Search results for "Ray Clift"
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They Called Him Al
Robert J. (Bob) Koster was born in Hollywood, the son of German-born Henry Koster, who escaped Nazi Germany and ultimately became a 1930s Universal Studios director of such major films as Three Smart Girls (1936) and One Hundred Men and a Girl (1937), both starring Deanna Durbin, as well as the Academy Award-nominated director of The Bishop's Wife (1947), Harvey (1950) with James Stewart, My Cousin Rachel (1952) with Richard Burton, The Robe (1953), Desiree (1954) with Marlon Brando, Flower Drum Song (1961), and The Singing Nun (1966). Bob Koster worked for thirty-five years in the movie industry, spanning the time from the big studio system to later independent filmmakers. He worked in various phases of production but mainly in the production department as an Assistant Director and a Unit Production Manager on films such as Child's Play 2 (1990), The Man in the Glass Booth (1975), and War and Remembrance (1988). Bob worked with some of the most famous directors and actors of their time. In his revealing memoir, his insights and comments on these films and the characters involved are fascinating and told as seen through the eyes of a child of the times. His father raised him in an atmosphere of glamour and drama, but he was also distant enough from it to be able to keep an interesting perspective on the fascinating circus surrounding him. His autobiography unfolds as an absorbing read for anyone interested in cinema history and the backstage activities surrounding Hollywood's Golden Era.
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Madrigal of Seas and Summits
Madrigal of Seas and Summits is a vivid and deeply personal memoir by Denis Clift, chronicling a lifetime of public service shaped by determination and human connection. Together with Gretchen, his wife and unwavering partner, Clift navigated a remarkable career that took him from polar expeditions to the heart of Washington power. Born in New York City, Clift didn’t coast—he seized every opportunity with energy and precision. Early on, as a young Navy officer in Operation Deep Freeze, he braved the icy expanses of Antarctica, driving treaded Weasels across treacherous terrain and filing dispatches from the field. These adventures honed both his confidence and storytelling, laying the groundwork for his diplomatic and national security work ahead. His rise in government placed him at the center of historic moments: drafting remarks from a racing motorcade in Rome for Henry Kissinger, witnessing Nixon’s dramatic farewell, and serving as Vice President Walter Mondale’s national security adviser. Clift’s voice was often behind the scenes—but always steady, strategic, and informed by a keen sense of duty. Whether navigating summits, translating science for dignitaries, or building lasting diplomatic ties, he led with intellect and a personal touch. More than a professional account, this memoir offers a window into a full life. Clift writes with clarity and humility, recalling extraordinary events not as grandiosity, but as moments shaped by purpose, partnership, and persistence. From the frozen silence of McMurdo Sound to the tense corridors of the White House, Madrigal of Seas and Summits is a rich portrait of a man who met history not with fanfare, but with readiness—and who found meaning in service, storytelling, and the people encountered along the way. This is a compelling read for all who are drawn to the stories behind the headlines and the characters who lived them.
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Montgomery Clift
Post World War II America saw a return to prosperity and the rise of a significant youth-culture. Television began to replace movies as the chief source of entertainment for the general public, and adolescents and single young adults began to constitute the largest portion of the audience for movies. With his youthful appearance, Montgomery Clift held special appeal to this new market, and he became one of the foremost American actors of his time. This book details his many performances.The introductory biography offers a succinct summary of Clift's life and the forces that shaped his work. The chapters that follow contain annotated entries for all of his work in plays, films, radio, and television. Entries present plot summaries, cast and credit information, critical analyses, and excerpts from reviews. The book gives equal attention to his lesser-known films and stage career, as to his most memorable performances. An extensive annotated bibliography cites and evaluates books, articles, and miscellaneous sources of information about Clift and includes fictional works in which he appears as a character.
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Committing the Future to Memory
Whereas historical determinacy conceives the past as a complex and unstable network of causalities, this book asks how history can be related to a more radical future. To pose that question, it does not reject determinacy outright but rather seeks to explore how it works. In examining what it means to be “determined” by history, it also asks what kind of openings there might be in our encounters with history for interruptions, re-readings, and re-writings.Engaging texts spanning multiple genres and several centuries—from John Locke to Maurice Blanchot, from Hegel to Benjamin—Clift looks at experiences of time that exceed the historical narration of experiences said to have occurred in time. She focuses on the co-existence of multiple temporalities and opens up the quintessentially modern notion of historical succession to other possibilities. The alternatives she draws out include the mediations of language and narration, temporal leaps, oscillations and blockages, and the role played by contingency in representation. She argues that such alternatives compel us to reassess the ways we understand history and identity in a traumatic, or indeed in a post-traumatic, age.
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Lift
With Earth on the brink of total annihilation, can a new universal language unite the world enough to save it?It’s 2422 and the world’s governing mathematicians have calculated that society’s struggles with rampant war and homicide have put humanity on a crash-course with extinction. With an estimated fifteen months left until humankind’s total annihilation, the World Council of Mathematicians (WCM) determine the only way out of the crisis is to create the optimum language for humans, creating common understanding across all cultures and allowing them to work together for their joint salvation. The WCM and Charles De Costa, a brilliant mathematics student, must rely on LIFT, a scientific breakthrough that allows them to enlist the aid of the greatest minds in history, to create this new world language based on mathematics, linguistics, and music. Can the great minds of the past help lead humanity to a better future? Can this new language be created in time? Or will society’s continued evil and miscommunication lead the world to an inevitable end?
