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R 550.78
Records
The first and only comprehensive guide to modern record theory andits applications Although it is often thought of as a special topic in orderstatistics, records form a unique area, independent of the study ofsample extremes. Interest in records has increased steadily overthe years since Chandler formulated the theory of records in 1952.Numerous applications of them have been developed in such far-flungfields as meteorology, sports analysis, hydrology, and stock marketanalysis, to name just a few. And the literature on the subjectcurrently comprises papers and journal articles numbering in thehundreds. Which is why it is so nice to have this book devotedexclusively to this lively area of statistics. Written by an exceptionally well-qualified author team, Recordspresents a comprehensive treatment of record theory and itsapplications in a variety of disciplines. With the help of amultitude of fascinating examples, Professors Arnold, Balakrishnan,and Nagaraja help readers quickly master basic and advanced recordvalue concepts and procedures, from the classical record valuemodel to random and multivariate record models. The book follows arational textbook format, featuring witty and insightful chapterintroductions that help smooth transitions from one topic toanother and challenging chapter-end exercises, which expand on thematerial covered. An extensive bibliography and numerous referencesthroughout the text specify sources for further readings onrelevant topics. Records is a valuable professional resource forprobabilists and statisticians, in addition to appliedstatisticians, meteorologists, hydrologists, market analysts, andsports analysts. It also makes an excellent primary text forcourses in record theory and a supplement to order statisticscourses.
R 7,228.00
R 886.08
VINYL RECORDS (Greek-English)
This book is a unique and extensive look at the vinyl record era in Greece with texts in Greek and English. In a lengthy interview with Sotiris Lykouropoulos, Director of the Greek Archive Department at A.E.P.I., composer Evangelos (Angelos) Sembos describes his life and career in Greece and the USA. The book includes the composer's curriculum vitae, the influence of great music teachers in his career, his first meeting with Manos Hatzidakis, and his live performances in Greece and abroad. It also includes photos of vinyl records, disk covers, posters, lyrics, recommendation letters, and news paper and magazine clips. Documents, photographs and other significant information portraying the vinyl record era from the late 1950's until today are from Mr. Sembos' personal archives.
R 654.04
75 Years of Atlantic Records
In 1947, when Ahmet Ertegun and two fellow music fans started Atlantic Records in New York City, they never could have known that their passion for discovering artists and making records would shape 75 years of popular culture. The reason for such tremendous global success is simple: Atlantic is a groundbreaking industry model that embraced and championed a wide range of genres: Black music like R&B, soul, jazz, and hip-hop, as well as rock, pop, dance, and more.75 Years of Atlantic Records is the official and definitive photographic history of this legendary record label; four years in the making, and featuring images from Atlantic’s extensive archives, many of them published here for the first time. Check out soul pioneers like Aretha Franklin and Ray Charles; jazz innovators like John Coltrane and Charles Mingus; era-defining pop acts like the Bee Gees and ABBA; rock legends like Led Zeppelin and the Rolling Stones; trailblazing singers like Roberta Flack, and Stevie Nicks, and today’s stars like Ed Sheeran and Charli xcx. Presented in formal portraits, live performance shots, decisive moments in the studio, and intimate glimpses behind the scenes are captured by some of the world’s greatest photographers, including Annie Leibovitz, Jim Marshall, Lee Friedlander, Walter Iooss Jr., Anton Corbijn, Chuck Stewart, Albert Watson and David LaChapelle. Fascinating captions by Richie Unterberger and Herb Powell provide context while award-winning writers David Ritz, Ben Ratliff, Elizabeth Nelson, Barney Hoskyns and others examine the label’s various genres, alongside a timeline and profiles of the label’s pioneers. A foreword by Bruno Mars declares that Atlantic revolutionized how records were made and heard. Now this story has been fully and beautifully documented—a must-have for music lovers.
