Search results for "pottner"
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Potters without a Wheel
This book is an ethnographic study of clay idol-makers of Kumartuli in Kolkata, India. Much of the visibility and identity of Kolkata’s creative culture has been dependent upon the clay artists of Kumartuli for the last 100 years or so. This book explores the nature of the carefully constructed identity of these idol-makers as mritshilpis , or clay artists, who, as opposed to ordinary potters, work with their hands instead of a wheel. It looks at how the mritshilpis consciously embrace and expand their market based on this variation and elevated status as artists instead of artisans and studies the embeddedness of this identity within the commodity markets. It also shows that commodity markets, in this case the market of clay idols, are an outcome of trends of urbanisation, popular demand, corporatisation and commodification of culture, all of which have shaped the contours of clay idol-making as not only an occupation but a brand identity.Drawing on extensive fieldwork and in-depth interviews, the book highlights the larger structural relationship between urbanisation, indigenous occupational categories and identity politics. It will be indispensable to scholars and researchers of sociology, social anthropology, political studies, cultural history, urban economy, art history, urbanisation, cultural studies and urban sociology.
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History of Pottery and Potters in Ancient Jerusalem
This book surveys four thousand years of pottery production and presents totally unexpected fresh information, using technical and analytical methods. It provides a study of ancient pottery of Jerusalem, from the earliest settlement to the medieval city and brings to light important aspects that cannot be discovered by the commonly accepted morphological pottery descriptions. New insights include the discovery that third millennium BCE pottery appears to have been produced by nomadic families, middle Bronze Age ceramics were made by professional potters in the Wadi Refaim, the pottery market of the Iron Age II pottery cannot be closely dated and is still produced during the first centuries after the exile, and the new shapes are made by Greek immigrant potters. The book contains a chapter on the systematics of ceramic studies and numerous notes about the potters themselves.
R 1,984.54
History of Pottery and Potters in Ancient Jerusalem
This book surveys four thousand years of pottery production and presents totally unexpected fresh information, using technical and analytical methods. It provides a study of ancient pottery of Jerusalem, from the earliest settlement to the medieval city and brings to light important aspects that cannot be discovered by the commonly accepted morphological pottery descriptions. Thus, third millennium BCE pottery appears to have been produced by nomadic families, mb ceramics were made by professional potters in the Wadi Refaim, the pottery market of the IA.II pottery cannot be closely dated and is still produced during the first centuries after the exile. The new shapes are made by Greek immigrant potters. The book contains a chapter on the systematics of ceramic studies and numerous notes about the potters themselves.
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Pottery Function
There are many ways to study pots or the sherds of pots. In this book James Skibo has focused on the surface wear and tear found on the resin-coated, low-fired cooking pots of the Kalinga people in north western Luzon. This detailed analysis is part of a much larger evalua tion of Kalinga pottery production and use by the staff members and students at the University of Arizona that has been underway since 1972. Here he has analyzed the variants among the possible residual clues on pots that have endured the stresses of having been used for cooking meat and vegetables or rice; standing on supports in the hearth fire; wall scrapings while distributing the food; being transported to the water source for thorough washing and scrubbing; followed by storage until needed again-a repetitive pattern of use. This well-controlled study made use of new pots provided for cooking purposes to one Kalinga household, as well as those pots carefully observed in other households-- 189 pots in all. Such an ethnoarchaeological approach is not unlike follOwing the course of the firing of a kiln-load of pots in other cultures, and then purchasing the entire product of this firing for analysis. Other important aspects of this Kalinga study are the chemical analysis of extracts from the ware to deduce the nature of the food cooked in them, and the experimental study of soot deposited on cooking vessels when they are in use.
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Potter's Progress
Born into a traditional culture in 1833, Emanuel Suter cultivated the art of pottery and expanded markets across the Shenandoah Valley of Virginia, creating a thriving company and leaving thousands of examples of utilitarian ceramic ware that have survived down to the present. Drawing on Suter's diary-rich with meticulous descriptions of his ceramic wares, along with glazing recipes and the quotidian details of nineteenth-century business-as well as myriad other primary and secondary sources, Suter's great-great-grandson Scott Hamilton Suter tells the story of how a farmer with a seasonal sideline developed into a technologically advanced entrepreneur who operated a modern industrial company. As a farmer, Emanuel Suter innovated by adopting new time-saving equipment; this progressive thinking bled over into his religious life, as he endeavored to change the traditional way of choosing ministers by lot and advocated for the formation of Sunday schools in the Mennonite Church. But Suter largely made his mark as a potter, and A Potter's Progress is enhanced by nearly two dozen color images and a close study of the techniques (including kilns and jigger wheels), products, shop organization, marketing, and labor of Suter's shops, revealing the revolutionary role they played in the world of Rockingham County, Virginia, pottery manufacture. This tightly focused case study of the trials and triumphs of one craftsman as he moved from a cottage industry to a full-scale industrial enterprise-prefiguring the market economy that would characterize the twentieth century-serves as a microcosm for examining the American spirit of progress in late nineteenth-century America.
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Potter's Book
'I have tried to formulate a criterion by which good pots may be judged . . . a pot in order to be good should be a genuine expression of life. It implies sincerity on the part of the potter and truth in the conception and execution of the work.'Bernard Leach (1887-1979) is generally reckoned to be the 'father of British studio pottery.' Born in Hong Kong, profoundly influenced by both an upbringing and studies in Japan, Leach developed a vision of pottery that interwove art, craft, design and philosophy. In 1920 he co-founded the Leach Pottery in St Ives, Cornwall, and A Potter's Book was first published in 1940. Within these pages Leach communicates his deeply-held convictions, through an account of the standards and materials essential to English slipware, stoneware, Japanese raku and Oriental porcelain. Faber Finds is devoted to restoring to readers a wealth of lost or neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit www.faberfinds.co.uk. To join the dialogue with fellow book-lovers please see our blog, www.faberfindsblog.co.uk.
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