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Intrigues
Intrigues: From Being to the Other examines the possibility of writing the other, explores whether an ethical writing that preserves the other as such is possible, and discusses what the implications are for an ethically inflected criticism. Emmanuel Levinas and Maurice Blanchot, whose works constitute the most thorough contemporary exploration of the question of the other and of its relation to writing, are the main focus of this study. The book's horizon is ethics in the Levinasian sense: the question of the other, which, on the hither side of language understood as a system of signs and of representation, must be welcomed by language and preserved in its alterity. Martin Heidegger is an unavoidable reference, however. While it is true that for the German philosopher Being is an immanent production, his elucidation of a more essential understanding of Being entails a deconstruction of onto-theology, of the sign and the grammatical and logical determinations of language, all decisive starting points for both Levinas and Blanchot.At stake for both Levinas and Blanchot, then, is how to mark a nondiscursive excess within discourse without erasing or reducing it. How should one read and write the other in the same without reducing the other to the same?Critics in recent years have discussed an "ethical moment or turn" characterized by the other's irruption into the order of discourse. The other becomes a true crossroads of disciplines, since it affects several aspects of discourse: the constitution of the subject, the status of knowledge, the nature of representation, and what that representation represses (gender, power). Yet there has been a tendency to graft the other onto paradigms whose main purpose is to reassess questions of identity, fundamentally in terms of representation; the other thus loses some of its most crucial features.Through close readings of texts by Heidegger, Levinas, and Blanchot the book examines how the question of the other engages the very limits of philosophy, rationality, and power.
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Shibusa
This instalment of the Oscar Riera Ojeda Publishers Masterpiece Series focuses on Hive Architects’ Shibusa Residence on the Big Sarasota Pass in Siesta Key, Florida. In response to the client’s brief; for their future home to reflect their simple, uncomplicated lifestyle, the long, narrow lot and zoning requirements, the studio decided to base their project around the Japanese concept of Shibusa: economy of form, line and effort resulting in a refined, timeless tranquility.Featuring critical texts by renowned architectural writers, detailed plans and layouts and comprehensive photographic documentation, this monograph shows how the L-shaped structure made up of a pair of rectilinear pavilions seems to float over the tropical landscape, offering excellent functionality for the public and private programs, which include a main and guest pavilion, tropical garden and lap pool, and, crucially, an uninterrupted stream of views of the Big Sarasota Pass and/or Bayou Louise throughout the property.
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Chancery Lane
‘Patio, channel of sky/The patio is the window/Through which God watches souls/The patio is the slope/Down which the sky follows into the house/Serene’ - Jorge Luis Borges Bedmar & Shi’s Chancery Lane is the apotheosis of their ongoing interaction with a new language of tropical residential architecture. Evocative of the simple, open structures of time’s past, yet possessed of a modernity of spirit perfectly in keeping with contemporary life. Set around an open courtyard space, with a series of demarcated private abodes, Chancery Lane perfectly embodies the tenets of personal privacy heightened and brought together through shared experience. Subtle and serene, this is a residence borne of a coalescence between the environmental, the aesthetic, and the spatial. A true gem.
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