Search results for "Rodney Larson"
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Improving the Odds
Improving the Odds: Raising the Class is a book aimed at legislators, school administrators, home school advocates,
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Improving the Odds
Improving the Odds: Raising the Class is a book aimed at legislators, school administrators, home school advocates, and college and university professors which examines the education system and provides a paradigm for improvement. The aim of this book is to find simple ways to approach improving the school system in America based on a belief that we need to build a system that has improvement built into the process of training and educating both teacher and students. Despite an extensive management structure that exists for K-12 education, most restructuring efforts do not result in better delivery of information at the classroom level. Teachers and site administrators receive little help from the current management structure in improving the product delivered to kids at the classroom level. This book calls for a restructuring of education systems in order to remove redundant and unnecessary functions and to take advantage of economies of scale.
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Informally Royal
A chance meeting in 1936 gave Lisa and Jimmy Sheridan the opportunity of a lifetime. Keen amateur photographers, their company Studio Lisa was engaged by the then Duke and Duchess of York to take casual photographs of their family, including the Princesses Elizabeth and Margaret, at their homes Royal Lodge and at 145 Piccadilly, London. At a time of traditional formality, when it was unheard of for mere unknowns to be given such an opportunity, the hiring of Studio Lisa proved to be a revolutionary and popular move on the part of the royals as it humanised them in the eyes of their subjects. They soon struck up an unlikely friendship with Lisa and Jimmy – a friendship that would span over 30 years and yield 13 separate photographic sessions, the last of which included Queen Elizabeth’s young children. This volume charts the story of Studio Lisa, from its humble beginnings right through to the granting of two Royal Warrants. For the first time Studio Lisa’s cache of remarkable royal photographs is brought together, producing a marvellous collector’s item and a treasure thankfully preserved for posterity.
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Word for Word
From growing up in Texas, to living in his car, to landing his first publishing deal, to writing fifteen #1 songs, Word for Word is a lavishly illustrated look at the lyrics of an icon among songwriting giants. Emmylou Harris—who once employed Rodney Crowell as the guitarist, harmony singer, and arranger in her Hot Band—introduced many listeners to his finely-crafted songs, including “Til I Gain Control Again,” “Leaving Louisiana in the Broad Daylight,” “I Ain’t Living Long Like This,” “Even Cowgirls Get the Blues,” and “Ashes by Now.” They all went on to be become hits for other performers, while Crowell went on to carve out a career as the first country singer to earn five #1 singles from one album. Rodney continued writing and recording classics, while other artists continued to take his songs to the top of the charts, including Bob Seger’s recording of “Shame on the Moon,” Tim McGraw’s recording of “Please Remember Me,” and Keith Urban’s cover of “Making Memories of Us.” In this disarmingly intimate look at Crowell’s songs, he shares pages from his lyric notebooks, personal photographs, and scribbles that reveal the heart of one of this generation’s finest songwriters.
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What Americans Really Believe
A shocking snapshot of the most current impulses in American religion. Rodney Stark reports the surprising findings of the 2007 Baylor Surveys of Religion, a follow up to the 2005 survey revealing most Americans believe in God or a higher power. This new volume highlights even more hot-button issues of religious life in our country. A must-read for anyone interested in Americans' religious beliefs and practices.
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Rodney Matthews III
Rodney Matthews III had a difficult upbringing. Raised in the East side of Kansas City, his parents had a hard time making ends meet, and tragic events happened frequently. As he approached the 8th grade, Rodney had become a fantastic prep basketball player, and as he worked his way through high school, he attempted to walk the narrow path to succeed and make his dreams come true, despite all the obstacles. Did he succeed?