R 5,885.00
ON THE RECORDs
Far from being yesterday's fading, forgotten format, vinyl records have survived and flourished as the music medium of choice for not only baby-boomers, but all ages. Every record a collector acquires comes with a story of its own, and the recent Covid-19 lockdowns prompted many vinylholics, including Graham Sharpe, to look more closely at their reasons for collecting, take stock of existing collections and rediscover old favourites. Vinyl Countdown followed Sharpe's journey to over a hundred record shops across the globe, from Amsterdam and Angus, to Bedfordshire and Budapest, Tennessee and Wellington. Now, ON THE RECORDs: Notes from the Vinyl Revival explores the impact of recent global events on the record industry and considers the reasons why vinyl remains a beloved - and booming - format. It includes interviews and contributions from voices across the industry - shop owners, record company insiders, online/postal sellers, auction organisers, market traders of vinyl, amateur collectors - who share their stories with candour, warmth and humour. A mesmerising blend of memoir, travel, music and social history that will appeal to anyone who vividly recalls the first LP they bought and any music fan who derives pleasure from the capacity that records have for transporting you back in time.
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R 976.00
Extraordinary Records
This electrifying vinyl edition creates a new and edgy definition for “album art.” Produced in collaboration with Colors magazine, it brings together more than 500 remarkable records from the collection of Alessandro Benedetti and Peter Bastine.This book forms a junction between photography, music, and design, celebrating vinyl for the integrity of sound recording and its artistic potential as a material form. With featured artists including Pink Floyd, The Beatles, Prince, Michael Jackson, Bon Jovi, and beyond, it offers compelling insight into the most intricate details of a performer’s visual identity, from a vivid color to a futuristic mirror effect.The discs are arranged thematically to span monochrome vinyl; unusual vinyl (including silver, gold, or mirror vinyl as well as extremely rare glow-in-the-dark vinyl); multicolored vinyl; etched vinyl (where music is pressed onto only one side); shaped vinyl (cut into forms that are different from the classic round disc); and picture discs (where a photograph or design is stamped onto the surface of the record).In addition, there is a rare view into the records known today as “ribs” or “bone music.” Produced in the USSR, where western music and culture were forbidden, these were made by engraving discarded x-rays with special machines and creating bootleg disks of hit singles of artists such as David Bowie and Pink Floyd.Page after page, this kaleidoscopic encyclopedia of innovative and ingenious vinyl is a colorful journey through era-defining records and artists.
R 1,855.00
R 402.00
Understanding Records, Second Edition
The revised edition of Understanding Records explains the musical language of recording practice in a way any interested reader and student can easily understand. Drawing on readily available hit records produced since 1945, each section of this book explains a handful of core production and engineering techniques in chronological record-making sequence, elucidates how those techniques work, what they sound like, how they function musically, where listeners can hear them at work in the broader Top 40 soundscape, and where they fit within the broader record-making process at large. As the only book to introduce music production and its practical elements with no assumed prior knowledge, the revised edition includes:· Exclusive print and video interviews with emerging and established recordists, including: Alex Chuck Krotz (Drake, Three Days Grace, Mother Mother); Kevin O’ Leary (Shawn Mendes, The Glorious Sons, Monster Truck); Alastair Sims (Rush, The Tragically Hip, Barenaked Ladies); Matt Shelvock (kingmobb, san holo, bitbird, DROLOE); and Russ Hepworth-Sawyer (Billy Ray Cyrus, Steve Earle, Amadou & Miriam)· Numerous “real word” audio examples, organized into easily accessible streaming playlists, culled from Juno-nominated sessions the author himself worked on, and numerous other professional sources.· Easy to understand explanations of each facet of the record production process, which avoid technical jargon and clarify terminology.· Information on new developments in recording practice and updated musical references.Completely reworked and expanded sections on mixing and audio mastering.
R 5,591.00
Breaking Records
This book is intended as a survey history of the American record business as it developed during its first full century. It already existed, just barely, when the century began, and by the start of the twenty-first century, whatever its troubles, it had become a very big business: 785 million albums in 2000 might not have represented much of an increase over the previous year, but it was still a lot of records. The story of the industry’s development is a financial and commercial one, concerning sales, competition, and economic forces, and it is also a musical one, concerning musicians and songwriters. The history of a country’s music is, to an extent, the history of the country itself, and much more could be said—indeed, much more has been said—about that than can be attempted here. But it is hoped that with this overview the reader will gain a certain perspective on that history and the way that the creation of an art form interacts with the machinery of its distribution—or has, thus far, anyway.
