The sparkling debut children’s novel from David Walliams, number one bestseller and fastest growing children’s author in the country, with sparkling new cover look to tie in with later books. Dennis was different. Why was he different, you ask? Well, a small clue might be in the title of this book… Charming, surprising and hilarious – The Boy in the Dress is everything you would expect from the co-creator of Little Britain. David Walliams’s beautiful first novel will touch the hearts (and funny bones) of children and adults alike.
CONTRIBUTORS: David Walliams, Quentin BlakeEAN: 9780007279043COUNTRY: United KingdomPAGES: WEIGHT: 230 gHEIGHT: 198 cm
Interest age: from c 9 years, Relating to adolescence / teenage years, Relating to Trans / Transgender people or gender minorities, Children’s / Teenage fiction: General, modern and contemporary fiction, Children’s / Teenage fiction: Humorous stories, Children’s / Teenage fiction: School stories
‘[Walliams’ books] are brilliantly, beautifully and seemingly effortlessly written … Mr Dahl finally has a worthy successor’ Telegraph
‘Walliams understands something crucial about children and stories’ Metro
“A great comic tale… Walliams is a natural wit” – Evening Standard
"Well written, funny, touching" – Observer
"A passionate celebration of individuality" – Telegraph
"Believable characters and a story that's original and intriguing” ***** – Heat
“Charming, funny” – The Times
“Has a lovely, Dahlian fluency to it” – Time Out
David Walliams has revolutionised reading for children and become one of the most influential children’s writers today. Since the publication of his ground-breaking first novel, The Boy in the Dress (2008), Walliams has seen unprecedented growth with global sales exceeding 40 million copies, and his books translated into 53 languages. Quentin Blake taught at the Royal College of Art, where he was Head of the Illustration Department before becoming a full time illustrator. He has collaborated with writers such as Russell Hoban, John Yeoman, and most famously Roald Dahl. He has also illustrated classic books for adults and created much-loved characters of his own such as Mr Magnolia and Mrs Armitage. He also curates exhibitions and is a Patron of the Campaign for Drawing.
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The sparkling debut children’s novel from David Walliams, number one bestseller and fastest growing children’s author in the country, with sparkling new cover look to tie in with later books. Dennis was different. Why was he different, you ask? Well, a small clue might be in the title of this book… Charming, surprising and hilarious – The Boy in the Dress is everything you would expect from the co-creator of Little Britain. David Walliams’s beautiful first novel will touch the hearts (and funny bones) of children and adults alike.
CONTRIBUTORS: David Walliams, Quentin BlakeEAN: 9780007279043COUNTRY: United KingdomPAGES: WEIGHT: 230 gHEIGHT: 198 cm
Interest age: from c 9 years, Relating to adolescence / teenage years, Relating to Trans / Transgender people or gender minorities, Children’s / Teenage fiction: General, modern and contemporary fiction, Children’s / Teenage fiction: Humorous stories, Children’s / Teenage fiction: School stories
David Walliams has revolutionised reading for children and become one of the most influential children’s writers today. Since the publication of his ground-breaking first novel, The Boy in the Dress (2008), Walliams has seen unprecedented growth with global sales exceeding 40 million copies, and his books translated into 53 languages. Quentin Blake taught at the Royal College of Art, where he was Head of the Illustration Department before becoming a full time illustrator. He has collaborated with writers such as Russell Hoban, John Yeoman, and most famously Roald Dahl. He has also illustrated classic books for adults and created much-loved characters of his own such as Mr Magnolia and Mrs Armitage. He also curates exhibitions and is a Patron of the Campaign for Drawing.
Mevrou Smit het Aronspoort toe gekom om vir haarself ’n nuwe lewe en identiteit te bewerk, nie om gewild te wees nie. “Daar is geen wag voor daai mond nie. Al die gedagtes wat in haar kop uitbroei, marsjeer soos mank soldate oor haar tong.” (p.16). Maar dit is juis daardie gedagtes wat al menige moord opgelos het, dit terwyl sy vir haarself streng reëls gestel het vir “goeie” gedrag en verbete daaraan werk om daarby te hou. Reëls soos om te oorleef en te luister na jou instinkte. “My derde reël is om nie my tyd te mors met retrospeksie nie” (p.78), verduidelik sy aan Dario wat in hierdie aflewering weer ’n hoopvolle draai kom maak. Die uitstekende skryfstyl van Elizabeth Wasserman verseker dat mevrou Smit konsekwent, sonder aansien des persoons, hou by haar reëls.
Ek moet bieg dat hierdie derde sage van mevrou Smit vir my ietwat stadig afgeskop het. Daar was nie juis dringendheid rondom die ontdekking van ’n dekade-oue menslike oorskot in die rivierbank nie. Maar wanneer daar ’n vars moord vermoed word, tel mevrou Smit se bloedhond instinkte spoed op. En die krisis na die einde toe is so spannend as wat ’n sogenaamde sagte krimi kan toelaat.
Ek sukkel deesdae toenemend met reekse. Ek vergeet die fynere detail van vorige boeke (ouderdom of té veel storielyne?) en dan sukkel my kop deurentyd om te onthou. Dus sou ek beslis beter gevaar het om die drie boeke agtereenvolgens te lees. Nuwe Mevrou Smit lesers wat nie noodwendig alles wil weet van haar vorige lewe en die voorafgaande avonture op Aronspoort nie, behoort suksesvol te kan volstaan met die intrige soos hier aangebied.