Search results for "Samuel Singer"
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niesen - Schädlichkeit
“The work is indispensable for deciphering no longer known proverbs in collective manuscripts and in texts far beyond the Middle Ages.” Prof. Dr. Johannes Janota
R 12,508.97
Schaf - sollen
“The work is indispensable for deciphering no longer known proverbs in collective manuscripts and in texts far beyond the Middle Ages.” Prof. Dr. Johannes Janota
R 12,503.97
Researches into the History of Playing Cards
The literary scholar Samuel Weller Singer (1783–1858) was largely self-taught, but his enthusiasm for reading caused him to open a bookshop, and he developed a wide circle of bibliomaniac friends, including Francis Douce (who later left him enough money to retire from writing for a living). He was an editor of many early modern poets, and his editions of John Selden's Table-Talk and Joseph Spence's Anecdotes, Observations, and Characters, of Books and Men are also reissued in this series. This highly illustrated 1816 work, originally published in a run of only 250 copies, was praised for its quality by Thomas Frognall Dibdin. In it, Singer argues that the increasing sophistication sought by the buyers of playing cards led to increasing improvements in the art of wood engraving, and that the study of these humble and rarely surviving artefacts can give insights into the achievements of the greatest Renaissance carvers.
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Singing with Your Whole Self
This book teaches performers to use the Feldenkrais Method of neuromuscular activities to ameliorate problems of tension, muscle strain, and illness in order to obtain optimal vocal performance. Singing with Your Whole Self, Second Edition contains an important and unique modularized Feldenkrais “Awareness Through Movement” lessons specifically designed for liberating function in all musicians, and singers in particular. Modularized lessons allow the user to choose between functionally useful short segments or entire lessons. The first part of the book presents the theory behind why this approach works in an easily understood and concrete fashion. The remaining chapters explore our anatomy by area and explain usage, problems, and how these relate to singing. These chapters include lessons that revolve around improving performance. Includes an index both by lesson and by problem, referring performers to the lessons most effective for a specific problem.
R 1,904.00
Luck! A New Musical
Comedy / 6m, 6f, a larger ensemble may be used In this fractured folk tale based on a story by Isaac Bashevis Singer, Mazel and Shlimazel, the spirits of Good Luck and Bad Luck, make a bet to determine who is the more powerful. The terms: Mazel will take a hapless young man named Tam under her wing for one year, at the end of which Shlimazel will attempt to undo everything she's done in one second. That's the point at which Tam and the princess with whom he's fallen in love have to rely upon their own ingenuity to save the kingdom and keep Tam's neck out of the hangman's noose. Along the way, matters are complicated by a crafty prime minister, a superstitious nurse, and a lion on the loose!
R 669.05
Chinese Street Music
Musical community is a notion commonly evoked in situations of intensive collective activity and fervent negotiation of identities. Passion Square shows, the daily singing of Chinese pop classics in parks and on street corners in the city of Wuhan, have an ambivalent relationship with these ideas. They inspire modest outward signs of engagement and are guided by apparently individualistic concerns; singers are primarily motivated by making a living through the relationships they build with patrons, and reflection on group belonging is of lesser concern. How do these orientations help complicate the foundations of typical musical community discourses? This Element addresses community as a quality rather than as an entity to which people belong, exploring its ebbs and flows as associations between people, other bodies and the wider street music environment intersect with its various theoretical implications. A de-idealised picture of musical community better acknowledges the complexities of everyday musical experiences.
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Cesar Romero
Dynamic and debonair, Cesar Romero was best known for creating the role of the Joker in the 1960s Batman television series. As the first actor to play Batman and Robin'svillainous nemesis, Romero established the character's giddy, manic tone and the iconic laugh that subsequent actors like Jack Nicholson, Heath Ledger, and Joaquin Phoenix would use as the starting points in their own Oscar-nominated (Nicholson) and Oscarwinning (Ledger and Phoenix) performances. As a closeted gay man of Latin American descent, Romero gracefully faced many personal challenges while maintaining his suave public image and starring opposite legends ranging from Shirley Temple to Marlene Dietrich, Carmen Miranda to Frank Sinatra, and Kurt Russell to Jane Wyman.The first biography of the consummate entertainer, Cesar Romero: The Joker Is Wild, captures the critical moments of Romero's childhood, adolescence, andaccomplishments in Hollywood. Author Samuel Garza Bernstein shares anecdotes regarding Romero's public and personal life, as well as Romero's private disdain for his reputation as the "Latin Lover," a discriminatory stereotype he found constrictive both in terms of his range as an actor and as a man who kept his sexuality private.Cesar Romero is an in-depth study of a significant Hollywood star and his impact on the entertainment industry. Batman made him immortal, but with more than fourhundred film and television credits, his six-decade career as an actor, dancer, and singer made him a true Hollywood icon.
