own personal misery. A twisted love story of longing, love and loss, full of black humour, dry wit and biting social commentary, this honest and gritty novel brings the streets of Dublin to life and offers a fascinating insight into what it was like to live in Ireland during that insane era which preceded the collapse of the Irish economy.
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Badger Books
‘A story about the power of imagination and friendship.’ Eoin ColferFrom the world of Fox & Son Tailers.‘Badger Books’ is a bookshop, run by a badger. You can find books about every animal. From bears to elephants, tigers to dinosaurs and pandas to narwhals. But there’s one book they don’t have ... and it’s one that Rory the Fox really, really wants.
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Lefty Leprechauns and Champagne Paddies
Ireland left the room poor, holy andapologetic. It came back rich, righteous and remarkably sure of itself.On paper, it’s one of the wealthiestcountries in the world. In practice, approaching a million people circlehospital waiting lists, a generation struggles to afford a home, governmentexpands while delivery remains strangely elusive, and a vast ‘non-governmental’sector depends heavily on government money while helping to write the script.Ireland has also become rather confident in explaining its moral obligations,to itself and occasionally to everyone else.Patrick Duffy left Ireland young and hasspent much of the past thirty-five years as both emigrant and immigrant: closeenough to care, far enough away to notice when the furniture moved.He has also spent three decades running,studying and researching organisations, including government and publicinstitutions. That gives this book its particular question: what happens whenwhat an institution says it is delivering and what people actually experiencestop matching?Across twelve satirical, evidence-ledchapters, Duffy follows that question through Ireland’s peculiar economicsuccess, public-sector ‘capability’, the State-funded NGO world, housing andhealth, land and forestry, immigration, increasingly convergent politics,Brussels and its expanding vocabulary of ‘obligations’, and Ireland’s newermoral certainties.What emerges is less a collection offailures than a recurring trick.The lefty leprechaun holds thegold: money, authority, expertise or public trust. The wish is granted,technically, through another strategy, programme, review, consultation ordeclaration of progress, while the thing people actually wanted remains strangelyelusive.The champagne paddy raises a glassto the granting.This isn’t a hunt for villains and itrequires no conspiracy. The more interesting question is why Ireland, among itsWestern peers, seems particularly susceptible to this arrangement: whyinstitutions so readily confuse activity with achievement, why grand declarationsof virtue travel so comfortably, and why we can often be remarkably willing toaccept the sermon once it comes from the right pulpit.Written with an emigrant’s affection, anoperator’s suspicion of institutional theatre, and an Irishman’s refusal towaste a perfectly good absurdity, Lefty Leprechauns and Champagne Paddiesis sharp, sourced, and unapologetically satirical.It’s for anyone who loves Ireland enoughto be furious with it, laugh at it and still expect better.Because the gold may be there. It might finally be worth checking what it’smade of.
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Twentieth-Century European Drama
This volume offers critical and theoretical perspectives on some of the major figures in European drama in the 20th century. There are 13 essays, covering Luigi Pirandello, Bertolt Brecht, Stanislaw Witkiewicz, Samuel Beckett, Antonin Artaud, Eugene Ionesco, Jean Anouilh, Fernando Arrabal, Jean Genet, Peter Weiss, Vaclav Havel, contemporary German theatre, and Dario Fo and Franca Fame. These essays combine contemporary theory with a discussion of the dramatic work and theories of theatre and drama of the playwrights who created modern drama in Europe. Brian Docherty is the co-editor of "Nineteenth-Century Suspense: From Poe to Conan Doyle", and editor of "American Crime Fiction: Studies in the Genre", "American Horror Fiction: From Brockden Brown to Stephen King", "Twentieth Century American Drama", "American Modernist Poetry", "Twentieth Century British Poetry 1900-50", Twentieth Century British Poetry 1950-90" and "The Beat Generation".