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R 501.00
Discography of OKeh Records, 1918-1934
This discography documents all recordings made by this pioneering and influential record label which was active in many areas - popular, jazz, blues, country, and ethnic music during a formative and dynamic period in America's cultural history just before and during the 1920s on into the early 1930s. All known 78rpm record releases in the United States, Britain, Canada, Australia, and Japan are detailed. Also included is an essay on the history of the various corporate entities that produced the OKeh label during its initial period of operation with special emphasis on the activities of the record company in making many field recordings in locations throughout the United States and Hawaii.Laird and Rust's book is primarily comprised of an extensive bibliography and a comprehensive artist index. This publication is the definitive volume on a legendary and influential record company which played a vital part in recording many great artists including some who are still recognized as some of the finest exponents of their particular musical styles.
R 5,150.00
R 976.00
Vinyl: A History of the Analogue Record
Vinyl: A History of the Analogue Record is the first in-depth study of the vinyl record. Richard Osborne traces the evolution of the recording format from its roots in the first sound recording experiments to its survival in the world of digital technologies. This book addresses the record's relationship with music: the analogue record was shaped by, and helped to shape, the music of the twentieth century. It also looks at the cult of vinyl records. Why are users so passionate about this format? Why has it become the subject of artworks and advertisements? Why are vinyl records still being produced? This book explores its subject using a distinctive approach: the author takes the vinyl record apart and historicizes its construction. Each chapter explores a different element: the groove, the disc shape, the label, vinyl itself, the album, the single, the b-side and the 12" single, and the sleeve. By anatomizing vinyl in this manner, the author shines new light on its impact and appeal.
R 2,552.62
R 1,041.00
Trumpet Records
Elmore James, Sonny Boy Williamson, Little Milton, and James Waller-all of these musical powerhouses furthered their recording careers at a little label on once-thriving Farish Street, the historic black district of Jackson, Mississippi. These blues, gospel, and R&B all-stars are featured in Trumpet Records: Diamonds on Farish Street, the detailed story of this thriving recording label of the mid-1950s. What caused it to spring to life in Jackson? It began in 1949, when a white woman named Lillian McMurry and her husband purchased a hardware store on Farish Street, then a location on the boundary between the city's white and black business and entertainment districts. While taking inventory of the original stock and renovating the building, she discovered a stack of unsold records, including Wynonie Harris's recording of ""All She Wants to Do Is Rock."" Curious, Mrs. McMurry played it on the store's record player and became so inspired that she decided to record more music like it. Thus was born Trumpet Records. The life of the studio was brief, and this book, in careful detail, covers its short history (1951-1956) and includes accounts of recording sessions with its roster of gospel groups, blues musicians, and R&B singers, almost all of them African American. The book also documents McMurry's attempts to fuse country and African American popular music into what would become rock 'n' roll. From interviews, archival recordings, company documents, reviews, photographs, and the assistance of the founder, Marc W. Ryan has compiled the fascinating history of this short-lived but influential company. This new edition of a work recognized in 1993 by the Association for Recorded Sound Collections features an updated discography and bibliography, extensive new documentation, and additional insights into the operations of Trumpet Records. Marc W. Ryan is an independent music scholar living in North San Juan, California. His work has been published in Rolling Stone, Discoveries, and Blues and Rhythm.
R 1,030.00
R 585.00
R 845.00
Creation Records Story
'The greatest book ever written on British independent music' Guardian'One of the best British music books of the last ten years' MojoFounded by Alan McGee in 1983, Creation Records achieved notoriety as the home of Primal Scream, the Jesus and Mary Chain and other anti-Establishment acts. During the Britpop boom of the mid-90s, the astonishing success of Oasis brought Creation fame on the world stage. In 1999, however, McGee announced his shock departure as his label's influence over a generation of British music came to a confusing and disappointing end. Containing interviews with Creation musicians, employees, supporters and detractors, this is the inside story of Creation Records - and of British music since the 1980s.
