Search results for "Studio"
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In the Studio
Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. Yet, despite being icons of corporate identity, studios have faded into the background of critical discourse and into the margins of film and media history. In response, In the Studio demonstrates that when we foreground these worlds, we gain new insights into moving-image culture and the dynamics that quietly mark the worlds on our screens. Spanning the twentieth century and moving globally, this unique collection tells new stories about studio icons—Pinewood, Cinecittà, Churubusco, and CBS—as well as about the experimental workplaces of filmmakers and artists from Aleksandr Medvedkin to Charles and Ray Eames and Hollis Frampton.
R 2,796.00
R 274.00
R 611.00
Studio 54
There has never been and will never be another nightclub to rival the sheer glamour, energy, and wild creativity that was Studio 54. Now, in the first official book on the legendary club, co-owner Ian Schrager presents a spectacular volume brimming with star-studded photographs and personal stories from the greatest party of all time. From the moment it opened in 1977, Studio 54 celebrated spectacle and promised a never-ending parade of anything goes. Although it existed for only three years, it served as a catalyst that brought together some of the most famous and creative people in the world. It quickly became known for its celebrity guest list and uniquely chic clientele. From the cutting-edge lighting displays to its elaborate sets, it was the beginning of nightclub as performance art. Now, Studio 54 explores this cultural zeitgeist and gives us Schrager s personal firsthand account of what it was like to create and run the most famous nightclub of our age.With hundreds of photographs, many of which have never been seen before, of the celebrities and beautiful people and engaging stories and quotes from such cultural luminaries as Liza Minelli, David Geffen, Brooke Shields, Pat Cleveland, and Diane von Furstenberg, this exciting volume depicts the wild energy and glittering creativity of the era. One of the most important cultural landmarks of the twentieth century, Studio 54 continues to inspire with its legendary glamour. This exhilarating volume is a must-have for style and fashion aficionados today.
R 2,009.00
R 733.00
In the Studio
Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. Yet, despite being icons of corporate identity, studios have faded into the background of critical discourse and into the margins of film and media history. In response, In the Studio demonstrates that when we foreground these worlds, we gain new insights into moving-image culture and the dynamics that quietly mark the worlds on our screens. Spanning the twentieth century and moving globally, this unique collection tells new stories about studio icons—Pinewood, Cinecittà, Churubusco, and CBS—as well as about the experimental workplaces of filmmakers and artists from Aleksandr Medvedkin to Charles and Ray Eames and Hollis Frampton.
R 1,029.00
Studio
At first glance, we see an artist's studio—photographs of the studio of the German-Swiss artist duo Cortis & Sonderegger—that contains all sorts of what seem to be everyday objects. Yet suddenly, large things appear small and little ones quite big, and sometimes the perspective is just not right. Jojakim Cortis and Adrian Sonderegger play a sophisticated game with and about the authenticity of photography. Boundaries between the genuine and the fake get blurred.During the covid pandemic in 2020–21, Cortis & Sonderegger built a detailed model of their own studio near Zurich with much of its furnishings, of which they took countless photographs. These images are confusing, turn our viewing habits upside down, and invite to take a closer look. The artists’ play with model and reality becomes visible on various levels: the view from the model's window shows the real studio space; proportions look weirdly distorted; and occasionally, Cortis & Sonderegger themselves appear as protagonists.In today’s world, with myriads of images produced every day, Cortis & Sonderegger’s Studio series constitutes a counterpoint to latest developments in of photography and AI-based image generation. Text in English and German.
R 1,466.00
R 1,207.40
R 845.21
R 313.00
R 780.00
R 845.00
Recording Studio Design
Recording Studio Design, Fourth Edition explains the key principles of successful studio design and construction using straightforward language and the use of practical examples appreciated by readers of previous editions. Updated to reflect new industry standards, this fourth edition addresses improvements in cinema sound, with specific attention paid to B-chain electroacoustic response and calibration.Using over 50 years’ experience, author Philip Newell provides detail on the practical aspects of recording in various environments, not only exploring the complex issues relating to the acoustics but also providing real-world solutions. While the book contains detailed discussions about performing rooms, control rooms, and mobile studios, concepts of the infrastructures are also discussed, because no studio can perform optimally unless the technical and human requirements are adequately provided for. In this new edition, sound for cinema provides a platform for highlighting many, wider electroacoustic topics in a way that is relatively easy to visualise. The way in which sound and vision interact is an important aspect of many modern multimedia formats.The new edition includes: A new Chapter 22 that will thoroughly reflect recently published SMPTE investigations which will drastically impact standards for cinema sound; The inclusion of new academic research and its practical applications; An entire new illustrated chapter on room construction principles; and The consolidation of ideas which were only emerging when the earlier editions were published.