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Ray Brown
Ray Brown: His Life and Music is the first full-length biography of Ray Brown, one of the most outstanding practitioners of bass playing in jazz music. Brown's career spans the most popular and creative eras of jazz, from 1940 to the dawn of the 21st century. During his early professional career, Ray Brown first toured with territory bands, and by 1946, he was hired by Dizzy Gillespie to play in his small group and big band. At this time, Brown became the first call New York bassist to accompany other bop musicians like Charlie Parker and Bud Powell. He also served as the bassist with Norman Granz's Jazz at the Philharmonic and frequently recorded with an impressive stable of jazz musicians. In 1947 Ray Brown married legendary singer Ella Fitzgerald and soon divided his time by working as the leader of Fitzgerald's trio while playing with Gillespie, Jazz at the Philharmonic, and as a guest accompanist. After first playing together at Carnegie Hall in 1949, Ray Brown began regularly working with Canadian piano sensation Oscar Peterson until 1965. The Peterson Trio would become one of the most lucrative acts in jazz history. After leaving Peterson, Ray Brown worked as a Los Angeles studio musician and played on numerous commercial recordings but never abandoned swing-based jazz. During these years, he also became involved as a manager, promoter, and teacher. Throughout the mid-1970s until he died in 2002, Ray Brown remained one of the most excellent practitioners of mainstream jazz during a time when some elements of the music moved far away from this style. With so many jazz musicians from his generation succumbing to drugs and tragedy, Ray Brown's longevity and professionalism are a testament to his talents, intelligence, and professionalism.
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Office for Budget Responsibility and the Politics of Technocratic Economic Governance
The Office for Budget Responsibility and the Politics of Technocratic Economic Governance is about the politics of economic ideas and technocratic economic governance. It is also a book about the changing political economy of British capitalism's relationship to the European and wider global economies. It focuses on the creation in 2010 and subsequent operation of the independent body created to oversee fiscal rectitude in Britain, the Office for BudgetResponsibility (OBR). More broadly, it analyses the politics of economic management of the UK's uncertain trajectory, and of British capitalism's restructuring in the 2010s and 2020s in the face of the upheavals of the global financial crisis (GFC), Brexit and COVID. A focus on the intersection between experteconomic opinion of the OBR as UK's fiscal watchdog, and the political economy of British capitalism's evolution through and after Brexit, animates a framework for analysing the politics of technocratic economic governance. The technocratic vision of independent fiscal councils fails to grasp a core political economy insight: that economic knowledge and narratives are political and social constructs. The book unpacks the competing constructions of economic reason that underpin models of British capitalism, and through that inform expert economic assessment of the UK economy. It also underlines how contestable political economic assumptions undergird visions of Britain's international economic relations. These wereall brought to the fore in economic policy debates about Britain's place in the world, which in the 2010s centred on Brexit. This book analyses OBR forecasting and fiscal oversight in that broader political context, rather than as a narrowly technical pursuit.
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Word from Our Viewers
Tracing public and critical responses to TV from its pioneering days, this book gathers and gives context to the reactions of those who saw television's early broadcasts—from the privileged few who witnessed experimental and limited-schedule programming in the 1920s and 1930s, to those who bought TV sets and hoisted antennae in the post-World War II television boom, to still more who invested in color receivers and cable subscriptions in the 1960s. While the first two major sections of this study show the views of television's first broad public, the third section shows how social and media critics, literary and visual artists, and others have expressed their charmed or chagrinned responses to television in its earliest decades.Media-jaded Americans, especially younger ones, would be surprised to know how eagerly their forebears anticipated the arrival of television. Tracing public and critical responses to TV from its pioneering days, this book gathers and gives context to the reactions of those who saw television's early broadcasts-from the privileged few who witnessed experimental and limited-schedule programming in the 1920s and 1930s, to those who bought TV sets and hoisted antennae in the post-World War II television boom, to still more who invested in color receivers and cable subscriptions in the 1960s.Viewers' comments recall the excitement of owning the first TV receiver in the neighborhood, show the vexing challenges of reception, and record the pleasure that all young and many older watchers found in early network and local programs from the beginning to the fast-changing 1960s. While the first two major sections of this study show the views of television's first broad public, the third section shows how social and media critics, literary and visual artists, and others have expressed their charmed or chagrinned responses to television in its earliest decades.
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Ray Arcel
Without Ray Arcel (1899-1994), the world of boxing during the 20th century would have been markedly different. Indeed, the credibility professional boxing as a sport would have been greatly lessened. Arcel's prominence is all the more interesting because he made his mark not as a fighter, promoter, or manager, but as a trainer. From Benny Leonard to Roberto Duran and Larry Holmes, Arcel stood in the corner for champions of every weight division that existed in his lifetime, a record that remains unprecedented. This biography chronicles Arcel's life inside the ring, and out--where he remained a highly secretive man and maintained ambiguous relationships with some of the chief mob figures of his day. Through a wealth of information from Arcel's unpublished memoir, this work offers an extraordinary portrait of one of boxing's most influential and enigmatic figures.
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Ray
Nominated for the American Book Award, Ray is the bizarre, hilarious, and consistently adventurous story of a life on the edge. Dr. Ray--a womanizer, small-town drunk, vigilante, poet, adoring husband--is a man trying to make sense of life in the twentieth century. In flight from the death he dealt flying over Vietnam, Dr. Ray struggles with those bound to him by need, sickness, lunacy, by blood and by love.
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