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Decroux Sourcebook
The Decroux Sourcebook is the first point of reference for any student of the ‘hidden master’ of twentieth century theatre. This book collates a wealth of key material on Etienne Decroux, including: an English translation of Patrice Pezin’s ‘Imaginary Interview’, in which Decroux discusses mime’s place in the theatre.previously unpublished articles by Decroux from France’s Bibiothèque Nationale. essays from Decroux’s fellow innovators Eugenio Barba and Edward Gordon Craig, explaining the synthesis of theory and practice in his work. Etienne Decroux’s pioneering work in physical theatre is here richly illustrated not only by a library of source material, but also with a gallery of images following his life, work and influences.The Decroux Sourcebook is an ideal companion to Thomas Leabhart’s Etienne Decroux in the Routledge Performance Practitioners series, offering key primary and secondary resources to those conducting research at all levels.
R 2,352.56
Decroux Sourcebook
The Decroux Sourcebook is the first point of reference for any student of the ‘hidden master’ of twentieth century theatre. This book collates a wealth of key material on Etienne Decroux, including: an English translation of Patrice Pezin’s ‘Imaginary Interview’, in which Decroux discusses mime’s place in the theatre.previously unpublished articles by Decroux from France’s Bibiothèque Nationale. essays from Decroux’s fellow innovators Eugenio Barba and Edward Gordon Craig, explaining the synthesis of theory and practice in his work. Etienne Decroux’s pioneering work in physical theatre is here richly illustrated not only by a library of source material, but also with a gallery of images following his life, work and influences.The Decroux Sourcebook is an ideal companion to Thomas Leabhart’s Etienne Decroux in the Routledge Performance Practitioners series, offering key primary and secondary resources to those conducting research at all levels.
R 9,305.71
Etienne Decroux
Etienne Decroux is the primary creator of Corporeal Mime and one of modern theatre’s most charismatic innovators, known for his ground-breaking use of the body as the principal means of expression on stage. This second edition combines: an overview of Decroux’s life and work an analysis of Decroux’s Words on Mime, the first book to be written about this art a series of practical exercises offering an introduction to Corporeal Mime technique. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
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Copeau/Decroux, Irving/Craig
In this series of essays, Thomas Leabhart presents a thorough overview and analysis of Etienne Decroux’s artistic genealogy. After four years’ apprenticeship with Decroux, Thomas Leabhart began to research and discover how forebears and contemporaries might have influenced Decroux’s project. Decades of digging revealed striking correspondences that often led to adjacent fields—art history, philosophy, and anthropology—forays wherein Leabhart’s appreciation of Decroux and his "kinsfolk," who themselves transgressed traditional frontiers, increased. The following essays, composed over a 30-year period, find a common source in a darkened Prague cinema where people gasped at a wooden doll’s sudden reversal of fortune. These essays: investigate the source of that astonishment; continue Leabhart's examination of Decroux’s "family tree"; consider how Copeau's and Decroux's keen observation of animal movement influenced their actor training; record the challenging and paradoxical improvisations chez Decroux; and recall Decroux’s debt to sculpture, poster art, sport and masks. These essays will be of great interest to students, scholars and practitioners in theatre and performance studies.
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Copeau/Decroux, Irving/Craig
In this series of essays, Thomas Leabhart presents a thorough overview and analysis of Etienne Decroux’s artistic genealogy. After four years’ apprenticeship with Decroux, Thomas Leabhart began to research and discover how forebears and contemporaries might have influenced Decroux’s project. Decades of digging revealed striking correspondences that often led to adjacent fields—art history, philosophy, and anthropology—forays wherein Leabhart’s appreciation of Decroux and his "kinsfolk," who themselves transgressed traditional frontiers, increased. The following essays, composed over a 30-year period, find a common source in a darkened Prague cinema where people gasped at a wooden doll’s sudden reversal of fortune. These essays: investigate the source of that astonishment; continue Leabhart's examination of Decroux’s "family tree"; consider how Copeau's and Decroux's keen observation of animal movement influenced their actor training; record the challenging and paradoxical improvisations chez Decroux; and recall Decroux’s debt to sculpture, poster art, sport and masks. These essays will be of great interest to students, scholars and practitioners in theatre and performance studies.
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Degrowth Decolonization and Development
Degrowth Decolonization and Development reveals common underlying cultural roots to the multiple current crises. It shows that culture is an essential sphere to initiate fundamental changes and solutions as it brings about transformative imaginaries on a theoretical, political and practical level. The book focusses on the interplay between culture and the environment, society and the economy. It provides a critique of concepts associated with the term “Development” and reveals knowledge and theories outside the comfort zone of the mainstream Western theoretical landscape, which will certainly be instrumental in the decolonization of both development theories and practices. The book convincingly reveals the large array of domains, which, when interpreted from a decolonization and Degrowth perspective, can be managed through logics of environmental justice, social equity and equality, and generate societally more desirable outcomes. The book presents a multidisciplinary perspective on the contemporary global crises and features interdisciplinary analyses thereof through the lenses of cultural studies, critical development studies, political economy, eco-feminist political ecology, anthropology and sociology. Degrowth Decolonization and Development unveils the fundamental role of the dichotomies characterizing the Western modern development paradigm in shaping today’s actions, and especially the dichotomies of Global North and Global South, Centre and Periphery, Developed and Developing/Underdeveloped, Man and Nature. Degrowth Decolonization and Development addresses all researchers and activists interested in sustainability transformation and decolonization processes in Development studies.Degrowth Decolonization and Development is structured as a collection of seven original case studies. These are authored by researchers who met when presenting their work in Decolonization and Degrowth panels from the ISEE-ESEE-Degrowth Conference, Manchester, July 5-8, 2021, and the 8th International Degrowth Conference in The Hague, Netherlands, August 24-28, 2021. The concluding chapter proposes a synthesis identifying key concepts and steps in cultural change for the decolonization of the Western worldview towards “pluriverse” alternatives. The book traces future imaginaries for modelling future new systemic solutions and a needed radical change.
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Ovide Decroly, Un Pédagogue de l'Éducation Nouvelle
Psychologue et pédagogue, Ovide Decroly est une « figure » de l'Éducation nouvelle. L'ambition de cet ouvrage est l'étude de l'histoire d'une pédagogie nouvelle et de son élaboration par son fondateur. À l'interface des histoires de la psychologie, de l'éducation, des Sciences de l'éducation mais aussi de la libre-pensée, l'itinéraire d'Ovide Decroly dessine une oeuvre polymorphe faite de tâtonnements et d'expérimentations éducatives. L'auteur a choisi de restituer les grandes étapes des réflexions et des actions du pédagogue dans ces différents contextes, dans leur complexité, sans rechercher une linéarité superficielle. L'analyse des archives personnelles du pédagogue et de ses centaines de publications met l'accent sur la construction par Ovide Decroly d'une doctrine éducative non pas pensée pour quelques écoles mais bien conçue comme une possible alternative au système éducatif en place. Penser l'itinéraire du pédagogue belge à partir de ses idées, de ses pratiques et de ses réseaux de sociabilités permet de comprendre Ovide Decroly dans ses spécificités, de participer au renouvellement de l'approche biographique et de contribuer à l'histoire de la nébuleuse de l'Éducation nouvelle.
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