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Singing with Your Whole Self
This book teaches performers to use the Feldenkrais Method of neuromuscular activities to ameliorate problems of tension, muscle strain, and illness in order to obtain optimal vocal performance. Singing with Your Whole Self, Second Edition contains an important and unique modularized Feldenkrais “Awareness Through Movement” lessons specifically designed for liberating function in all musicians, and singers in particular. Modularized lessons allow the user to choose between functionally useful short segments or entire lessons. The first part of the book presents the theory behind why this approach works in an easily understood and concrete fashion. The remaining chapters explore our anatomy by area and explain usage, problems, and how these relate to singing. These chapters include lessons that revolve around improving performance. Includes an index both by lesson and by problem, referring performers to the lessons most effective for a specific problem.
R 4,213.00
Judeo-Spanish Ballads from New York
In New York City during the winter of 1922 and the spring of 1923, Mair Jose Benardete recorded the texts of the thirty-nine traditional ballads published in this volume. His collection, the beginning of Judeo-Spanish ballad research in America, was assembled when the oral tradition was still rich and vigorous among immigrants to New York from the Sephardic settlements of the Eastern Mediterranean and North Africa. Among the ballads are a number of rare text types, some never again recorded in the Sephardic communities of the United States, In addition, many of the texts provide new insights into the origins of the thematic traditions they represent. Samuel G. Armistead and Joseph H. Silverman have edited the ballads collected by Benardete, offering an English abstract and exhaustive bibliography for each ballad. In addition to placing each ballad within the context of its Sephardic variants, the bibliographies refer to the most important collections in the modern Castilian, Portuguese, Catalan, and Hispano-American traditions, to earlier (fifteenth- to seventeenth-century) evidence, and to any known analogs in other European traditions. The volume also includes a general bibliography, a thematic classification of the ballads, several indexes, and a glossary of exotic lexical elements. In an introduction, professors Armistead and Silverman present a documented survey of Judeo-Spanish ballad scholarship with particular attention to fieldwork in teh United States and elsewhere. Benardete himself attributed the decline of ballad singing among the Sephardim to a growing preference for phonographic recordings over traditional family singers. The need for further field-work increases as "Sephardic folkspeech and folklore retreat before the irresistible onslaught of the English language and modern American mass-media culture" (from the Introduction). This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.
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Legacy Of The Blues
Blues is a language,one which has evolved its own rules and which is the sole property of a culture always forced to the periphery of white society. As such it is a political language. Whether it is passed as a legacy from African village to Mississippi farm, or from farm to Chicago ghetto, or from ghetto to Paris cafe, it is part of a larger oral heritage that is an expression of black America. Makeshift instruments, runaway slaves, railroads, prisons, empty rooms, work gangs, blindness, and pain have all been involved in the passing of this legacy, which has moved from hand to hand like a bottle of whiskey among friends and which now, for whatever reasons, seems faced with extinction. As Lightnin' Hopkins says: "I see a few young musicians coming along. But it's not many. It's not many at all, and the few that is,I'll tell you, you know what I mean, they don't have it. They just don't feel it. . . . I never had that trouble. I had the one thing you need to be a blues singer. I was born with the blues."With an awareness of the urgency involved, and with considerable devotion, Samuel Charters has chosen twelve major bluesmen, each whom represents a major facet of the blues, and has written about them. Rather than adopt the voyeuristic tone of the academician, he has used the direct visceral images that have always composed the blues. Also included are interviews, photographs, lyrics, and separate chapters on the black experience in America, and the evolution of the blues language from its African origins. Samuel Charters has renewed contact with the greatness of the blues legacy,from the haunting lyric songs of the bluesmen like Robert Pete Williams and Lightnin' Hopkins to the fiercely joyous shouts of Champion Jack Depree, Memphis Slim, and Mighty Joe Young.
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Works of Samuel Johnson, LL.D.
