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Sunday Times Literary Awards 2024 Fiction Shortlist

  • Buried Treasure

    Buried Treasure

    1 review

    Welcome to Vivo, where the only cemetery is run by old Mateus and his dog, God. Mateus’s eyes aren’t so good these days, which is why he has been burying bodies in the wrong graves, and also why, while out walking with God, he trips over a young homeless girl. On a whim, Mateus decides to appoint the girl as his apprentice. Novo, who has been sleeping on the street with a dog-eared copy of The Savage Detectives as her pillow, is determined to reorganise the cemetery, but she will have to hurry: buried awry, divorced from their names, the ghosts of Vivo are accumulating, unable to proceed to the afterlife without knowing who they are. Also, someone, or some thing, is on the loose, killing people and closing in on the one person who can make things right. Vivo is a town with a pigeon-messaging service, a phone booth used for romantic encounters, and a number of residents who are not quite what they seem, including a prostitute, a professor and a prophetic flower-seller. Oh, and the coffee is hellishly strong. Erudite and wise, magical and quirky, Sven Axelrad’s debut novel is an enchanting adventure that explores what our names mean to us and who we are without them.

    Sven Axelrad

    R 350.00

  • The Institute for Creative Dying

    The Institute for Creative Dying

    You wouldn’t know it was there, the unnumbered house behind the iron-grille gate, just below the craggy rocks of Northcliff Ridge. To the untrained eye the rambling property might seem neglected, with its tangle of trees and untamed indigenous bush. But there is purpose here, and a peaceful, subterranean, focus on all that withers and dies. Five strangers – a model, a former nun, a couple in crisis, and an offender newly released from prison – have come here, to this place, to discover an end to life as they’ve known it. Placing their trust in their hosts, the Mortician and Mustafa, the five open their minds and bodies to an alternative experience. Not all of them will survive – or at least not in the way they imagined – but all of them will be shown the limits of their living. The Institute for Creative Dying is vivid and visceral, unique in its bold and imaginative exploration of mortality and the interconnectedness of all forms of being.

    Jarred Thompson

    R 340.00

  • Mirage

    Mirage

    Out here, the past and the future lie over each other, like the strata of koppies. And in certain places the boundary between the two rubs clean. A century-old trunk has been dug up near the railway village of Sterfontein. Inside is the lost journal of Victorian author Elizabeth Tenant – and what appear to be the remains of a child. Michael, a university student recovering from a broken heart, is intrigued by what the journal describes: a scarlet curtain billowing above the desert, covering the entrance to another world. But things become even stranger when a line in the journal seems to be connected to Michael and his cosmologist mother, written a hundred years before their time. Without much to go on, Michael travels to the old Karoo hotel where Elizabeth wrote her novel Mirage. Amid talk of omens in the sky, ancient prophecies and the end of the world, he tries to decipher the journal’s secrets. As one mystery leads to the next, constellation-like patterns between his own life and Elizabeth’s appear, helped along by Renata, a self-proclaimed medium, and Oom Sarel, the local museum curator. But as time starts to dissolve in the mirages of the Karoo, it becomes more and more difficult to know what is real and what is not. And why can’t he shake the feeling that he’s been to the village before?

    David Ralph Viviers 

    R 120.00

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