Search results for "toth"
Items we need to order for you
Toth
Claire Hayes was an Englishwoman with pale blonde hair and dark, burning eyes. Soon she was crossing the wild, wide American continent. Its roughness would strengthen her, and five men would help make her a woman: Peter, the husband drawn to prayer and the golden California sun; Morton, the trapper who saved her life and wanted full payment; Lone Eagle, the tall chief who bought her, loved her, and gave her his child; Don Hernando, the Spanish-American aristocrat; and Camden Summers, the fearless half-Indian, half-English scout. And always there was Claire, surviving them all! "A master storyteller." —The Nashville Banner. "The master's touch in storytelling." —Publishers Weekly. "V. J. Banis is a national treasure. His stories are filled with believable characters and situations, and are meticulously researched. I couldn't put this one down!"—Robert Reginald.
R 456.00
R 446.00
R 519.00
R 587.00
R 443.00
R 426.00
R 596.00
R 666.32
R 396.00
R 1,282.00
R 305.00
R 213.00
R 305.00
R 805.75
R 304.00
R 1,188.30
R 168.00
R 655.88
R 168.00
R 500.00
R 1,037.00
R 711.00
R 782.16
Flower Show and the Toth Family
The Flower Show and The Toth Family, two novellas in one volume by István Örkény (1912-79), introduce to an English-speaking audience a Hungarian writer with a keen sense of the absurdities of modern life. In the ’60s and ’70s, Örkény’s vein of black comedy earned him the epithet “master of the grotesque” for the popular dramatizations of these and other novels. The Flower Show (1977) is Örkény’s last novel and his most widely translated work of fiction. With consummate irony, the author exploits our universal unease in the face of death, the desire to “star” taken to its ultimate absurdity by playing the lead in one’s own demise, and the voyeurism of the modern media. In The Toth Family (1967) a mad army major on leave terrorizes a village fireman and his family, forcing them to cut and fold endless quantities of cardboard packing boxes every night until dawn. Originally written as a film script, the novel’s scenes flicker past in lunatic array as Örkény satirizes Hungary of the early ’40s and the acquiescence of a quasi-feudal, nationalistic, caste-ridden society to the authoritarian state of Nazi Germany. The impression is as if the Marx Brothers had been born out of Dr. Strangelove.
R 390.00
R 366.00
Truth and Metafiction
Metafiction has long been associated with the heyday of literary postmodernism—with a certain sense of irresponsibility, political apathy, or outright nihilism. Yet, if (as is now widely assumed) postmodernism has finally run its course, how might we account for the proliferation of metafictional devices in contemporary narrative media? Does this persistence undermine the claim that postmodernism has passed, or has the function of metafiction somehow changed? To answer these questions, Josh Toth considers a broad range of recent metafictional texts—bywriters such as George Saunders and Jennifer Egan and directors such as Sofia Coppola and Quentin Tarantino. At the same time, he traverses a diffuse theoretical landscape: from the rise of various new materialisms (in philosophy) and the turn to affect (in literary criticism) to the seemingly endless efforts to name postmodernism’s ostensible successor. Ultimately, Toth argues that much contemporary metafiction moves beyond postmodern skepticism to reassert the possibility of making true claims about real things. Capable of combating a “post-truth” crisis, such forms assert or assume a kind of Hegelian plasticity; they actively and persistently confront the trauma of what is infinitely mutable, or perpetually other. What is outside or before a given representation is confirmed and endured as that which exceeds the instance of its capture. The truth is thereby renewed; neither denied nor simply assumed, it is approached as ethically as possible. Its plasticity is grasped because the grasp, the form of its narrative apprehension, lets slip.
