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R 405.00

R 684.11

Sullivan
Sullivan was a born actor. Blessed and cursed with the artist's gifts and temperament in full measure, he could hold an audience, or a woman's heart, in the palm of his hand. From a boyhood stuffed with multi-coloured dreams to defy Galway's slums, through fit-ups and fairs in the Irish countryside, to struggle and renown in Dublin, London and New York, his crowded, generous journey was rich in comedies, disappointments and surprises.Success was as capricious as the seasons. But when it came, was it enough?Could it replace the one girl who had learnt always to expect the unexpected from Sullivan . . . ?
R 613.48

Sullivan
Sullivan was a born actor. Blessed and cursed with the artist's gifts and temperament in full measure, he could hold an audience, or a woman's heart, in the palm of his hand. From a boyhood stuffed with multi-coloured dreams to defy Galway's slums, through fit-ups and fairs in the Irish countryside, to struggle and renown in Dublin, London and New York, his crowded, generous journey was rich in comedies, disappointments and surprises.Success was as capricious as the seasons. But when it came, was it enough?Could it replace the one girl who had learnt always to expect the unexpected from Sullivan . . . ?
R 707.00

John L. Sullivan
Essentially the last of the bare-knuckle heavyweight champions, John L. Sullivan was instrumental in the acceptance of gloved fighting. His charisma and popular appeal during this transitional period contributed greatly to making boxing a nationally popular, ""legitimate"" sport. Sullivan became boxing's first superstar and arguably the first of any sport. From his first match in the late 1870s through his final fight in 1905, this biography contains a thoroughly researched, detailed accounting of John L. Sullivan's boxing career. With special attention to the 1880s, the decade during which Sullivan came to prominence, it follows Sullivan's skill development and discusses his opponents in detail, providing various viewpoints of a single event. Beginning with a discussion of early boxing practices, the sport itself is placed within sociological, legal and historical contexts including anti - prize fighting laws and the so-called ""colour line."" Ironically, Sullivan's personal adherence to this final concept with his refusal to fight a coloured opponent remains the one blemish on a phenomenal career. A complete record of Sullivan's career is also included.
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R 520.00

Arthur Sullivan
Arthur Sullivan (1842–1900) was Victorian Britain’s most celebrated and popular composer, whose music to this day reaches a wider audience than that of any of his contemporaries. Yet the comic operas on which Sullivan’s reputation is chiefly based have been consistently belittled or ignored by the British musicological establishment, while his serious works have until recently remained virtually unknown. The time is thus long overdue for scholarly re-engagement with Sullivan. The present book offers a new appraisal of the music of this most notable nineteenth-century British composer, combining close analytical attention to his music with critical consideration of the wider aesthetic and social context to his work. Focusing on key pieces in all the major genres in which Sullivan composed, it includes accounts of his most important serious works – the music to The Tempest, the ‘Irish’ Symphony, The Golden Legend, Ivanhoe – alongside detailed examination of the celebrated comic operas created with W.S. Gilbert to present a balanced portrayal of Sullivan’s musical achievement.
R 2,831.39

Arthur Sullivan
Arthur Sullivan (1842–1900) was Victorian Britain’s most celebrated and popular composer, whose music to this day reaches a wider audience than that of any of his contemporaries. Yet the comic operas on which Sullivan’s reputation is chiefly based have been consistently belittled or ignored by the British musicological establishment, while his serious works have until recently remained virtually unknown. The time is thus long overdue for scholarly re-engagement with Sullivan. The present book offers a new appraisal of the music of this most notable nineteenth-century British composer, combining close analytical attention to his music with critical consideration of the wider aesthetic and social context to his work. Focusing on key pieces in all the major genres in which Sullivan composed, it includes accounts of his most important serious works – the music to The Tempest, the ‘Irish’ Symphony, The Golden Legend, Ivanhoe – alongside detailed examination of the celebrated comic operas created with W.S. Gilbert to present a balanced portrayal of Sullivan’s musical achievement.
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R 570.00

Homo Poeticus
"An unembellished and more or less unillustrated assemblage of some of Sullivan the Poet's finest and favourite works - a broad collection of poetry presented 'hard core'. An opus: Centred on one thing and one thing only...The Word!"
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R 585.00

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R 1,285.31

Newsroom Confidential
"Sullivan remains the critic American journalism requires, a veteran practitioner with street cred, still in touch with the 'unaccountable joy' of reporting and writing that continues to draw talented young people to the field." --Steve Coll, The New York Times Book ReviewMargaret Sullivan began her career at the Buffalo News, where she rose from summer intern to editor in chief. In Newsroom Confidential she chronicles her years in the trenches battling sexism and throwing elbows in a highly competitive newsroom. In 2012, Sullivan was appointed the public editor of The New York Times, the first woman to hold that important role. She was in the unique position of acting on behalf of readers to weigh the actions and reporting of the paper's staff, parsing potential lapses in judgment, unethical practices, and thorny journalistic issues. Sullivan recounts how she navigated the paper's controversies, from Hillary Clinton's emails to Elon Musk's accusations of unfairness to the need for greater diversity in the newsroom. In 2016, having served the longest tenure of any public editor, Sullivan left for the Washington Post, where she had a front-row seat to the rise of Donald Trump in American media and politics. With her celebrated mixture of charm, sharp-eyed observation, and nuanced criticism, Sullivan takes us behind the scenes of the nation's most influential news outlets to explore how Americans lost trust in the news and what it will take to regain it.
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R 457.00