R 12,507.41
Studio A
Hailed by Publishers Weekly as "not only the best writing on the ever-changing folk singer, but also some of the best writing about any musician around," Studio A presents Bob Dylan's unique literary legacy in a collection that is quintessentially Dylan: mosaic, offbeat, poetic. This "astutely chosen and intelligently annotated" collection (Time Out London) gathers over fifty articles, poems, essays, speeches, literary criticisms, and interviews; many previously unpublished. Individually, these pieces offer insight into the man and his time, but collectively they reveal the coming-of-age of American cultural criticism in their "sweeping view of both Dylan and the changing times he so eloquently captured in his music" (Publishers Weekly). With Sam Shepard, Bruce Springsteen, Allen Ginsberg, Johnny Cash, Greil Marcus, Joyce Carol Oates, Gary Giddins, Rick Moody, Tom Piazza, Barry Hannah, and Dylan himself on the list of contributors, Studio A is truly "a vital document" (New York Times) for all fans.
R 758.31
Studio Studies
Consider the vast array of things around you, from the building you are in, the lights illuminating the interior, the computational devices mediating your life, the music in the background, even the crockery, furniture and glassware you are in the presence of. Common to all these objects is that their concrete, visual and technological forms were invariably conceived, modelled, finished and tested in sites characterised as studios. Remarkably, the studio remains a peculiar lacuna in our understanding of how cultural artefacts are brought into being and how ‘creativity’ operates as a located practice. Studio Studies is an agenda setting volume that presents a set of empirical case studies that explore and examine the studio as a key setting for aesthetic and material production. As such, Studio Studies responds to three contemporary concerns in social and cultural thought: first, how to account for the situated nature of creative and cultural production; second, the challenge of reimagining creativity as a socio-materially distributed practice rather than the cognitive privilege of the individual; and finally, to unravel the parallels, contrasts and interconnections between studios and other sites of cultural-aesthetic and technoscientific production, notably laboratories. By enquiring into the operations, topologies and displacements that shape and format studios, this volume aims to demarcate a novel and important object of analysis for empirical social and cultural research as well to develop new conceptual repertoires to unpack the multiple ways studio processes shape our everyday lives.
R 9,310.57
R 813.00
Open Studio
A behind-the-scenes look at leading contemporary artists at work in their studios, with original art projects to recreate at home Open Studio invites you into the private studios of seventeen of the most celebrated contemporary artists as they draw, paint, sculpt, or design an original project for readers to recreate at home. Join George Condo as he creates a paint-by-numbers portrait, William Wegman as he watercolors whimsical scenes of his beloved Weimaraners, and Mickalene Thomas as she makes an artist's book out of collage. Open Studio demystifies the studio practice through fun, accessible, D.I.Y. projects. The book provides a suggested list of supplies, illustrated step-by-step instructions, pull-out templates and stencils, and essential elements - no special skills or previous art experience required! The result is sure to inspire kids and adults alike to blaze their own creative trails. Each entry also includes a brief profile of the artist, exploring how they came to love art, their unique creative methodologies, and the sources of their inspiration, along with original photography of the artists in their studios. Participating artists include: Marina Abramovic, George Condo, Will Cotton, John Currin, Thomas Demand, Rachel Feinstein, The Haas Brothers, Alex Israel, Rashid Johnson, KAWS, Maya Lin, Julie Mehretu, Wangechi Mutu, Mickalene Thomas, Sarah Sze, William Wegman, and Lawrence Weiner.
