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Traffic Systems of Pompeii
The Traffic Systems of Pompeii is the first sustained examination of the development of road infrastructure in Pompeii—from the archaic age to the eruption of Mt. Vesuvius in 79 CE—and its implications for urbanism in the Roman empire. Eric E. Poehler, an authority on Pompeii's uniquely preserved urban structure, distills over five hundred instances of street-level "wear and tear" to reveal for the first time the rules of the ancient road. Through athorough, yet lively, investigation of every facet of the infrastructure, from the city's urban grid and the shape of the streets to the treatment of their surfaces and the individual elements of construction, the intricacies of the Pompeian traffic system and the changes to its operation over time emerge in vividdetail. Though archaeological expertise forms the backbone of this book, its findings have equally important historical and architectural implications. Later chapters probe how the street design and infrastructure affected social roles and hierarchies among property owners in Pompeii, illuminating the economic forces that push and pull upon the shape of urban space. The final chapters set the road system into its broader context as one major infrastructural and administrative artifact of theRoman empire's deeply urban culture. Where does Pompeii's system fit within the history of Roman traffic control? Is it unique for its innovation, or only for the preservation that permitted its discovery? Poehler marshals evidence from across the Roman world to examine these questions. His measuredand thoroughly researched answers make The Traffic Systems of Pompeii a critical step forward in our understanding of infrastructure in the ancient world.
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Journey into Fear
It is 1940 and Mr Graham, a quietly-spoken engineer and arms expert, has just finished high-level talks with the Turkish government. And now somebody wants him dead. The previous night three shots were fired at him as he stepped into his hotel room, so, terrified, he escapes in secret on a passenger steamer from Istanbul. As he journeys home - alongside, among others, an entrancing French dancer, an unkempt trader, a mysterious German doctor and a small, brutal man in a crumpled suit - he enters a nightmarish world where friend and foe are indistinguishable. Graham can try to run, but he may not be able to hide for much longer ...
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Love & Theft
For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show sometimes usefully intensified them. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a"blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandemwith working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear—a dialectic of "love and theft"—the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as asignifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery.
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Very Hungry Caterpillar
This new and improved The Very Hungry Caterpillar gift set contains a mini-hardback edition of Eric Carle's classic and bestselling picture book, with a cute and cuddly caterpillar toy.
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Wes Anderson Collection
Wes Anderson is the most influential comedic voice from the past two decades of American cinema. A true auteur, his intimate involvement in each of his films; Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Fantastic Mr. Fox and Moonrise Kingdom, includes scriptwriting, set design, soundtrack selections and unit photography. Anderson’s visual artistry, inimitable tone and idiosyncratic characterisations make each of his films instantly recognisable as “Andersonian.”The Wes Anderson Collection is the first in-depth overview of Anderson’s work, guiding readers through the life and career of one of the most talked-about contemporary filmmakers. Previously unpublished photos, artwork and ephemera complement a book-length interview between Anderson and award-winning film critic Matt Zoller Seitz, who offers insights into Anderson’s creative process, influences, and the production of his films. These elements come together in a meticulously designed object in the spirit of Anderson’s movies: melancholy and playful, wise and childish—and thoroughly original.
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