Dr Samuel Johnson (1709–84) is regarded as one of the outstanding figures of English literature, as a poet, essayist, moralist, critic, biographer, editor and lexicographer. This collected edition of his works - commissioned by the publisher within hours of Johnson's death, such was his celebrity - was published in 1787 in eleven volumes, edited by his literary executor, the musicologist Sir John Hawkins. Volume 2 contains the first part of his Lives of the Poets, his last major work. This was a commission to provide short accounts of over fifty poets of the seventeenth and eighteenth centuries, and set a new standard for English literary biography. Although not all of the subjects have been regarded as eminent by posterity, and Johnson was criticised for brusque treatment of well-connected courtier poets now largely forgotten, the work was a great success.
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Works of Samuel Johnson, LL.D.
Dr Samuel Johnson (1709–84) is regarded as one of the outstanding figures of English literature, as a poet, essayist, moralist, critic, biographer, editor and lexicographer. This collected edition of his works - commissioned by the publisher within hours of Johnson's death, such was his celebrity - was published in 1787 in eleven volumes, edited by his literary executor, the musicologist Sir John Hawkins. Volume 4 contains the third part of his Lives of the Poets, his last major work. This was a commission to provide short accounts of over fifty poets of the seventeenth and eighteenth centuries, and set a new standard for English literary biography. Although not all of the subjects have been regarded as eminent by posterity, the work was a great success. The volume also includes miscellaneous historical and literary biographies of figures such as Paolo Sarpi, Sir Francis Drake and Roger Ascham.
R 2,717.04
Lyric Pedagogy and Marxist-Feminism
What is the political potential of poetry in the contemporary era? Exploring an often overlooked history of Marxist-Feminist poetics in post-war Britain – including such poets as Denise Riley, Veronica Forrest-Thomson, Wendy Mulford and Nat Raha – this book confronts this central question to debates about the value of humanities education today. Lyric Pedagogy and Marxist-Feminism demonstrates how ideas of social reproduction have been central both to the forms of post-1945 British poetry and the educational institutions where poetry is overwhelmingly encountered and produced. Combining new archival research with close readings of key poets of the period, the book charts the interrelated crises both of poetry itself and literary education more widely. Paradoxically, the very marginalisation of poetry in contemporary culture serves to offer the form new opportunities as an agent of social transformation.
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Autobiography of Samuel Smiles, LL.D.
One of the most popular Victorian writers, Samuel Smiles (1812–1904) made his name in 1859 with the original self-improvement manual Self-Help. His highly successful multi-volume Lives of the Engineers (also reissued in this series) contained biographies of men who had, like him, achieved greatness not through privilege but through hard work. Left incomplete at his death, edited by the social theorist Thomas Mackay (1849–1912) and first published in 1905, his autobiography opens with a vivid description of the Scottish garrison town of his birth during the Napoleonic wars. In his later years he was a vocal supporter of state education, and the value of education was a constant theme throughout his life. He remembers his schooldays here with clarity, writing that 'a good education is equivalent to a good fortune'. Straightforward and unpretentious, this book will be of interest to historians and readers fascinated by the Victorian drive for self-improvement.
R 2,582.40
Major Works
This authoritative edition was formerly published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Johnson's poetry and prose - all the major poems, complemented by essays, criticism, and fiction - to give the essence of his work and thinking. Samuel Johnson's literary reputation rests on such a varied output that he defies easy description: poet, critic, lexicographer, travel writer, essayist, editor, and, thanks to his good friend Boswell, the subject of one of the most famous English biographies. This volume celebrates Johnson's astonishing talent by selecting widely across the full range of his work. It includes 'London' and 'The Vanity of Human Wishes' among other poems, and many of his essays for the Rambler and Idler. The prefaces to his edition of Shakespeare and his famous Dictionary, together with samples from the texts, are given, as well as selections from A Journey to the Western Islands of Scotland, the Lives of the Poets, andRasselas in its entirety. There is also a substantial representation of lesser-known prose, and of his poetry, letters, and journals. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
R 464.00
Works of Samuel Johnson, LL.D.
Dr Samuel Johnson (1709–84) is regarded as one of the outstanding figures of English literature, as a poet, essayist, moralist, critic, biographer, editor and lexicographer. This collected edition of his works - commissioned by the publisher within hours of Johnson's death, such was his celebrity - was published in 1787 in eleven volumes, edited by his literary executor, the musicologist Sir John Hawkins. Volume 10 contains a mixture of items – political tracts on taxation and current affairs; miscellaneous short works including book reviews and papers on agriculture, French prisoners of war, and the building of Blackfriars' Bridge; and A Journey to the Western Islands of Scotland. These show the range of his interests and the ease with which he could turn his pen to any topic.
R 2,447.68
