Discover this sharp, funny short story collection from the bestselling author of The Handmaid’s Tale and The TestamentsA man finds himself surrounded by women who are becoming paler, more silent and literally smaller; a woman's intimate life is strangely dominated by the fear of nuclear warfare; a melancholy teenage love is swept away by a hurricane, while a tired, middle-aged affection is rekindled by the spectacle of rare Jamaican birds...In these exceptional short stories, by turns funny and searingly honest, Margaret Atwood captures brilliantly the complex forces that govern our relationships, and the powerful emotions that guide them.‘An acute and poetic observer of the eternal, universal, rum relationships between men and women’ The Times
CONTRIBUTORS: Margaret AtwoodEAN: 9781784877637COUNTRY: United KingdomPAGES: WEIGHT: 232 gHEIGHT: 198 cm
PUBLISHED BY: Vintage PublishingDATE PUBLISHED: 2023-02-23CITY: GENRE: FICTION / Literary, FICTION / Short Stories (single author), FICTION / World Literature / Canada / 21st CenturyWIDTH: 129 cmSPINE:
Book Themes:
Modern and contemporary fiction: general and literary
An acute and poetic observer of the eternal, universal, rum relationships between men and women, If anyone has better insight into women and their central problem - men - than Margaret Atwood, and can voice them with as much wit, impact and grace, then they haven't started writing yet, Sophisticated, reticent, ornate, stark, supple, stiff, savage or forgiving...they are stories from the prime of life, An outstanding correspondent on the war between the sexes writes as wittily as ever on the hopes and shortcomings of women who bake for poets, sleep with their accountants, attribute their preference for awful men to fearlessness, and don't know how much they scare their own mothers
Margaret Atwood is the author of more than fifty books of fiction, poetry and critical essays. Her novels include Cat's Eye, The Robber Bride, Alias Grace, The Blind Assassin and the MaddAddam trilogy. Her 1985 classic, The Handmaid's Tale, was followed in 2019 by a sequel, The Testaments, which was a global number one bestseller and shared the Booker Prize. In 2020 she published Dearly, her first collection of poetry for a decade, and in 2022 Burning Questions, a collection of essays, was a Sunday Times bestseller. Atwood has won numerous awards including the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade, the PEN USA Lifetime Achievement Award and the Dayton Literary Peace Prize. In 2019 she was made a member of the Order of the Companions of Honour for services to literature. She has also worked as a cartoonist, illustrator, librettist, playwright and puppeteer. She lives in Toronto, Canada.
Format: Paperback / softback
Discover this sharp, funny short story collection from the bestselling author of The Handmaid’s Tale and The TestamentsA man finds himself surrounded by women who are becoming paler, more silent and literally smaller; a woman's intimate life is strangely dominated by the fear of nuclear warfare; a melancholy teenage love is swept away by a hurricane, while a tired, middle-aged affection is rekindled by the spectacle of rare Jamaican birds...In these exceptional short stories, by turns funny and searingly honest, Margaret Atwood captures brilliantly the complex forces that govern our relationships, and the powerful emotions that guide them.‘An acute and poetic observer of the eternal, universal, rum relationships between men and women’ The Times
CONTRIBUTORS: Margaret AtwoodEAN: 9781784877637COUNTRY: United KingdomPAGES: WEIGHT: 232 gHEIGHT: 198 cm
PUBLISHED BY: Vintage PublishingDATE PUBLISHED: 2023-02-23CITY: GENRE: FICTION / Literary, FICTION / Short Stories (single author), FICTION / World Literature / Canada / 21st CenturyWIDTH: 129 cmSPINE:
Book Themes:
Modern and contemporary fiction: general and literary
Margaret Atwood is the author of more than fifty books of fiction, poetry and critical essays. Her novels include Cat's Eye, The Robber Bride, Alias Grace, The Blind Assassin and the MaddAddam trilogy. Her 1985 classic, The Handmaid's Tale, was followed in 2019 by a sequel, The Testaments, which was a global number one bestseller and shared the Booker Prize. In 2020 she published Dearly, her first collection of poetry for a decade, and in 2022 Burning Questions, a collection of essays, was a Sunday Times bestseller. Atwood has won numerous awards including the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade, the PEN USA Lifetime Achievement Award and the Dayton Literary Peace Prize. In 2019 she was made a member of the Order of the Companions of Honour for services to literature. She has also worked as a cartoonist, illustrator, librettist, playwright and puppeteer. She lives in Toronto, Canada.
