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Comprehensive Study of Tang Poetry I
Tang poetry is one of the most valuable cultural inheritances of Chinese history. Its distinctive aesthetics, delicate language, and diverse styles constitute great literature in itself, as well as a rich topic for literary study. This two-volume set constitutes a classic analysis of Tang poetry in the “Golden Age” of Chinese poetry (618–907 CE).In this volume, the author provides a general understanding of poetry in the “High Tang” era from a range of perspectives. Starting with an indepth discussion of the Romantic tradition and historical context, the author focuses on poetic language patterns, Youth Spirit, maturity symbols, and prototypes of poetry. The author demonstrates that the most valuable part of Tang poetry is how it can provide people with a new perspective on every aspect of life.This book will appeal to researchers, scholars, and students of Chinese literature and especially of classical Chinese poetry. People interested in Chinese culture more widely will also benefit from this book.
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R 2,490.00
Comprehensive Study of Tang Poetry II
Tang poetry is one of the most valuable cultural inheritances of Chinese history. Its distinctive aesthetics, delicate language and diverse styles constitute great Literature in itself, as well as a rich topic for literary study. This two-volume set constitutes a classic analysis of Tang poetry in the “Golden Age” of Chinese poetry (618–907 CE).This volume focuses on the prominent Tang poets and poems. Beginning with an introduction to the “four greatest poets”—Li Bai, Du Fu, Wang Wei, and Bai Juyi—the author discusses their subjects, language, influence, and key works. The volume also includes essays on a dozen of masterpieces of Tang poetry, categorized by topics such as love and friendship, aspirationsand seclusion, as well as travelling and nostalgia. As the author stresses, Tang poetry is worth rereading because it makes us invigorate our mental wellbeing, leaving it powerful and full of vitality. This book will appeal to researchers and students of Chinese literature, especially of classical Chinese poetry. People interested in Chinese culture will also benefit from the book.
R 2,466.96
Everyday Tang
After decades living in England, writer and filmmaker Xiaolu Guo travelled to her native China with her daughter. Her objective was twofold: to show her eleven-year-old where she came from, and to discover what remained of an enigmatic period that had long fascinated her: the magnificent and cosmopolitan Tang Dynasty (618–907).As they wander through the great cities of Xi’an and Luoyang, and cross the Wei and the Yangzi Rivers, Guo ponders the unique artistic, intellectual and social achievements of the Tang Dynasty and its influence on Western culture. Part travelogue, part historical reflection, Everyday Tang is a profound – and often startling – meditation on China’s Golden Age.
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Early Tang China and the World, 618–750 CE
For about half a century, the Tang dynasty has held a reputation as the most 'cosmopolitan' period in Chinese history, marked by unsurpassed openness to foreign peoples and cultures and active promotion of international trade. Heavily influenced by Western liberal ideals and contemporary China's own self-fashioning efforts, this glamorous image of the Tang calls for some critical reexamination. This Element presents a broad and revisionist analysis of early Tang China's relations with the rest of the Eurasian world and argues that idealizing the Tang as exceptionally “cosmopolitan” limits our ability to think both critically and globally about its actions and policies as an empire.
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Court Art of the Tang
This text deals with Chinese art during the Tang Dynasty, from 618 to 907. It presents the artistic findings from the last ten years of archaeological excavation in China—findings that have never before been published in the West. Court Art of the Tang reveals the magnificence of Tang art through the presentation of ceramics, wall paintings, and utensils made of gold, silver, bronze, and porcelain. The book aims to place these new materials in their artistic and historical context. It structures the new findings in chronological order, using culture and history as a background. The study treats each class of art separately and distinctly, exploring the aesthetic evolution of both secular and religious art. Relevant literary expressions incorporated into the discussions make Court Art of the Tang an especially unique work. The book gives readers a comprehensive and diverse look at the glorious and extraordinary achievements of a ruling family. The book consists of 233 pages of text, a bibliography and an index, a glossary, and 117 illustrations. Court Art of the Tang will provide insightful reading for art collectors and museum-goers and serve as an important text in Asian Studies Departments and in courses in the arts of China.Contents: List of Illustrations; Preface; Ackowledgements; Introduction; Early Tang 618-712; Middle Tang 712-805; Late Tang 805-907; Conclusion; Illustrations; Glossary; Bibliography; Index.
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Rise of the Tang Dynasty
Julian Romane examines the military events behind the emergence of the Sui and Tang dynasties in the period 581-626 AD. Narrating the campaigns and battles, he analyses in detail the strategy and tactics employed, a central theme being the collision of the steppe cavalry with Chinese infantry armies. By the fourth century AD, horse nomads had seized northern China. Conflict with these Turkic interlopers continued throughout the 5th and most of the 6th century. The emergence of the Sui dynasty (581-618) brought some progress but internal weakness led to their rapid collapse. The succeeding House of Tang, however, provided the necessary stability and leadership to underpin military success. This was largely the achievement of Li Shimin, who later became the second Tang Emperor. By the start of Li Shimin s reign as Emperor Tang Taizong, effective military organizations had been developed and China reunified. His military campaigns are examples of tactical and strategic virtuosity that demonstrate the application of the distinctive Chinese way of war expounded in Chinese military manuals, including Li Shimin s own writings.