R 2,055.00
R 813.00
R 780.00
R 748.00
Progressive Studio Pedagogy
Progressive Studio Pedagogy provides guidance to educators in all design fields by questioning processes and assumptions about teaching and learning, utilising examples from architecture, landscape architecture, and interior design. Through a series of case studies, this book presents innovative approaches to learning and teaching in design studio. Traditionally, design education is perceived to be a process for acquiring skills and a site for developing creative potential. However, contemporary higher education is embracing issues that include widening participation, managing transition, and fostering independent learning and graduate employability. This book situates design learning within this varied context and offers insights into how to confront the challenge of facilitating learning through divergent contexts by presenting projects and courses that use a range of approaches that require students to think and act critically and evaluatively.Progressive Studio Pedagogy presents new practices that readers can adapt into their own creative education, making it an ideal read for those interested in teaching design.
R 3,605.30
Design Studio One
The architectural design studio is one of the most unique places in the world. For over a century, students who desire to become architects have attended these prestigious studios to learn and experience the fundamentals of architecture and design. They challenge the student's ability to manage multi-variable conditions under intense time restraints and teach them lessons about the roles that hard work and perseverance play in creating a successful design. But more than anything, these studios have provided students with friendships that last a lifetime. The School of Architecture at Oklahoma State University, one of the top architecture schools in the nation, is no exception. In this book series, follow me and my classmates as we embark on our new journey through OSU's five year architecture program and its eight design studios. Written in a short story format, this series recounts the true events of design studio through a student's perspective. Design Studio One is the story of how it all began.
R 532.00
Studio Sofield
Known for their discretion, Studio Sofield publishes for the first time here many of its most important houses and retail settings. The firm has originated identities and design experiences for global brands such as Gucci, Bottega Veneta, Tom Ford, Yves Saint Laurent, and Harry Winston; iconic locales from the SoHo Grand to Zero Bond; and some truly extraordinary homes. Countless notable clients call upon them for their multidisciplinary approach, refined aesthetic, and affinity for material and craft.
R 6,182.00
Flack Studio
From highly expressive residential spaces to chic commercial environments, this debut book presents interiors that reflect a harmonious fusion of bold style and bohemian spirit. The arrival, in 2021, of Australian global pop star Troye Sivan s richly layered Melbourne home?introduced the world to Flack Studio, a wildly creative, multidisciplinary practice of designers and architects well established in Australia. Launched in 2014, the studio is driven by an adventurous sensibility that embraces historical research and contemporary innovation. Furniture, lighting, textiles, fittings, and vivid colour coalesce into a holistic yet idiosyncratic experience. A deep sense of materiality, a passion for contemporary art, and an embrace of local community and makers are hallmarks of Flack s projects, which include homes and restaurants throughout Australia, Los Angeles, Seoul and the Ace Hotel in Sydney. In this beautifully crafted book, the creative flair that defines Flack Studio s design philosophy is on display in a selection of projects curated by Flack himself. Each project is a testament to the designer s talent for balancing contemporary aesthetics with a warm, inviting atmosphere, his bold use of color, meticulous attention to detail, and a seamless integration of modern and classical elements. This is an exclusive first look into the studio s creative process, showcasing how Flack s vision ultimately comes to life in emotive, expressive interiors.
R 1,710.00
Studio Teaching in Higher Education
Well-established in some fields and still emerging in others, the studio approach to design education is an increasingly attractive mode of teaching and learning, though its variety of definitions and its high demands can make this pedagogical form somewhat daunting. Studio Teaching in Higher Education provides narrative examples of studio education written by instructors who have engaged in it, both within and outside the instructional design field. These multidisciplinary design cases are enriched by the book’s coverage of the studio concept in design education, heterogeneity of studio, commonalities in practice, and existing and emergent concerns about studio pedagogy. Prefaced by notes on how the design cases were curated and key perspectives from which the reader might view them, Studio Teaching in Higher Education is a supportive, exploratory resource for those considering or actively adapting a studio mode of teaching and learning to their own disciplines.
