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Queer Disappearance in Modern and Contemporary Fiction
Queer Disappearance in Modern and Contemporary Fiction breaks with appearance-based models of queer performativity and argues for the experiential richness and political potentials of recessive tendencies in twentieth and twenty-first-century queer literary production. The study theorizes a "perish-performative" that allows for agency in practices of abeyance, and it discovers within queerness's ample archive of vanishing acts an environmental ethosantithetical to inflationary versions of the human. Tying modernist classics by E.M. Forster and Willa Cather to Andrew Holleran's gay classic Dancer from the Dance, and then moving to the contemporary ecogothic of Lydia Millet's How the Dead Dream and the trans decadence of Shola von Reinhold's Lote, the bookrefuses the common wisdom that queerness becomes louder and prouder over time, delineating instead a minimalist and daydreaming subjectivity wherein queerness finds escape, respite, and varied opportunities for imaginative reverie. This precarious subjectivity, necessitated but not defined by oppression and obstacle, rewards and restores the queer self, and it also contests the logics of development, acquisition, and productivity that wreak havoc on the planet and entrench social disparities ofrace, class, and ability. Queer Disappearance in Modern and Contemporary Fiction supplies multiple accounts of the collective and personal pleasures, possibilities, and perils to be found in pulling away, going missing, and taking a break.
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Modernist Art of Queer Survival
Whether we speak of queer bodies targeted for harassment, queer sensibilities derided as dangerous, or queer intimacies denied legitimacy, we acknowledge a close companionship between queerness and precariousness. Queerness remains continuously under threat; these threats to survival can be immediate, as in the AIDS crises, or more subtle and entrenched. Many queer lives thus end prematurely and drastically-but not all end in the physical expiration of life. Someterminate gradually and even unconsciously in the countless concessions to normativity demanded by dominant cultures that perceive, through a perverse set of projective identifications, their own survival as imperiled by queerness. The Modernist Art of Queer Survival explores an archive of modernistarchive of modernist literature that conceives survival as a collective enterprise linking lives across boundaries of race, time, class, species, gender, and sexuality. As social Darwinism promoted a selfish, competitive, and combatively individualistic understanding of survival, the five modernists examined in The Modernist Art of Queer Survival countered by imagining how postures of precarity, vulnerability, humility, and receptivity can breed pleasurably and ecologically sustainablemodes of interdependent survival. These modes prove particularly vital and appealing to queer bodies, desires, and intimacies deemed unfit, abnormal, or unproductive by heterosexist ideologies. Authors and texts discussed include Henry James's "The Beast in the Jungle," Oscar Wilde's De Profundis, E.M.Forster's Howards End and A Passage to India, and Willa Cather's "Consequences" and Lucy Gayheart.
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Orchids of Mexico and Guatemala
The Orchids of Mexico and Guatemala is a lavishly illustrated orchid classic from the mid-19th century. This book describes an orchid expedition and the adventures that collectors experienced in the New World. Forty orchids are featured with beautiful full color illustrations. This book is a revised and expanded edition of the original 1843 edition. Originally, only royalty and the wealthiest men in Europe could purchase this book. Now it is available to every orchid enthusiast.
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Disenfranchising Democracy
The first wave of democratization in the United States - the removal of property and taxpaying qualifications for the right to vote - was accompanied by the disenfranchisement of African American men, with the political actors most supportive of the former also the most insistent upon the latter. The United States is not unique in this respect: other canonical cases of democratization also saw simultaneous expansions and restrictions of political rights, yet this pattern has never been fully detailed or explained. Through case studies of the USA, the UK, and France, Disenfranchising Democracy offers the first cross-national account of the relationship between democratization and disenfranchisement. It develops a political institutional perspective to explain their co-occurrence, focusing on the politics of coalition-building and the visions of political community coalitions advance in support of their goals. Bateman sheds new light on democratization, connecting it to the construction of citizenship and cultural identities.
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Disenfranchising Democracy
The first wave of democratization in the United States - the removal of property and taxpaying qualifications for the right to vote - was accompanied by the disenfranchisement of African American men, with the political actors most supportive of the former also the most insistent upon the latter. The United States is not unique in this respect: other canonical cases of democratization also saw simultaneous expansions and restrictions of political rights, yet this pattern has never been fully detailed or explained. Through case studies of the USA, the UK, and France, Disenfranchising Democracy offers the first cross-national account of the relationship between democratization and disenfranchisement. It develops a political institutional perspective to explain their co-occurrence, focusing on the politics of coalition-building and the visions of political community coalitions advance in support of their goals. Bateman sheds new light on democratization, connecting it to the construction of citizenship and cultural identities.
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Autobiography of Benjamin Franklin
Printer and publisher, author and educator, scientist and inventor, statesman and philanthropist, Benjamin Franklin was the very embodiment of the American type of self-made man. In 1771, at the age of 65, he sat down to write his autobiography, "having emerged from the poverty and obscurity in which I was born and bred to a state of affluence and some degree of reputation in the world, and having gone so far through life with a considerable share of felicity." The result is a classic of American literature.On the eve of the tercentenary of Franklin's birth, the university he founded has selected the Autobiography for the Penn Reading Project. Each year, for the past fifteen years, the University of Pennsylvania has chosen a single work that the entire incoming class, and a large segment of the faculty and staff, read and discuss together. For this occasion the University of Pennsylvania Press will publish a special edition of Franklin's Autobiography, including a new preface by University president Amy Gutmann and an introduction by distinguished scholar Peter Conn. The volume will also include four short essays by noted Penn professors as well as a chronology of Franklin's life and the text of Franklin's Proposals Relating to the Education of Youth in Pennsylvania, a document resulting in the establishment of an institution of higher education that ultimately became the University of Pennsylvania.No area of human endeavor escaped Franklin's keen attentions. His ideas and values, as Amy Gutmann notes in her remarks, have shaped the modern University of Pennsylvania profoundly, "more profoundly than have the founders of any other major university of college in the United States." Franklin believed that he had been born too soon. Readers will recognize that his spirit lives on at Penn today.Essay contributors: Richard R. Beeman, Paul Guyer, Michael Weisberg, and Michael Zuckerman.
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