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Paddy Whacked
Here is the shocking true saga of the Irish American mob. In 'Paddy Whacked,' bestselling author and organized crime expert T. J. English brings to life nearly two centuries of Irish American gangsterism, which spawned such unforgettable characters as Mike 'King Mike' McDonald, Chicago's subterranean godfather; Big Bill Dwyer, New York's most notorious rumrunner during Prohibition; Mickey Featherstone, troubled Vietnam vet turned Westies gang leader; and James 'Whitey' Bulger, the ruthless and untouchable Southie legend. Stretching from the earliest New York and New Orleans street wars through decades of bootlegging scams, union strikes, gang wars, and FBI investigations, 'Paddy Whacked' is a riveting tour de force that restores the Irish American gangster to his rightful preeminent place in our criminal history -- and penetrates to the heart of the American experience.
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Literature and Capital
What is the value of literature? In this important new work, Thomas Docherty charts a new economic history of literary culture and its institutions in the modern age. From the literary patronage of the early modern period, through the colonial exploitation of the 18th and 19th centuries to the institutionalisation of “literature” in the neoliberal university of the 21st century, Literature and Capital explores the changing ways in which literary culture has both resisted and become complicit with exploitative economic notions of value. Drawing on the work of economic and political thinkers such as Thomas Piketty, Naomi Klein, Edward Said and Raymond Williams, the book includes readings of work by a wide range of canonical authors from Shakespeare, Donne and Swift to Tolstoy, Woolf and Ishiguro.
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Paddy Clarke Ha Ha Ha
Roddy Doyle's Booker Prize-winning novel describes the world of ten-year-old Paddy Clarke, growing up in Barrytown, north Dublin. From fun and adventure on the streets, boredom in the classroom to increasing isolation at home, "Paddy Clarke Ha Ha Ha" is the story of a boy who sees everything but understands less and less.
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Confessions
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com.This book explores what is at stake in our confessional culture. Thomas Docherty examines confessional writings from Augustine to Montaigne and from Sylvia Plath to Derrida, arguing that through all this work runs a philosophical substratum - the conditions under which it is possible to assert a confessional mode - that needs exploration and explication. Docherty outlines a philosophy of confession that has pertinence for a contemporary political culture based on the notion of 'transparency'. In a postmodern 'transparent society', the self coincides with its self-representations. Such a position is central to the idea of authenticity and truth-telling in confessional writing: it is the basis of saying, truthfully, 'here I take my stand'. The question is: what other consequences might there be of an assumption of the primacy of transparency? Two areas are examined in detail: the religious and the judicial. Docherty shows that despite the tendency to regard transparency as a general social and ethical good, our contemporary culture of transparency has engendered a society in which autonomy (or the very authority of the subject that proclaims 'I confess') is grounded in guilt, reparation and victimhood.
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If the Mute Timber
Tom Docherty's first collection, If the Mute Timber, begins 'not with a book / nor even an attentive ear', but with the elusive fragment of its title. The poems situate themselves in medias res: among birds or gravestones, between lines of prayer, in the flux of appearances. Places without words become focal points: the poems seek articulation in life before birth and after death; in animal and imagined lives; in works of music, painting, and architecture; and in the varied silences of human and divine relationships. In one sense, the poems are variations on the vanitas-but the transience of life and its artefacts is transposed to an offering, a potential key in which to register the work. When followed to their natural end, fragments become sentences, notes are sung. If the Mute Timber finds a range of forms-syllabics, near-sonnets, metrically shifting rhyme-patterns-that aim to bring particular sense to the 'sencelesse' (as the epigraph from Sidney has it). And not only sense but also sensuousness. The poems seem often to come so close to something as to touch it (or taste it or see it). But what? The sound 'in another place', the 'perfect ending / at which one never arrives'. In their balancing act, looking both back and ahead, these poems cannot end where they have begun; their phrasing brings about change, as to fragments on which new light is cast: 'yes, it is saying / then, then, then ...'.