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Fall of the Tang
Military governor, architect, alchemist and poet, Gao Pian (821–87) was one of the most intriguing characters to shape events in ninth-century China. His trajectory provides a step-by-step record of the late Tang empire's military, fiscal, and administrative unravelling. Utilising exceptionally rich sources, including documents from Gao Pian's secretariat, inscriptions, narrative and religious literature, and Gao Pian's own poetry, Franciscus Verellen challenges the official historians' portrait of Gao as an 'insubordinate minister' and Daoist zealot. In an innovative analysis, he argues that the life of this extraordinary general casts much-needed light on ideas of allegiance and disobedience, provincial governance, military affairs and religious life in the waning years of the Tang.
R 4,753.20
Ethnic Identity in Tang China
Ethnic Identity in Tang China is the first work in any language to explore comprehensively the construction of ethnicity during the dynasty that reigned over China for roughly three centuries, from 618 to 907. Often viewed as one of the most cosmopolitan regimes in China's past, the Tang had roots in Inner Asia, and its rulers continued to have complex relationships with a population that included Turks, Tibetans, Japanese, Koreans, Southeast Asians, Persians, and Arabs.Marc S. Abramson's rich portrait of this complex, multiethnic empire draws on political writings, religious texts, and other cultural artifacts, as well as comparative examples from other empires and frontiers. Abramson argues that various constituencies, ranging from Confucian elites to Buddhist monks to "barbarian" generals, sought to define ethnic boundaries for various reasons but often in part out of discomfort with the ambiguity of their own ethnic and cultural identity. The Tang court, meanwhile, alternately sought to absorb some alien populations to preserve the empire's integrity while seeking to preserve the ethnic distinctiveness of other groups whose particular skills it valued. Abramson demonstrates how the Tang era marked a key shift in definitions of China and the Chinese people, a shift that ultimately laid the foundation for the emergence of the modern Chinese nation.Ethnic Identity in Tang China sheds new light on one of the most important periods in Chinese history. It also offers broader insights on East Asian and Inner Asian history, the history of ethnicity, and the comparative history of frontiers and empires.
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China's Southern Tang Dynasty, 937-976
The Southern Tang was one of China’s minor dynasties and one of the great states in China in the tenth century. Although often regarded as one of several states preceding the much better known Song dynasty (960-1279), the Southern Tang dynasty was in fact the key state in this period, preserving cultural values and artefacts from the former great Tang dynasty (618-907) which were to form the basis of Song rule, and thereby presenting the Song with a direct link to the Tang and it traditions. Drawing mainly on primary Chinese sources, this is the first book in English to provide a comprehensive overview of the Southern Tang, and full coverage of military, cultural and political history in the period. It focuses on a successful, albeit short-lived, attempt to set up an independent regional state in the modern provinces of Jiangxi and Jiangsu, and establishes the Southern Tang dynasty in its own right. It follows the rise of the Southern Tang state to become the predominant claimant of the Tang heritage and the expansionist policies of the second ruler culminating in the occupation and annexation of the two of the Southern Tang’s neighbours, Min (Fujian) and Chu (Hunan). Finally the narrative describes the decline of the dynasty under its last ruler, the famous poet Li Yu, and its ultimate surrender to the Song dynasty.
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300 Tang Poems
"The road to Shu is hard, but harder still is to convey the spirit with which these poems were first written over a thousand years ago. And yet the translators have given us translations that feel alive, as if they were more like a dance between poet and translator, both of whom live on through the beauty of these poems. The night is young, and this book is full of music."--Red Pine Three Hundred Tang Poems includes great names like Li Bai, Du Fu, and Wang Wei, as well as a splendid sampling of the rest of poets who helped to make the Tang the golden age of Chinese poetry.
R 434.00
China's Southern Tang Dynasty, 937-976
The Southern Tang was one of China’s minor dynasties and one of the great states in China in the tenth century. Although often regarded as one of several states preceding the much better known Song dynasty (960-1279), the Southern Tang dynasty was in fact the key state in this period, preserving cultural values and artefacts from the former great Tang dynasty (618-907) which were to form the basis of Song rule, and thereby presenting the Song with a direct link to the Tang and it traditions. Drawing mainly on primary Chinese sources, this is the first book in English to provide a comprehensive overview of the Southern Tang, and full coverage of military, cultural and political history in the period. It focuses on a successful, albeit short-lived, attempt to set up an independent regional state in the modern provinces of Jiangxi and Jiangsu, and establishes the Southern Tang dynasty in its own right. It follows the rise of the Southern Tang state to become the predominant claimant of the Tang heritage and the expansionist policies of the second ruler culminating in the occupation and annexation of the two of the Southern Tang’s neighbours, Min (Fujian) and Chu (Hunan). Finally the narrative describes the decline of the dynasty under its last ruler, the famous poet Li Yu, and its ultimate surrender to the Song dynasty.