R 9,321.72
R 1,327.80
Recording Studio Design
Recording Studio Design, Fourth Edition explains the key principles of successful studio design and construction using straightforward language and the use of practical examples appreciated by readers of previous editions. Updated to reflect new industry standards, this fourth edition addresses improvements in cinema sound, with specific attention paid to B-chain electroacoustic response and calibration.Using over 50 years’ experience, author Philip Newell provides detail on the practical aspects of recording in various environments, not only exploring the complex issues relating to the acoustics but also providing real-world solutions. While the book contains detailed discussions about performing rooms, control rooms, and mobile studios, concepts of the infrastructures are also discussed, because no studio can perform optimally unless the technical and human requirements are adequately provided for. In this new edition, sound for cinema provides a platform for highlighting many, wider electroacoustic topics in a way that is relatively easy to visualise. The way in which sound and vision interact is an important aspect of many modern multimedia formats.The new edition includes: A new Chapter 22 that will thoroughly reflect recently published SMPTE investigations which will drastically impact standards for cinema sound; The inclusion of new academic research and its practical applications; An entire new illustrated chapter on room construction principles; and The consolidation of ideas which were only emerging when the earlier editions were published.
R 6,594.00
R 1,363.39
Studio KO: A Few Interiors
Studio KO stand among the most sought-after talents in contemporary architecture and interior design. The pair never followed a typical path, boldly launching their practice before finishing school. Their work quickly gained attention for minimalist architectures set in awe-inspiring landscapes and interiors grounded in history and culture, attracting an extraordinary circle of clients, from Andre Balazs, for his first European address in London, to Pierre Berge, who entrusted them with the landmark Yves Saint Laurent Museum in Marrakech, Morocco. Today, Studio KO are celebrated worldwide for a contemporary vernacular style that feels both radical and deeply rooted. This volume showcases nine projects, including the renovation of a traditional Moroccan house in Marrakech, villas on the French Mediterranean coast in Cassis and Corsica, Fournier and Marty s private apartment in Paris, the colorful Flamingo Estate in Los Angeles, or the famous Chiltern Firehouse in the epilogue. The atmospheric, bohemian photography of Francois Halard s creates a poetic dialogue with Studio KO s interiors. The result is an intimate book that reveals the essence of thier attitude: sophisticated spaces that blend minimal, graphic architectures with local cultural elements, creating environments that seem at once new and imbued with layers of history, brimming of subtle references to design lore and a great deal of respect for the spirit of the place they invest.
R 1,710.00
R 748.00
Film Studio
The Film Studio sheds new light on the evolution of global film production, highlighting the role of film studios worldwide. The authors explore the contemporary international production environment, alleging that global competition is best understood as an unequal and unstable partnership between the 'design interest' of footloose producers and the 'location interest' of local actors. Ben Goldsmith and Tom O'Regan identify various types of film studios and investigate the consequences for Hollywood, international film production, and the studio locations.
R 4,708.00
R 1,327.80
R 1,367.95
Studio Companion Series Design Basics
The Studio Companion Series consists of four books, available separately or as a set, that provide a launch pad into the study of design and architecture. Clear instructions and a wealth of examples give students a comprehensive look at the entire design process, from concept to presentation. Developed for today’s student, the books present material in a contemporary and graphic manner and are compact and highly portable. The series includes: Design Basics, Drafting Basics, 3D Design Basics, and Presentation Basics.Design Basics familiarizes students with the fundamental elements and principles of design, offering them a vocabulary with which to understand and discuss interiors and architecture. Using well-articulated definitions and clear, highly-visual examples, this full-color book will expand students' appreciation of design and help them get started creating their own spaces.
R 1,617.00
Progressive Studio Pedagogy
Progressive Studio Pedagogy provides guidance to educators in all design fields by questioning processes and assumptions about teaching and learning, utilising examples from architecture, landscape architecture, and interior design. Through a series of case studies, this book presents innovative approaches to learning and teaching in design studio. Traditionally, design education is perceived to be a process for acquiring skills and a site for developing creative potential. However, contemporary higher education is embracing issues that include widening participation, managing transition, and fostering independent learning and graduate employability. This book situates design learning within this varied context and offers insights into how to confront the challenge of facilitating learning through divergent contexts by presenting projects and courses that use a range of approaches that require students to think and act critically and evaluatively.Progressive Studio Pedagogy presents new practices that readers can adapt into their own creative education, making it an ideal read for those interested in teaching design.