R 638.00
Mute Records
Mute Records is one of the most influential, commercially successful, and long-lasting of the British independent record labels formed in the wake of the late-1970’s punk explosion. Yet, in comparison with contemporaries such as Rough Trade or Stiff, its legacy remains under-explored.This edited collection addresses Mute’s wide-ranging impact. Drawing from disciplines such as popular music studies, musicology, and fan studies, it takes a distinctive, artist-led approach, outlining the history of the label by focusing each chapter on one of its acts. The book covers key moments in the company's evolution, from the first releases by The Normal and Fad Gadget to recent work by Arca and Dirty Electronics. It shines new light on the most successful Mute artists, including Depeche Mode, Nick Cave, Erasure, Moby, and Goldfrapp, while also exploring the label's avant-garde innovators, such as Throbbing Gristle, Mark Stewart, Labaich, Ut, and Swans. Mute Records examines the business and aesthetics of independence through the lens of the label's artists.
R 5,591.00
For the Record
From September 1836 to December 1837, young Aboriginal clerks produced the Flinders Island Weekly Chronicle, a remarkable record of life on the island off Tasmania where a number of Aboriginal people had been forced to resettle. Copied by hand, it describes the settlement in often poignant terms 'I am much afraid none of us will be alive by and by as there is nothing but sickness among us. Why don't the black fellows pray to the king to get us away from this place?'Starting with this extraordinary newsletter, Michael Rose has brought together examples of Aboriginal journalism from a wide range of Aboriginal and mainstream publications. He includes articles from early activists and others who used newspaper and magazine journalism in their fight for justice.For The Record also offers the reader an unusual glimpse, through Aboriginal eyes, of key issues and events in Aboriginal and Australian history. Included in the dozens of articles selected: protests about poor treatment on reserves in the 1930s, an eyewitness account of a Maralinga atomic bomb test in the 1950s, Bill Rosser's reporting of life on Palm Island, Kevin Gilbert's passionate call for a formal treaty between Aboriginal people and the Australian government and Poel Pearson's commentary on the High Court's Mabo decision.
R 2,558.77
Revolutionizing Children's Records
Young People's Records and Children's Record Guild were the first commercially significant record clubs in the world. By applying proven book club methods to the field of phonograph records, these two related companies attracted some hundred thousand subscribers at their peak and serviced perhaps a million members in their existence. Revolutionizing Children's Records: The Young People's Records and Children's Record Guild Series, 1946-1977 tells the history of YPR/CRG, explaining how these two labels intersected important developments in the histories of mass marketing, recording technology, educational philosophy, folk music, contemporary composition, and Cold War politics. David Bonner covers in detail the history of YPR/CRG, tracing its influences back to the beginnings of music education in the 19th Century and incorporating the impact of the American folk music revival on music educators. The narrative follows the career paths of the company principals, such as its progressive founder Horace Grenell; the musicians who recorded for him, like American folk music revival pioneer Tom Glazer; and the record industry offshoots they created in the process. Bonner considers advances the club made in recording technology as the first record label devoted exclusively to "unbreakable" vinyl discs and provides a comprehensive summary of record club marketing, including the application of "music appreciation" to phonograph records. He also charts the commercial, critical, and political response to these endeavors, including an historical footnote to the "Red Scare" unavailable in existing Cold War literature. A complete and detailed discography listing every YPR and CRG recording, including all known writers and performers, concludes this excellent reference for scholars, nostalgists, and phonographic fanatics.
R 4,946.00
Purple Records 1971-1978
Details of every UK release on the Purple Records label from 1971 to 1978 with full colour, high quality photography throughout of labels, sleeves and inserts along with detailed analysis and identification of the crucial 1st pressing details of every album and single. Essential reading for collectors of Purple Records. Following in the footsteps of Frank Zappa, The Beatles and The Rolling Stones, Deep Purple's entrepreneurial management team founded the band's own 'vanity' record label in 1971. The brainchild of Tony Edwards and John Coletta, and, along with additional Purple companies, served to control virtually every business and financial aspect of Deep Purple's musical output, including management, promotion, publishing and of course recording. The label signed a diverse range of additional artists with an eclectic mix of styles, some of which would seem to be incongruous with Deep Purple's own 'hard rock' genre. The most comprehensively detailed book on the Purple Records label.