A business built on Ethical leadership and honesty through and through
This leader must have a shower in his business office. Get yourself a copy and you'll understand why. Brilliant life story and business journey. This book will not only teach you about business, but how to sustain it ethically and honestly. He also narrates how you'll get your fingers burnt, but how to start over after losing everything. Family, business partners and creating community.
Juanita Aggenbach se boeke lyk almal vir my bekend vanweë treffende buiteblaaie, maar ek glo nie ek het al enige daarvan gelees nie. Toe ek haar vyfde roman, Liewer as lig, begin lees, was daar geen twyfel dat dit stewig staan in die geestelike fiksie genre nie.
Daar word nie geskimp oor geloofsake soos wedergeboorte nie, dit word by die naam genoem. Onderwerpe wat van altyd af twispunte is in kerkgeledere, soos grootdoop versus kinderdoop, gebruik van sterk drank en die immer-aanvegbare rookgewoonte, kom draai in die storielyn oor Schalk en Leah se lewe. Tekste uit die Bybel word selektief aangehaal en Schalk se gesprekke met die Vader is ’n perfekte weergawe van sy stryd en oorwinnings.
Schalk, ’n advokaat, en Leah, ’n hoërskoolonderwyseres, lewe welvarend en hard. Dit is vir hulle nie ongewoon om ná ’n kuier met vriende, erg kroes wakker te word nie. ’n Kollega van Schalk is ’n uitgesproke Christen en sy voorbeeld begin vir Schalk aanspreek; soveel so dat hy by die Here uitkom. Leah is egter in totale verset teen die nuwe Schalk en weier om saam met hom Bybel te lees.
Die verhaal onderstreep dat om die Here te volg jou nie gaan vrywaar van probleme nie. Daar is nie noodwendig kitsoplossings vir probleme soos finansies nie. Dit mag nodig wees om onvoorwaardelik te vergewe en indringend te kyk na prioriteite.
Liewer as lig lees maklik – dank aan die uitgewer, Lux Verbi (geestelike druknaam van Jonathan Ball Uitgewers) vir die lettertipe wat sag is op die oog. Klein letters en digte spasiëring word vir my al hoe moeiliker om te hanteer. Ek kan dit aanbeveel vir ander met dieselfde dilemma.
“There is no handbook for grief. There cannot be, because each loss is as unique as the person it belongs to.” (p.36) This is but one of the profound truths penned by Dominique Olivier in her book, Lessons from loss. The author does not strive to act as councilor or therapist, although she has a passion for reaching out to others who has suffered a loss. On the contrary, it is a painfully honest account of her journey through a devastating loss that she suffered.
Dominique lost both her husband and her young daughter in a horrific traffic accident. From the outset she makes it clear that there should be no hierarchy of loss. Although losing a spouse or a child is often deemed as the worst kind of loss, it can be the loss of a marriage, a miscarriage or a job that sets you off on a painful path of recovery. Another sentiment that struck home, is the idea that grief has no expiry date. (p.51) She describes it as “something chronic”.
The writer does not lean on sentimentality. The vivid descriptions of panic attacks, the constant anxiety that plagued her, the criticism that she encountered during the journey through her grief, painful triggers – all of this put together in a remarkable account of loss, and an attempt to “move forward” not to “move on”.
Whether or not you are a member of what the author calls “The Losers Club”, membership of which can only be obtained by own loss, the journey of Dominique Olivier will not leave you untouched.
