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R 683.00
Flack Studio
From highly expressive residential spaces to chic commercial environments, this debut book presents interiors that reflect a harmonious fusion of bold style and bohemian spirit. The arrival, in 2021, of Australian global pop star Troye Sivan s richly layered Melbourne home?introduced the world to Flack Studio, a wildly creative, multidisciplinary practice of designers and architects well established in Australia. Launched in 2014, the studio is driven by an adventurous sensibility that embraces historical research and contemporary innovation. Furniture, lighting, textiles, fittings, and vivid colour coalesce into a holistic yet idiosyncratic experience. A deep sense of materiality, a passion for contemporary art, and an embrace of local community and makers are hallmarks of Flack s projects, which include homes and restaurants throughout Australia, Los Angeles, Seoul and the Ace Hotel in Sydney. In this beautifully crafted book, the creative flair that defines Flack Studio s design philosophy is on display in a selection of projects curated by Flack himself. Each project is a testament to the designer s talent for balancing contemporary aesthetics with a warm, inviting atmosphere, his bold use of color, meticulous attention to detail, and a seamless integration of modern and classical elements. This is an exclusive first look into the studio s creative process, showcasing how Flack s vision ultimately comes to life in emotive, expressive interiors.
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Storm in a C Cup
Caroline Flack's frank and hugely entertaining memoir. In December 2014, Caroline danced her way into the nation's hearts when she raised the BBC's coveted Strictly Come DancingGlitterball. Known for her throaty laugh, edgy humour and quick-fire wit, showcased on some of Britain's most popular reality TV shows, she was thrust into the mainstream, hosting ITV's flagship talent show, The X Factor, with Olly Murs. In Storm in a C Cup, Caroline reveals the laughter and pain behind the TV persona, from a sheltered Norfolk childhood shared with her twin sister, through her madcap student days, to the challenging career ladder leading to eventual TV success, not forgetting its dark shadow, when intrusive media attention turned the dream into a nightmare. She takes us behind the cameras at some of TV's most successful reality shows, including the tensions, stresses and unlikely friendships of the three-month adventure that was Strictly.Caroline wears her heart on her sleeve, documenting her joys and heartbreaks with the humour, resilience and unflinching emotional honesty that made her of one of television's most popular celebrities.
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With Darkness Came Stars
Only in the darkest moments of our lives do the brightest stars appear.An artist, mother, teacher, and rebel, Audrey Flack is counted among the most important American artists of the twentieth century. In With Darkness Came Stars, she recounts and reflects upon a life fully lived.Flack came up in the New York art scene when the city was fast becoming a world arts center. She had a studio in the Bowery and frequented the Cedar Tavern, where she rubbed elbows with Jackson Pollock, Willem and Elaine de Kooning, Grace Hartigan, and other giants of the Abstract Expressionist movement. After leaving that scene and starting a family, she spearheaded Photorealist painting, alongside the likes of Chuck Close and Richard Estes. Flack has lived a remarkable life, successfully navigating a vibrant and virulently sexist art world, escaping an abusive marriage, and reshaping the rules of art creation in the middle of the twentieth century—all while raising two children, one with severe autism. Her story is full of strife and striving, but as an artist, Flack has always been able to find the beauty in it.
R 797.00
Museum Flack
In the turbulent realm of modern media, where museums often find themselves thrust into the limelight for less than favorable reasons, Museum Flack emerges as an indispensable public relations manual for thriving amid crises. As headlines increasingly narrate tales of leadership upheavals, funding woes, and political skirmishes, the book becomes a beacon for those striving to safeguard their institutions’ reputations. Museum Flack not only dissects the anatomy of effective media engagement but also transforms crises into opportunities for building trust. It equips readers with the tools to craft magnetic narratives, secure positive press without hefty expenses, and deftly maneuver the modern media tapestry. Through a blend of high-stakes campaigninsights and museum-specific case studies, the book demystifies complex communication challenges into tangible strategies.Museum Flack unpacks the techniques behind headlines and empowers any museum professional to advocate for their institution, safeguard its reputation, and seize the media spotlight for all the right reasons. Every chapter offers step-by-step tactics and real-world examples, transforming complex communications challenges into clear, actionable strategies.The time to master museum public relations is now. Readers who embrace these lessons will champion their institutions, protect their legacies, and help museums thrive, even under the sharpest media lens.
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Hunter's Experiences in the Southern States of America
Captain Flack, known for his columns in The Field, published this record of the his experiences of hunting, shooting and fishing in the Southern states of America in 1866. Starting with an introduction about the wilderness of the American forests and life in the western prairies, the book goes on to record the natural history of mammals and game-birds in the South. It provides graphic descriptions of the author's encounters with wildlife including antelopes, bison, bears, wild turkeys, fish, alligators and snakes, as well as bee hunting. Flack describes the South as the paradise of the true sportsman. In an appendix, the author provides a guide to the locations where each kind of game may be found, together with information about routes and costs. This detailed and entertaining account provides fascinating insights into Victorian social history and valuable data on the ecology of the Southern states at that time.
