Fiction Shortlist
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Sunday Times Literary Awards 2024 Fiction Shortlist
The Bitterness of Olives
‘Why can you not be friends anymore?’It was the story of his country, he supposed. Perhaps they could have been friends. Perhaps they were once. The reasons were complex, full of feeling, disappointment, resentment. And, of course, betrayal. This was the Middle East after all.Avi Dahan, a retired detective mourning his beloved wife in Tel Aviv, and Khalid Mansour, a Palestinian doctor confronting the precarious reality of living in Gaza City, are still reeling from the political fallout that jeopardised their delicate friendship. When a mysterious corpse scarred by history and forbidden love shows up in Khalid’s emergency room, he reaches out to Avi for help. Though the detective is the only one who might be able to assist, he is the last person on earth to agree …The stage is set for Andrew Brown’s unforgettable new novel, The Bitterness of Olives.Did it really matter? In the face of chaos, was it important how she had died? That was the guidance he needed from Avi now. He needed to understand that question: did it matter anymore? Was it of any significance, how you died in a war?
R 350.00
Three Egg Dilemma
Three Egg Dilemma is a visionary novel. Morojele has built worlds and characters that are unforgettable. This audacious novel is set to become a classic work of South African fiction. This is the story of Ex (short for ‘Example’), who lives in a small township on the outskirts of a town in Lesotho. He stays in his dead parents’ house, decorated with all his mother’s things, where he subsists off renting out back rooms. He drinks – too much – at Mada’s down the road, and has two friends: Sticks, who sells eggs on the street, and Latrine, so called because of his meagre digestion. Although Ex used to have broad horizons, his life now is limited by the street he lives on. Once he had a meaningful job, he travelled, had money and hope. Life, and Lesotho, have been badly knocked: the country has suffered droughts, and is periodically thrown into turmoil by violent soldiers, or attacks by roving bandits such as the vicious Zuluboy. Poverty is rife. Early on, we are introduced to a recurring vision, or supernatural phenomenon, that haunts Ex – ‘Mota’s ghost’, a ghastly demon-like being, ghost or representation of death or fate. It first appears to presage the death of a friend, and later returns when death visits his town. The second important figure in the story is Phuleng / Pearl, an innocent young woman who arrives as a refugee when the soldiers are rampaging, and stays in Ex’s house – in his mother’s room. Ex, though much older, predictably enough falls in love with Pearl, but she has other ambitions. She works in a hotel in town, and eventually we learn that she has been impregnated by a white guest. Before the end, Ex will frighten her away, attempting to sexually assault her in the house. She will eventually end up a refugee again, homeless and on the streets outside Ex’s house, after soldiers and gangs have torn the area apart. Major incidents in Ex’s life include an abortive love affair during his time of plenty, when he meets a woman from Botswana at an international aid conference, falls in love with her and travels across South Africa to join her – only to realise that he has misunderstood the signs, and that she is marrying a white man. The other formative moment is when he is tricked into believing that a street child is his son. Each of these moments of hope ends with him, to different degrees, being deceived, humiliated and exploited. The novel ends with Ex back in his house after Zuluboy’s ravages, running the old shop and bar and being counselled in acceptance by the hideous Mota’s ghost. Morojele has written a dystopian masterpiece: one which takes the reader on a darkly comic journey. Three Egg Dilemma is a visionary novel. Morojele has built worlds and characters that are unforgettable. This audacious novel is set to become a classic work of South African fiction.
R 290.00
Buried Treasure
Welcome to Vivo, where the only cemetery is run by old Mateus and his dog, God. Mateus’s eyes aren’t so good these days, which is why he has been burying bodies in the wrong graves, and also why, while out walking with God, he trips over a young homeless girl. On a whim, Mateus decides to appoint the girl as his apprentice. Novo, who has been sleeping on the street with a dog-eared copy of The Savage Detectives as her pillow, is determined to reorganise the cemetery, but she will have to hurry: buried awry, divorced from their names, the ghosts of Vivo are accumulating, unable to proceed to the afterlife without knowing who they are. Also, someone, or some thing, is on the loose, killing people and closing in on the one person who can make things right. Vivo is a town with a pigeon-messaging service, a phone booth used for romantic encounters, and a number of residents who are not quite what they seem, including a prostitute, a professor and a prophetic flower-seller. Oh, and the coffee is hellishly strong. Erudite and wise, magical and quirky, Sven Axelrad’s debut novel is an enchanting adventure that explores what our names mean to us and who we are without them.
R 310.00
The Institute for Creative Dying
You wouldn’t know it was there, the unnumbered house behind the iron-grille gate, just below the craggy rocks of Northcliff Ridge. To the untrained eye the rambling property might seem neglected, with its tangle of trees and untamed indigenous bush. But there is purpose here, and a peaceful, subterranean, focus on all that withers and dies. Five strangers – a model, a former nun, a couple in crisis, and an offender newly released from prison – have come here, to this place, to discover an end to life as they’ve known it. Placing their trust in their hosts, the Mortician and Mustafa, the five open their minds and bodies to an alternative experience. Not all of them will survive – or at least not in the way they imagined – but all of them will be shown the limits of their living. The Institute for Creative Dying is vivid and visceral, unique in its bold and imaginative exploration of mortality and the interconnectedness of all forms of being.
R 313.00
Mirage
Out here, the past and the future lie over each other, like the strata of koppies. And in certain places the boundary between the two rubs clean. A century-old trunk has been dug up near the railway village of Sterfontein. Inside is the lost journal of Victorian author Elizabeth Tenant – and what appear to be the remains of a child. Michael, a university student recovering from a broken heart, is intrigued by what the journal describes: a scarlet curtain billowing above the desert, covering the entrance to another world. But things become even stranger when a line in the journal seems to be connected to Michael and his cosmologist mother, written a hundred years before their time. Without much to go on, Michael travels to the old Karoo hotel where Elizabeth wrote her novel Mirage. Amid talk of omens in the sky, ancient prophecies and the end of the world, he tries to decipher the journal’s secrets. As one mystery leads to the next, constellation-like patterns between his own life and Elizabeth’s appear, helped along by Renata, a self-proclaimed medium, and Oom Sarel, the local museum curator. But as time starts to dissolve in the mirages of the Karoo, it becomes more and more difficult to know what is real and what is not. And why can’t he shake the feeling that he’s been to the village before?
R 300.00
Non-fiction Shortlist
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Fiction Longlist
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Non-fiction Longlist
R 320.00
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