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Donald Rodney
Donald Rodney (1961-1998) was one of the most gifted, perceptive, and innovative contemporary British artists of his time. A protagonist from the first generation of Black British-born art students in the early 1980s, Rodney and his peers brought a new dynamic to British art – a hitherto unseen interplay between aesthetics, politics, humour and Black consciousness. Donald Rodney: Art, Race and the Body Politic is the first book-length study of a protean practice which spanned the early 1980s to the late 1990s and included a prodigious output of work across painting, photography, collage, assemblage, sculpture, installation, and new technologies.Across eight meticulously researched chapters, the book examines the social and cultural events which inspired Rodney's artwork and the responses it elicited. From his formative years in the West Midlands as a leading exponent of ‘Black Art’, to a subsequent decade of unbridled visual innovation and social critique, the book ventures new detailed analyses of key works, exhibitions, artistic influences and collaborations. Deploying recurring metaphors of the ‘diseased’, traumatised and ‘raced’ body, Rodney addressed racial and social inequality, legacies of slavery, police brutality, sport, and Black male identity in novel and powerful ways. Attending to the artist’s material dexterity and visual acuity, the book considers how and why Rodney’s innovative practice uniquely challenged delineations between the political and non-political, personal and public, representation and visibility. Over a generation has passed since Rodney’s premature death from the effects of the hereditary blood disorder sickle cell anaemia at aged thirty-six. Despite this, Rodney's work continues to speak to our contemporary moment in a multiplicity of ways. As such, the book provides a much-needed critical perspective and insight to the work and legacy of a nonpareil British artist.
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From Ronald Reagan to Rodney King
A giant of political journalism, Lou Cannon rose to prominence as state bureau chief for the San Jose Mercury News in the late 1960s, covering then-governor of California Ronald Reagan. In 1972, he became a political reporter for The Washington Post, one of the top newspapers in the United States, where he would remain until 2008. Best known for his coverage of Reagan's presidency, he also notably covered the brutal beating of Rodney King at the hands of the Los Angeles police department in 1991. From Ronald Reagan to Rodney King recounts Cannon's lengthy career as a newspaperman during a period when newspapers of record were the most important source of current events. He had extraordinary access to top newsmakers, and his work had a rippling impact—influencing other journalists, sparking coverage on television, and appearing in newspapers around the globe. Some of the stories he covered—such as the end of the Cold War—changed the world. His journalistic influence in the latter half of the twentieth century was deep and wide-ranging. Cannon is the primary source of his stories, but he was a careful reporter then and a careful historian now. He had the benefit of a written record of every story he covered, and he clearly refreshed his memory when necessary to check the facts. Rather than revealing his own opinions or feelings, Cannon narrates straightforward accounts of what he witnessed on the job. From Ronald Reagan to Rodney King will appeal to historians of twentieth-century journalism, the Cold War, Ronald Reagan, race relations, and policing.
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Rodney Smith
The work of Rodney Smith (1947–2016) is above all an invitation to insinuate oneself into a world suspended between illusion and reality. Far from the modern conventions of documentary photography or realism, Smith has created a unique language on the boundary between these two worlds.Each of his sublime, supreme images exerts a real fascination over the viewer, for they are the site of polarity and duality, of the utterance and its contradiction, of the place and its reverse.Rodney Smith is not content merely to document the world; he transforms it and magnifies it, and only photography is capable of delivering, in a flash, his strange visions, his kind of visual impulses, as stunning and explosive as if they were about to break the sound barrier.Text in English and Italian.
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Rodney Smith
"I would hope that I am one of a kind." -Rodney Smith Mystery and manners, romance and fun-the sophisticated compositions and stylish characters in the extraordinary pictures of fashion photographer Rodney Smith (1947-2016) exist in a timeless world of his imagination. Born in New York City, Smith started out as a photo-essayist, turned to portrait photography, and found his niche, and greatest success, in fashion photography. Inspired by W. Eugene Smith, taught by Walker Evans, and devoted to the techniques of Ansel Adams, Smith was driven by the dual ideals of technical mastery and pure beauty. This lavish volume features nearly two hundred reproductions of Smith's images-many that have never before been published-and weaves together a biocritical essay by Getty Museum curator Paul Martineau and a technical assessment of Smith's production by the Center for Creative Photography's chief curator, Rebecca Senf. It maps Smith's creative trajectory-including his introduction to photography, early personal projects, teaching, commissioned pieces, and career in fashion-and provides insight into his personal life and character, contextualizing his work and creative tendencies within his privileged but lonely upbringing and his complex emotional and psychological makeup. Rodney Smith is the definitive record of the life's work and worldview of a truly original artist.
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