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Late Tang China and the World, 750–907 CE
In recent decades, the Tang dynasty (618-907) has acquired a reputation as the most 'cosmopolitan' period in Chinese history. The standard narrative also claims that this cosmopolitan openness faded after the An Lushan Rebellion of 755-763, to be replaced by xenophobic hostility toward all things foreign. This Element reassesses the cosmopolitanism-to-xenophobia narrative and presents a more empirically-grounded and nuanced interpretation of the Tang empire's foreign relations after 755.
R 865.00
Tang Junyi
Tang Junyi’s modern Confucianism ranks among the most ambitious philosophical projects in 20th century China. In Tang Junyi: Confucian Philosophy and the Challenge of Modernity, Thomas Fröhlich examines Tang Junyi's intellectual reaction to a time of cataclysmic change marked by two Chinese revolutions (1911 and 1949), two world wars, the Cold War period, rapid modernization in East Asia, and the experience of exile.The present study fundamentally questions widespread interpretations that depict modern Confucianism as essentially traditionalist and nationalistic. Thomas Fröhlich shows that Tang Junyi actually challenges such interpretations with an insightful understanding of the modern individual’s vulnerability, as well as a groundbreaking reinterpretation of Confucianism as the civil-theological foundation for liberal democracy in China.
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China during the Tang-Song Interregnum, 878–978
This book challenges the long-established structure of Chinese history around dynasties, adopting a more "organic" approach which emphasises cultural and economic trends that transcend arbitrary dynastic boundaries. It argues that with the collapse of the Tang court and northern control over the holistic empire in the last decades of the ninth century, the now-autonomous kingdoms that filled the political vacuum in the south responded with a burst of innovative energy that helped set the stage for the economic and cultural transformations of the following Song dynasty. Moreover, it argues that these transformations and this economic and cultural innovation deeply affected the subsequent model of holistic empire which continues right up to the present and that therefore the interregnum century of division left a critically important legacy.
R 7,554.98
History of Western Appreciation of English-translated Tang Poetry
This book examines the development of English-translated Tang poetry and its propagation to the Western world. It consists of two parts, the first of which addresses the initial stage of English-translated Tang poetry’s propagation, and the second exploring its further development. By analyzing the historical background and characteristics of these two stages, the book traces the trend back to its roots, discusses some well-known early sinologists and their contributions, and familiarizes readers with the general course of Tang poetry’s development. In addition, it presents the translated versions of many Tang poems.The dissemination of Tang poetry to the Western world is a significant event in the history of cross-cultural communication. From the simple imitation of poetic techniques to the acceptance and identification of key poetic concepts, the Tang poetry translators gradually constructed a classic “Chinese style” in modern American poetry. Hence, the traditional Chinese culture represented by Tang poetry spread more widely in the English-speaking world, producing a more lasting impact on societies and cultures outside China – and demonstrating the poetry’s ability to transcend the boundaries of time, region, nationality and culture.Due to different cultural backgrounds, the Tang poets or poems admired most by Western readers may not necessarily receive high acclaim in China. Sometimes language barriers and cultural differences make it impossible to represent certain allusions or cultural and ethnic concepts correctly during the translation process. However, in recent decades, the translation of Tang poetry has evolved considerably in both quantity and quality. As culture is manifested in language, and language is part of culture, the translation of Tang poetry has allowed Western scholars to gain an unprecedented understanding of China and Chinese culture.
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Comprehensive Study of Tang Poetry II
Tang poetry is one of the most valuable cultural inheritances of Chinese history. Its distinctive aesthetics, delicate language and diverse styles constitute great Literature in itself, as well as a rich topic for literary study. This two-volume set constitutes a classic analysis of Tang poetry in the “Golden Age” of Chinese poetry (618–907 CE).This volume focuses on the prominent Tang poets and poems. Beginning with an introduction to the “four greatest poets”—Li Bai, Du Fu, Wang Wei, and Bai Juyi—the author discusses their subjects, language, influence, and key works. The volume also includes essays on a dozen of masterpieces of Tang poetry, categorized by topics such as love and friendship, aspirationsand seclusion, as well as travelling and nostalgia. As the author stresses, Tang poetry is worth rereading because it makes us invigorate our mental wellbeing, leaving it powerful and full of vitality. This book will appeal to researchers and students of Chinese literature, especially of classical Chinese poetry. People interested in Chinese culture will also benefit from the book.
R 9,301.58
