Country and the City

Taking inspiration from classic authors from Jane Austen to Thomas Hardy, Williams shines a light on our society’s changing views of the rural and industrial landscapes in which we work and live.Our collective notion of the city and country is irresistibly powerful. The city as the seat of enlightenment, sophistication, power and greed is in profound contrast with an innocent, peaceful, backward countryside. Examining literature since the sixteenth century, Williams traces the development of our conceptions of these two traditional poles of life. His groundbreaking study casts the country and city as central symbols for the social and economic changes associated with capitalist development.WITH AN INTRODUCTION BY TRISTRAM HUNT

While written with the energy of political engagement, it is a critically generous book... Even where you would read something differently, there is space to disagree, His complex character, indeed his whole life, was held together by two qualities - scholarship and political conviction - which made him a major influence on three decades of political thought, I went back to my own edition of The Country and the City... Certain books are held dear because they are also psychic landmarks revealing where and how they helped us come into consciousness. Inevitably, our perception of the world continues to be informed by such texts long after the precise details of their contents have been forgotten., He was the foremost political thinker of his generation in Britain who in his most formidable books, Culture And Society, The Long Revolution and The Country and the City, redrew the map of our cultural history, and elsewhere made heroic interventions in the main political debates of his time, The first thing that struck me about this book when I read it as an undergraduate was the personable charm of the narrator. Embarking on a topic which could hardly be broader or grander: the study of how literature has described the world; he starts with his own country, with his own city. His emotion about his birthplace his sense of belonging, is so powerful, that the book reads at times like an autobiography, like a love-letter to the country of his childhood

Raymond Williams was born in 1921 in the Welsh border village of Pandy, and was educated at the village school, at Abergavenny Grammar School, and at Trinity College, Cambridge. After serving in the war as an anti-tank captain, he became an adult education tutor in the Oxford University Delegacy for Extra-Mural Studies. In 1947 he was an editor of Politics and Letters, and in the 1960s was general editor of the New Thinker’s Library. He was elected Fellow of Jesus College, Cambridge, in 1961 and was later appointed Professor of Drama.His books include Culture and Society (1958), The Long Revolution (1961) and its sequel Towards 2000 (1983); Communications (1962) and Television: Technology and Cultural Form (1974); Drama in Performance (1954), Modern Tragedy (1966) and Drama from Ibsen to Brecht (1968); The English Novel from Dickens to Lawrence (1970), Orwell (1971) and The Country and the City (1973); Politics and Letters (interviews) (1979) and Problems in Materialism and Culture (selected essays) (1980); and four novels – the Welsh trilogy of Border Country (1960), Second Generation (1964) and The Fight for Manod (1979), and The Volunteers (1978).Raymond Williams was married in 1942, had three children, and divided his time between Saffron Walden, near Cambridge, and Wales. He died in 1988.