R 3,973.00
Mettray
The Mettray Penal Colony was a private reformatory without walls, established in France in 1840 for the rehabilitation of young male delinquents. Foucault linked its opening to the most significant change in the modern status of prisons and now, at last, Stephen Toth takes us behind the gates to show how the institution legitimized France's repression of criminal youth and added a unique layer to the nation's carceral system.Drawing on insights from sociology, criminology, critical theory, and social history, Stephen Toth dissects Mettray's social anatomy, exploring inmates' experiences. More than 17,000 young men passed through the reformatory before its closure, and Toth situates their struggles within changing conceptions of childhood and adolescence in modern France. Mettray demonstrates that the colony was an ill-conceived project marked by internal contradictions. Its social order was one of subjection and subversion, as officials struggled for order and inmates struggled for autonomy.Toth's formidable archival work exposes the nature of the relationships between, and among, prisoners and administrators. He explores the daily grind of existence: living conditions, discipline, labor, sex, and violence. Thus, he gives voice to the incarcerated, not simply to the incarcerators, whose ideas and agendas tend to dominate the historical record. Mettray is, above all else, a deeply personal illumination of life inside France's most venerated carceral institution.
R 1,588.00
Comparative Health Systems
The standard classifications of health systems don't allow for the complexity and variety that exists around the world. Federico Toth sets out a new framework for understanding the many ways in which health systems can be organized and systematically analyses the health systems chosen by 27 OECD countries. He provides a great deal of up-to-date data on financing models, healthcare spending, insurance coverage, methods of organizing providers, healthcare personnel, remuneration methods for doctors and hospitals, development trajectories and recent reforms. For each of the major components of the healthcare system, the organizational models and the possible variants from which individual countries can ideally select are defined. Then, based on the organizational solutions actually adopted, the various national systems are grouped into homogeneous families. With its clear, jargon-free language and concrete examples, this is the most accessible comparative study of international healthcare arrangements available.
R 5,104.48
Comparative Health Systems
The standard classifications of health systems don't allow for the complexity and variety that exists around the world. Federico Toth sets out a new framework for understanding the many ways in which health systems can be organized and systematically analyses the health systems chosen by 27 OECD countries. He provides a great deal of up-to-date data on financing models, healthcare spending, insurance coverage, methods of organizing providers, healthcare personnel, remuneration methods for doctors and hospitals, development trajectories and recent reforms. For each of the major components of the healthcare system, the organizational models and the possible variants from which individual countries can ideally select are defined. Then, based on the organizational solutions actually adopted, the various national systems are grouped into homogeneous families. With its clear, jargon-free language and concrete examples, this is the most accessible comparative study of international healthcare arrangements available.
R 1,764.83
R 365.00
R 691.00
R 1,426.00
R 1,168.27
R 215.97
R 843.00
R 1,074.08
Truth and Metafiction
Metafiction has long been associated with the heyday of literary postmodernism—with a certain sense of irresponsibility, political apathy, or outright nihilism. Yet, if (as is now widely assumed) postmodernism has finally run its course, how might we account for the proliferation of metafictional devices in contemporary narrative media? Does this persistence undermine the claim that postmodernism has passed, or has the function of metafiction somehow changed? To answer these questions, Josh Toth considers a broad range of recent metafictional texts—bywriters such as George Saunders and Jennifer Egan and directors such as Sofia Coppola and Quentin Tarantino. At the same time, he traverses a diffuse theoretical landscape: from the rise of various new materialisms (in philosophy) and the turn to affect (in literary criticism) to the seemingly endless efforts to name postmodernism’s ostensible successor. Ultimately, Toth argues that much contemporary metafiction moves beyond postmodern skepticism to reassert the possibility of making true claims about real things. Capable of combating a “post-truth” crisis, such forms assert or assume a kind of Hegelian plasticity; they actively and persistently confront the trauma of what is infinitely mutable, or perpetually other. What is outside or before a given representation is confirmed and endured as that which exceeds the instance of its capture. The truth is thereby renewed; neither denied nor simply assumed, it is approached as ethically as possible. Its plasticity is grasped because the grasp, the form of its narrative apprehension, lets slip.
R 1,029.00
R 512.00
R 866.09
Guide to a Second America n Revolution
The American "experiment" is in danger. It is time to renew our commitment to our republican form of government and to the promise of "liberty and justice for all."
R 416.00
R 610.00
R 524.00
R 244.00
R 326.00
R 924.00