R 1,195.97
Studio Studies
Consider the vast array of things around you, from the building you are in, the lights illuminating the interior, the computational devices mediating your life, the music in the background, even the crockery, furniture and glassware you are in the presence of. Common to all these objects is that their concrete, visual and technological forms were invariably conceived, modelled, finished and tested in sites characterised as studios. Remarkably, the studio remains a peculiar lacuna in our understanding of how cultural artefacts are brought into being and how ‘creativity’ operates as a located practice. Studio Studies is an agenda setting volume that presents a set of empirical case studies that explore and examine the studio as a key setting for aesthetic and material production. As such, Studio Studies responds to three contemporary concerns in social and cultural thought: first, how to account for the situated nature of creative and cultural production; second, the challenge of reimagining creativity as a socio-materially distributed practice rather than the cognitive privilege of the individual; and finally, to unravel the parallels, contrasts and interconnections between studios and other sites of cultural-aesthetic and technoscientific production, notably laboratories. By enquiring into the operations, topologies and displacements that shape and format studios, this volume aims to demarcate a novel and important object of analysis for empirical social and cultural research as well to develop new conceptual repertoires to unpack the multiple ways studio processes shape our everyday lives.
R 2,792.03
Studio Teaching in Higher Education
Well-established in some fields and still emerging in others, the studio approach to design education is an increasingly attractive mode of teaching and learning, though its variety of definitions and its high demands can make this pedagogical form somewhat daunting. Studio Teaching in Higher Education provides narrative examples of studio education written by instructors who have engaged in it, both within and outside the instructional design field. These multidisciplinary design cases are enriched by the book’s coverage of the studio concept in design education, heterogeneity of studio, commonalities in practice, and existing and emergent concerns about studio pedagogy. Prefaced by notes on how the design cases were curated and key perspectives from which the reader might view them, Studio Teaching in Higher Education is a supportive, exploratory resource for those considering or actively adapting a studio mode of teaching and learning to their own disciplines.
R 2,368.57
Design Studio Four: Parametric Symphony
"Architecture is the frozen music. Music is the flowing architecture." After being accepted into professional school, we begin the second phase of our education in Studio Four. Professor Jerry Stivers, the bard of this new adventure, leads the sixteen students of 3116 on a journey to discover the timeless relationship between music and architecture, phenomenology and performance. Throughout the semester we discover new perspectives on design through the avenue of song. From a model project for a musical component to a humble performing arts center in OKC, traditional paradigms of architecture are challenged and reignited through this new parametric symphony.
R 804.00
Studio Shakespeare
An extensive history of The Royal Shakespeare Company's studio theatre, Studio Shakespeare: The Royal Shakespeare Company at The Other Place also includes a biography of its founder and first artistic director, Mary Ann 'Buzz' Goodbody (1947-75). Alycia Smith-Howard reveals how, as a socialist, feminist, and the RSC's first female director, Goodbody sought to invigorate classical theatre and its approach to producing the works of Shakespeare. The Other Place, which opened its doors in 1973, was her greatest achievement, and was, in the words of Ron Daniels of the American Repertory Theatre, 'a training ground for an entire generation of Shakespeare actors and directors'. The volume examines Shakespeare productions at The Other Place from 1973 to its closure in 1989. The author's sources include Goodbody's 'Mission Statement' for the studio theatre as well as other previously unavailable materials such as Goodbody's private papers, journal entries, director's notes and correspondence. In addition, it contains interviews and commentary from such theatrical luminaries as Judi Dench, Ian McKellen, Ben Kingsley, Cicely Berry, Trevor Nunn, Peter Hall, Patrick Stewart, and many others. Smith-Howard's narrative discusses productions of twelve plays at The Other Place, among them King Lear (1974), Hamlet (1975), The Merchant of Venice (1978), Antony and Cleopatra (1982), King John (1988) and Othello (1989). The cast lists of productions at The Other Place are included in an appendix. Smith-Howard's study captures the spirit and ethos of an important and radical exercise in theatre which influenced the mainstream work of The Royal Shakespeare Company. It is a lucid, compelling and valuable contribution not only to Shakespeare studies but also to theatre history. This book, as directors once said, 'has legs'.
R 2,857.00
R 1,255.76
R 905.23
