Search results for "Scott Simmon"
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Invention of the Western Film
The Invention of the Western Film ranges across literature, visual arts, social history, ideology, and legend to provide, for the first time, an in-depth exploration of the early Western, from short kinetoscopes of the 1890s through 'classic' features of the 1940s. By examining the American Indian's rise and demise during the silent era, B-Westerns of the 1930s, and film noir-influenced Westerns of the 1940s, Scott Simmon's pioneering study silhouettes the genre's evolution against a myriad of cultural forces. This lively, encyclopedic book revitalizes familiar Western icons John Wayne and John Ford, and recovers forgotten masterworks from the Western film's formative years.
R 4,569.00

Invention of the Western Film
The Invention of the Western Film ranges across literature, visual arts, social history, ideology, and legend to provide, for the first time, an in-depth exploration of the early Western, from short kinetoscopes of the 1890s through 'classic' features of the 1940s. By examining the American Indian's rise and demise during the silent era, B-Westerns of the 1930s, and film noir-influenced Westerns of the 1940s, Scott Simmon's pioneering study silhouettes the genre's evolution against a myriad of cultural forces. This lively, encyclopedic book revitalizes familiar Western icons John Wayne and John Ford, and recovers forgotten masterworks from the Western film's formative years.
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Films of D. W. Griffith
The Films of D. W. Griffith serves as an introduction to, and a cultural argument for, the work of the first widely acknowledged master filmmaker. Situating D. W. Griffith within film history and American studies, Scott Simmon addresses Griffith's competing reputations as a genius of cinematic form and a retrograde purveyor of reactionary and racist tales. His study includes extended discussion of Griffith's controversial drama of the Civil War and Reconstruction, The Birth of a Nation, and of his grandiose historical epic, Intolerance, but identifies his enduring work within the approximately 450 shorter films that he directed for the Biograph Company between 1908 and 1913, years of rapid change in the film industry. Major discussion is given to the evolution of Griffith's Biograph films about contemporary city life and to his early domestic melodramas or 'woman's films'. In this cultural reading, Griffith's films are located at a crisis point between two centuries, drawing power from the popular attitudes of nineteenth-century America as they create the patterns for the twentieth century's most distinctive art form.
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Gilbert Simondon's Psychic and Collective Individuation
One of the most innovative and brilliant philosophers of his generation, but largely neglected until he was brought to public attention by Gilles Deleuze, Gilbert Simondon presents a challenge to nearly every category and method of traditional philosophy. 'Psychic and Collective Individuation' is undoubtedly his most important work and its influence, clearly felt in Stiegler and DeLanda, has continued to grow. David Scott provides the first full introduction to this work, which will inspire as well as instruct philosophers working in Continental thought, philosophy of science, social theory and political philosophy. He introduces Simondon's challenging text by clarifying its complex terminology and structure through a chapter-by-chapter commentary. By placing Simondon and the book in their historical context, Scott invites a dialogue with thinkers including Bergson, Deleuze, Heidegger, Sartre, Merleau-Ponty and Negri, and explains Simondon's relevance to current discussions about biopolitics and post-Nietzschean ethics.
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Pleasures of Woman
The Pleasures of Woman, quite simply, is a book of medicine for human sexuality. It is a salve to cleanse and heal our wounds of confusion and anger, and dull sleepy our fears and self-obsessions. It is an intimate conversation from the heart to women and men of all ages, who have the heart to understand. It is a new erection of the classics in man, by rediscovering the nature and imaginations which make him classic. It is a mythological dream of woman, spawned from the alphabet of Adam's affections, and the depths of all men's needs. It is poetry written from and for the deepest, most sacred parts of the human being. Words that tenderly nourish the unblossomed flower of man's purest and sweetest sense of innocence and intimacy, by empowering, exalting and adoring women's most natural, intoxicating, and surreal dimensions of femininity; lavishing upon women the savory epiphanies and rapturous delights of eternal womanhood; and creating a world of joy, brightness, peace, and hope.
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