Sullivan's War
Defending Gibraltar from the might of the Spanish and French forces will stretch Sergeant Tom Sullivan to his limits. But if anyone can withstand the siege from land and sea throughout 1781 it is the Irish veteran of the American War of Independence. Outnumbered and outflanked, his band of brothers from the Light Company of the 39th Regiment of Foot, with Tom at their helm, fight for their lives as well as their country. Sullivan's War, just like this beleaguered 18th century British colony, is no place for the faint hearted. But bravery brings its rewards as Sergeant Sullivan soon catches the eye of British high command as well as Gibraltar's tavern owner, Lara. With love comes hate, and old feuds die hard amidst the chaos of siege warfare. Sullivan's War is a thrilling historical adventure in the months leading up to the infamous Grand Attack.
R 354.69

Laurels and Quarrels
"A tortuous test of any civic poet's craft, skill and creativity; this 'pot pourri' of a collection consists entirely of those poetic works either commissioned by Plymouth City Council itself, or gifted at their request, during Sullivan's tenure as this proud and historic city's inaugural Poet Laureate."
R 486.07

Sullivan's Hollow
Written by a descendant of the Hollow, this book recounts graphic episodes of the feuds and fights that made this region in south Mississippi famous.
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R 275.00


R 397.00

Cup O' Nails
"Another eclectic mix of poetry from the pen of Sullivan the Poet - with themes as diverse as the plethora of styles employed in their sometimes brutal execution - and delivered throughout with his customary candour.."
R 485.92


Fighting Sullivans
In November of 1942, the five Sullivan brothers from Waterloo, Iowa, were killed when a Japanese torpedo sank their ship during the most ferocious naval engagement fought in the South Pacific. The family's loss, the most extraordinary for the United States in its military history, was immortalized-and valorized-in the 1944 film The Fighting Sullivans. This book tells the story of how calamity, with the help of Hollywood and the wartime publicity machine, transformed a family of marginal and disreputable young men, intensely disliked in their hometown, into heroes. The Sullivan boys joined the armed forces after Pearl Harbor, and the US Navy accepted that they would all serve on one ship, the light cruiser USS Juneau. The five brothers gave the navy great publicity, but when the ship went down and survivors were not rescued, the service faced a serious problem. The Fighting Sullivans examines the campaign that followed, as the navy and its partners in Hollywood turned a tragedy of errors into a public relations victory. Bruce Kuklick shows how the myth of the Sullivan family was created using bits and pieces of real events, but with twists that turned the boys into superhumans and their beleaguered parents into self-sacrificing patriots. He explores the close relationship between Hollywood studios and the military, which aimed to boost morale and support for the war. A study in mythmaking, The Fighting Sullivans offers a behind-the-scenes look at the manufacture of heroes in twentieth-century wartime America.
R 1,618.00

R 305.00

Bronze Bell Jack
"As enigmatic as it is brutally uncompromising; this collection of illustrated works showcases the surgical insight and relentless quest for truth that is 'Sullivan the Poet' at his poetic best. "
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R 914.20

Gilbert and Sullivan
Making use of archival resources in the United Kingdom and the United States, Regina B. Oost examines advertisements, promotional materials, and programs, as well as letters, diaries, and account books, to reconstruct the ways in which Richard D'Oyly Carte, W.S. Gilbert, and Arthur Sullivan attracted and shaped the expectations of theatergoers. Her findings place the Savoy operas in the context of other West End productions, considering similarities between Carte's promotional methods and those of managers Henry Irving, John Hollingshead, and Marie and Squire Bancroft. While all of these managers astutely understood patronage of a middle-class audience to be key to their success, the Savoy collaborators made strategic use of circumstances unique to their situation to distinguish Gilbert and Sullivan operas from contemporary theatrical fare. From Trial by Jury (1875) through The Grand Duke (1896), the Savoy operas celebrated the commodity culture beloved of the urban middle classes, validated a moral code that secured the social privileges audience members cherished, and ultimately provided a new model of British national identity that replaced the agrarian ideal espoused by earlier generations. Written in admirably accessible and jargon-free prose, Oost's book will appeal to scholars of theater history, literature, music, and popular culture, as well as general readers interested in Gilbert and Sullivan and the history of the D'Oyly Carte Opera Company.
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