R 2,535.36
Dark Horse Records
In 1974, as Apple was winding down, George Harrison and RIngo Starr both wanted to help new artists, so rather than trying to salvage Apple Records, each ex-Beatle created their own label. Ringo Starr established Ring'o Records, while George Harrison created Dark Horse Records, set up to be a much smaller scale label, releasing records from new artists as well as some of his old friends, with an eye to eventually releasing his own solo music. While Dark Horse had an encouraging beginning with a hit single from Splinter in 1974, the label started suffering some problems, failing to establish itself the way Harrison hoped. However, some incredible music from a variety of artists was created from 1974 to 1977 and some of Harrison's best solo material would come out on that label. In the end, Dark Horse Records would only release George Harrison's solo work (for the most part), but since 2020, Dhani Harrison has taken over the reins and has made Dark Horse a viable label once again, signing Cat Stevens, Billy Idol and releasing music from Joe Strummer and Leon Russell. Finally, in 2023, it was announced that Harrison's entire solo catalogue was going to be rereleased on Dark Horse. This book tells the story of the label from the beginning, through its struggles and to its new and exciting renaissance.
R 703.00
Modern Records, Maverick Methods
From the Fairlight CMI through MIDI to the digital audio workstations at the turn of the millennium, Modern Records, Maverick Methods examines a critical period in commercial popular music record production: the transformative digital age from the late 1970s until 2000. Drawing on a discography of more than 300 recordings across pop, rock, hip hop, dance and alternative musics from artists such as the Beastie Boys, Madonna, U2 and Fatboy Slim, and extensive and exclusive ethnographic work with many world-renowned recordists, Modern Records presents a fresh and insightful new perspective on one of the most significant eras in commercial music record production.The book traces the development of significant music technologies through the 1980s and 1990s, revealing how changing attitudes and innovative techniques of recording personnel reimagined recording processes and, finally, exemplifies the impact of these technologies and techniques via six comprehensive tech-processual analyses. This meticulously researched and timely book reveals the complexity of recordists’ responses to a technological landscape in flux.
R 1,176.00
On Records
Bridging the fields of indigenous, early American, memory, and media studies, On Records illuminates the problems of communication between cultures and across generations. Andrew Newman examines several controversial episodes in the historical narrative of the Delaware (Lenape) Indians, including the stories of their primordial migration to settle a homeland spanning the Delaware and Hudson Rivers, the arrival of the Dutch and the first colonial land fraud, William Penn’s founding of Pennsylvania with a Great Treaty of Peace, and the “infamous” 1737 Pennsylvania Walking Purchase. As Newman demonstrates, the quest for ideal records—authentic, authoritative, and objective, anchored in the past yet intelligible to the present—has haunted historical actors and scholars alike. Yet without “proof,” how can we know what really happened? On Records articulates surprising connections among colonial documents, recorded oral traditions, and material and visual cultures. Its comprehensive, probing analysis of historical evidence yields a multifaceted understanding of events and reveals new insights into the divergent memories of a shared past.
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R 342.00
Top U.S. Novelty Records Of The '50s And '60s: Record Collector Quick Reference Guide
COLOR EDITION: In this book you'll find some very interesting records. Novelty records are a different breed from the norm. The years covered are from 1950 through 1969, when novelty records were more popular. Chart positions and peak dates are included. You'll find images of the records with a label color description. The records are categorized by year and alphabetically, by title, for each year. Peak chart position by month and year is also listed. Record information is detailed. An Artist (short bios), Record Condition Grade Guide provided by The Record Collectors Guild, Glossary of Record Industry Terminology, Record Formats and Speeds, Common Manufacturing Materials and Resources sections are included in the back of this book.