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Paddy Clarke Ha Ha Ha
WINNER OF THE BOOKER PRIZE 1993Paddy Clarke is ten years old. Paddy Clarke lights fires. Paddy Clarke's name is written in wet cement all over Barrytown. Paddy Clarke's heroes are Father Damien (and the lepers), Geronimo and George Best. Paddy Clarke knows the exact moment to knock a dead scab from his knee. Paddy Clarke hates his brother Francis because that’s the rule. Paddy Clarke loves his Ma and Da, but it seems like they don't love each other, and Paddy wants to understand, but can't.See also: Cal by Bernard MacLaverty
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Confessions
This book explores what is at stake in our confessional culture. Thomas Docherty examines confessional writings from Augustine to Montaigne and from Sylvia Plath to Derrida, arguing that through all this work runs a philosophical substratum - the conditions under which it is possible to assert a confessional mode - that needs exploration and explication. Docherty outlines a philosophy of confession that has pertinence for a contemporary political culture based on the notion of 'transparency'. In a postmodern 'transparent society', the self coincides with its self-representations. Such a position is central to the idea of authenticity and truth-telling in confessional writing: it is the basis of saying, truthfully, 'here I take my stand'. The question is: what other consequences might there be of an assumption of the primacy of transparency? Two areas are examined in detail: the religious and the judicial.Docherty shows that despite the tendency to regard transparency as a general social and ethical good, our contemporary culture of transparency has engendered a society in which autonomy (or the very authority of the subject that proclaims 'I confess') is grounded in guilt, reparation and victimhood.
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Literature and Capital
What is the value of literature? In this important new work, Thomas Docherty charts a new economic history of literary culture and its institutions in the modern age. From the literary patronage of the early modern period, through the colonial exploitation of the 18th and 19th centuries to the institutionalisation of “literature” in the neoliberal university of the 21st century, Literature and Capital explores the changing ways in which literary culture has both resisted and become complicit with exploitative economic notions of value. Drawing on the work of economic and political thinkers such as Thomas Piketty, Naomi Klein, Edward Said and Raymond Williams, the book includes readings of work by a wide range of canonical authors from Shakespeare, Donne and Swift to Tolstoy, Woolf and Ishiguro.
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British Poetry from the 1950s to the 1990s
This collection looks at the developments in British poetry from the Movement until the present. The introduction not only provides a context for these changes but also argues that poetry criticism has been debilitated by the quest for political respectability, a trend which can only be reversed by reconsidering the idea of tradition. The essays themselves focus on general themes or individual authors. Written in a clear and informed manner, they provoke the reader into a fresh awareness of the nature of poetry and its relation to society.
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Political English
From post-truth politics to “no-platforming” on university campuses, the English language has been both a potent weapon and a crucial battlefield for our divided politics. In this important and wide-ranging intervention, Thomas Docherty explores the politics of the English language, its implication in the dynamics of political power and the spaces it offers for dissent and resistance. From the authorised English of the King James Bible to the colonial project of University English Studies, this book develops a powerful history for contemporary debates about propaganda, free speech and truth-telling in our politics. Taking examples from the US, UK and beyond - from debates about the Second Amendment and free-speech on campus, to the Iraq War and the Grenfell Tower fire - this book is a powerful and polemical return to Orwell’s observation that a degraded political language is intimately connected to an equally degraded political culture.
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Political English
From post-truth politics to “no-platforming” on university campuses, the English language has been both a potent weapon and a crucial battlefield for our divided politics. In this important and wide-ranging intervention, Thomas Docherty explores the politics of the English language, its implication in the dynamics of political power and the spaces it offers for dissent and resistance. From the authorised English of the King James Bible to the colonial project of University English Studies, this book develops a powerful history for contemporary debates about propaganda, free speech and truth-telling in our politics. Taking examples from the US, UK and beyond - from debates about the Second Amendment and free-speech on campus, to the Iraq War and the Grenfell Tower fire - this book is a powerful and polemical return to Orwell’s observation that a degraded political language is intimately connected to an equally degraded political culture.
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Eternal Paddy
Drawing on more than ninety newspapers published in England, Scotland, and Wales, this is the first major detailed analysis of British press coverage of Ireland over the course of the nineteenth century. This book traces the evolution of popular understandings and proposed solutions to the ""Irish question,"" focusing particularly on the interrelationship between the press, the public, and the politicians. The work also engages with ongoing studies of imperialism and British identity, exploring the role of Catholic Ireland in British perceptions of their own identity and their empire.
R 755.94
![Real Life in Ireland, Or, the Day and Night Scenes ... of Brian Boru, Esq. and ... Sir Shawn O'Dogherty, by a Real Paddy [P. Egan]....](http://exclusivebooks.co.za/cdn/shop/files/9781278222066.jpg?height=645&pad_color=fff&v=1761248151&width=315)