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Wild Within
Established in 1836, the Bristol Zoo is the world’s oldestsurviving zoo outside of a capital city and has frequently been at the vanguard of zoo innovation. In The Wild Within, Andrew Flack uses the experiences of the Bristol Zoo to explore the complex and ever-changing relationship between human and beast, which in many cases has altered radically over time.Flack recounts a history in which categories and identities combined, converged, and came into conflict, as the animals atBristol proved to be extremely adaptive. He also reveals aspects of the human-animal bond, however, that have remained remarkably consistent not only throughout the zoo’s existence but for centuries, including the ways in which even the captive animals with the most distinct qualities and characteristics are misunderstood when viewed through an anthropocentric lens.Flack strips back the layers of the human-animal relationship from those rooted in objectification and homogenization to those rooted in the recognition of consciousness and individual experience. The multifaceted beasts and protean people in The Wild Within challenge a host of assumptions--both within and outside the zoo- about what it means to be human or animal in the modern world.
R 1,339.00
Art and Science of Grazing
Grazing management might seem simple: just put livestock in a pasture and let them eat their fill. However, as Sarah Flack explains in The Art and Science of Grazing, the pasture/livestock relationship is incredibly complex. If a farmer doesn’t pay close attention to how the animals are grazing, the resulting poorly managed grazing system can be harmful to the health of the livestock, pasture plants, and soils. Well-managed pastures can instead create healthier animals, a diverse and resilient pasture ecosystem, and other benefits. Flack delves deeply below the surface of “let the cows eat grass,” demonstrating that grazing management is a sophisticated science that requires mastery of plant and animal physiology, animal behavior, and ecology. She also shows readers that applying grazing management science on a working farm is an art form that calls on grass farmers to be careful observers, excellent planners and record-keepers, skillful interpreters of their observations, and creative troubleshooters. The Art and Science of Grazing will allow farmers to gain a solid understanding of the key principles of grazing management so they can both design and manage successful grazing systems. The book’s unique approach presents information first from the perspective of pasture plants, and then from the livestock perspective—helping farmers understand both plant and animal needs before setting up a grazing system. This book is an essential guide for ruminant farmers who want to be able to create grazing systems that meet the needs of their livestock, pasture plants, soils, and the larger ecosystem. The book discusses all the practical details that are critical for sustained success: how to set up a new system or improve existing systems; acreage calculations; paddock layout; fence and drinking water access; lanes and other grazing infrastructure; managing livestock movement and flow; soil fertility; seeding and reseeding pastures; and more. The author includes descriptions of real grazing systems working well on dairy, beef, goat, and sheep farms in different regions of North America. The book covers pasture requirements specific to organic farming, but will be of use to both organic and non-organic farms.
R 911.00
Modernism and Homer
This comparative study crosses multiple cultures, traditions, genres, and languages in order to explore the particular importance of Homer in the emergence, development, and promotion of modernist writing. It shows how and why the Homeric epics served both modernist formal experimentation, including Pound's poetics of the fragment and Joyce's sprawling epic novel, and sociopolitical critiques, including H.D.'s analyses of the cultural origins of twentieth-century wars and Mandelstam's poetic defiance of the totalitarian Stalinist regime. The book counters a long critical tradition that has recruited Homer to consolidate, champion and, more recently, chastise an elitist, masculine modernist canon. Departing from the tradition of reading these texts in isolation as mythic engagements with the Homeric epics, Leah Flack argues that ongoing dialogues with Homer helped these writers to mount their distinct visions of a cosmopolitan post-war culture that would include them as artists working on the margins of the Western literary tradition.
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Modernism and Homer
This comparative study crosses multiple cultures, traditions, genres, and languages in order to explore the particular importance of Homer in the emergence, development, and promotion of modernist writing. It shows how and why the Homeric epics served both modernist formal experimentation, including Pound's poetics of the fragment and Joyce's sprawling epic novel, and sociopolitical critiques, including H.D.'s analyses of the cultural origins of twentieth-century wars and Mandelstam's poetic defiance of the totalitarian Stalinist regime. The book counters a long critical tradition that has recruited Homer to consolidate, champion and, more recently, chastise an elitist, masculine modernist canon. Departing from the tradition of reading these texts in isolation as mythic engagements with the Homeric epics, Leah Flack argues that ongoing dialogues with Homer helped these writers to mount their distinct visions of a cosmopolitan post-war culture that would include them as artists working on the margins of the Western literary tradition.
R 4,843.17
James Joyce and Classical Modernism
James Joyce and Classical Modernism contends that the classical world animated Joyce’s defiant, innovative creativity and cannot be separated from what is now recognized as his modernist aesthetic. Responding to a long-standing critical paradigm that has viewed the classical world as a means of granting a coherent order, shape, and meaning to Joyce’s modernist innovations, Leah Flack explores how and why Joyce’s fiction deploys the classical as the language of the new. This study tracks Joyce’s sensitive, on-going readings of classical literature from his earliest work at the turn of the twentieth century through to the appearance of Ulysses in 1922, the watershed year of high modernist writing. In these decades, Joyce read ancient and modern literature alongside one another to develop what Flack calls his classical modernist aesthetic, which treats the classical tradition as an ally to modernist innovation. This aesthetic first comes to full fruition in Ulysses, which self-consciously deploys the classical tradition to defend stylistic experimentation as a way to resist static, paralyzing notions of the past. Analysing Joyce's work through his career from his early essays, Flack ends by considering the rich afterlives of Joyce’s classical modernist project, with particular attention to contemporary works by Alison Bechdel and Maya Lang.
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