R 2,785.38
R 1,887.00
On Record
On Record provides descriptive accounts of record-keeping in a variety of important organizations: schools and universities; consumer credit agencies, general business organizations, and life insurance companies; military and security agencies; the Census Bureau and the Social Security Administration; public welfare agencies, juvenile courts, and mental hospitals. It also examines the legal status of records.The authors address questions such as: Who determines what records are kept? Who has access to the records? To what extent do the records follow an individual? What are some of the dangers and pitfalls in record-keeping? Throughout the volume, the authors show a concern for an appropriate balance between the need for information about people and protection against undue invasions of privacy. The introduction of electronic databases since the original publication of this book makes the issues raised in this seminal collection even more timely.
R 2,900.00
Essential Jazz Records
A personal, and sometimes controversial, selection by three jazz critics of the "best" 250 jazz records - mostly LP collections of 78 rpm originals - from the earliest roots of music to the beginnings of the modern jazz era. Each record is placed in its musical context and reviewed in some depth. For each disc, full details of personnel and recording dates and locations are given.
R 3,847.00
Wax Trash and Vinyl Treasures: Record Collecting as a Social Practice
The term 'record collecting' is shorthand for a variety of related practices. Foremost is the collection of sound recordings in various formats - although often with a marked preference for vinyl - by individuals, and it is this dimension of record collecting that is the focus of this book. Record collecting, and the public stereotypes associated with it, is frequently linked primarily with rock and pop music. Roy Shuker focuses on these broad styles, but also includes other genres and their collectors, notably jazz, blues, exotica and 'ethnic' music. Accordingly, the study examines the history of record collecting; profiles collectors and the collecting process; considers categories - especially music genres - and types of record collecting and outlines and discusses the infrastructure within which collecting operates. Shuker situates this discussion within the broader literature on collecting, along with issues of cultural consumption, social identity and 'the construction of self' in contemporary society. Record collecting is both fascinating in its own right, and provides insights into broader issues of nostalgia, consumption and material culture.
R 2,475.04
Record Men
On the south side of Chicago in the late 1940s, two immigrants; one a Jew born in Russia, the other a black blues singer from Mississippi; met and changed the course of musical history. Muddy Waters electrified the blues, and Leonard Chess recorded it. Soon Bo Diddly and Chuck Berry added a dose of pulsating rhythm, and Chess Records captured that, too. Rock & roll had arrived, and an industry was born. In a book as vibrantly and exuberantly written as the music and people it portrays, Rich Cohen tells the engrossing story of how Leonard Chess, with the other record men, made this new sound into a multi-billion-dollar business; aggressively acquiring artists, hard-selling distributors, riding the crest of a wave that would crash over a whole generation. Originally published in hardcover as Machers and Rockers. About the series: Enterprise pairs distinguished writers with stories of the economic forces that have shaped the modern worlds; the institutions, the entrepreneurs, the ideas. Enterprise introduces a new genre; the business book as literature.
R 547.00
Vinyl Records
Relive the movements that defined generations. From 1950s rock to '90s grunge, this curated catalogue explores the history of vinyl as the ultimate symbol of pop culture. Each cover tells a story—not just of the tracks but also of its place in the evolution of fashion and society. Packed with hundreds of stunning images and historical insights, this unique collector’s catalogue is a must-have for lovers of music, vinyl, and design.Carefully-Curated Collection: Features the most significant vinyl cover designs from 1950 to 1999 gathered from a private collection.Unique Packaging: Book comes in a satin-finished PVC slipcase that recalls vinyl packaging and texture.Perfect for Music Enthusiasts: A great gift for lovers of music history, vinyl, and design or addition to any collector’s bookshelf.
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R 1,269.00
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, by Justine Stevens Media Statement - Exclusive Books setting the record straight - 07 June 2024
Media Statement Exclusive Books setting the record straight 07 June 2024 - We can confirm that the book “From the River to the Sea,” a...
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, by sungano kanjere Read an extract from It Always Seems Impossible: The Journey of James Urdang
When James Urdang sat down to write his memoir, It Always Seems Impossible, he wasn’t only telling the story of a life devoted to education.He...
