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A personal and powerful essay on loss from Chimamanda Ngozi Adichie, the bestselling author of Americanah and Half of a Yellow Sun. 'Grief is a cruel kind of education. You learn how ungentle mourning can be, how full of anger. You learn how glib condolences can feel. You learn how much grief is about language, the failure of language and the grasping for language' On 10 June 2020, the scholar James Nwoye Adichie died suddenly in Nigeria. In this tender and powerful essay, expanded from the original New Yorker text, his daughter, a self-confessed daddy's girl, remembers her beloved father. Notes on Grief is at once a tribute to a long life of grace and wisdom, the story of a daughter's fierce love for a parent, and a revealing examination of the layers of loss and the nature of grief.
Format: CONTRIBUTORS: Chimamanda Ngozi AdichieEAN: 9780008470333COUNTRY: United KingdomPAGES: WEIGHT: 80 gHEIGHT: 178 cm
PUBLISHED BY: HarperCollins PublishersDATE PUBLISHED: 2022-09-15CITY: GENRE: BIOGRAPHY & AUTOBIOGRAPHY / Literary Figures, FAMILY & RELATIONSHIPS / Death, Grief, Bereavement, FAMILY & RELATIONSHIPS / Parenting / Fatherhood, LITERARY COLLECTIONS / Essays, SOCIAL SCIENCE / Death & DyingWIDTH: 111 cmSPINE:
Book Themes:
Nigeria, United States of America, USA, Literary essays, Coping with / advice about death and bereavement
Praise for Notes on Grief
‘Both emotional and austere, a work of dignity and of unravelling’ Guardian
‘With raw eloquence, Adichie’s observations have, simultaneously, an academic detachment and an inescapable anguish at being “in the centre of this churning” with “porous edges that there is no way through” … Notes on Grief is both achingly personal and stunningly familiar to anyone who has felt that scattering’ Independent
‘An exquisite howl of pain written in the aftermath, last year, of the unexpected death of her father’ Telegraph
‘Notes on Grief is a moving account of a daughter’s sorrow and it is also a love letter to the one who has gone. … She is saying don’t go and she is saying goodbye and she is also saying sorry’ Observer
‘In 30 short sections, Notes on Grief lays a path by which we might mourn our individual traumas among the aggregate suffering of this harrowing time.’ New York Times
‘Feels raw, even for a book about grief … It is no salve for her own grief, but Adichie’s brave observance of her own pain, will be a gift to those also suffering their first year of loss in these strange times’ iNews
‘When you send a great writer into the valley of the dead, the reportage is better quality. In 1961 CS Lewis wrote A Grief Observed of the year after the death of his wife; in 2005 Joan Didion wrote The Year of Magical Thinking about the same time span after the death of her husband. Into this tradition falls Notes on Grief by Chimamanda Ngozi Adichie … For fans of the famously private Adichie – this is fascinatingly intimate. It is also delivered in the most readable, tender bites for any of the many of us whose attention has been shot by the harrowing of this past year’ The Times
Chimamanda Ngozi Adichie is the New York Times bestselling author of the novels Purple Hibiscus; Half of a Yellow Sun, which won the Orange Broadband Prize for Fiction; Americanah, which won the National Book Critics Circle Award and was a New York Times, Washington Post, Chicago Tribune, and Entertainment Weekly Best Book of the Year; the story collection The Thing Around Your Neck; and the essays We Should All Be Feminists and Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions. A recipient of a MacArthur Fellowship, she divides her time between the United States and Nigeria.
A personal and powerful essay on loss from Chimamanda Ngozi Adichie, the bestselling author of Americanah and Half of a Yellow Sun. 'Grief is a cruel kind of education. You learn how ungentle mourning can be, how full of anger. You learn how glib condolences can feel. You learn how much grief is about language, the failure of language and the grasping for language' On 10 June 2020, the scholar James Nwoye Adichie died suddenly in Nigeria. In this tender and powerful essay, expanded from the original New Yorker text, his daughter, a self-confessed daddy's girl, remembers her beloved father. Notes on Grief is at once a tribute to a long life of grace and wisdom, the story of a daughter's fierce love for a parent, and a revealing examination of the layers of loss and the nature of grief.
Format: CONTRIBUTORS: Chimamanda Ngozi AdichieEAN: 9780008470333COUNTRY: United KingdomPAGES: WEIGHT: 80 gHEIGHT: 178 cm
PUBLISHED BY: HarperCollins PublishersDATE PUBLISHED: 2022-09-15CITY: GENRE: BIOGRAPHY & AUTOBIOGRAPHY / Literary Figures, FAMILY & RELATIONSHIPS / Death, Grief, Bereavement, FAMILY & RELATIONSHIPS / Parenting / Fatherhood, LITERARY COLLECTIONS / Essays, SOCIAL SCIENCE / Death & DyingWIDTH: 111 cmSPINE:
Book Themes:
Nigeria, United States of America, USA, Literary essays, Coping with / advice about death and bereavement
Chimamanda Ngozi Adichie is the New York Times bestselling author of the novels Purple Hibiscus; Half of a Yellow Sun, which won the Orange Broadband Prize for Fiction; Americanah, which won the National Book Critics Circle Award and was a New York Times, Washington Post, Chicago Tribune, and Entertainment Weekly Best Book of the Year; the story collection The Thing Around Your Neck; and the essays We Should All Be Feminists and Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions. A recipient of a MacArthur Fellowship, she divides her time between the United States and Nigeria.
Vier komplekse verhoudings, bietjie misdaad, baie liefde
Die titel van Elsa Winckler se nuwe roman, ’n Ierse knoop, vat die essensie van die storielyn baie goed vas. Neem vier Ierse broers, voeg daarby vier aantreklike, intelligente vriendinne, en jy het die resep vir ’n stewige romantiese knoop. Volgens tradisie het ’n Ierse knoop (Celtic cross) oneindige lyne wat vervleg sodat die onderskeid vervaag, inderdaad wat gebeur wanneer die O’Connor broers vinnig elkeen sy gunsteling vind onder die vier dames wat hulle voorgenome ontwikkeling in Fynbosbaai teëstaan.
“Ierse stories het selde ’n happy ending.” (p.153) Al die broers deel Liam se fatalistiese siening oor verhoudings, voortspruitend uit die voorbeeld van hulle ouers se huwelik. Dit spreek dus vanself dat daar oorgenoeg konflik gaan wees namate die vier verhoudings sukkel om op dreef te kom. Voeg verder daarby, afdreiging, perlemoenstropery en onopgeloste verdwynings.
Ek het die boek begin lees met die verwagting dat één van die broers ’n volatiele verhouding gaan aanknoop met één van die vriendinne, wat ’n reeks sou impliseer. Die skrywer het egter verras deur vier komplekse verhoudings te skep in een boek. Dit het uiteraard uitdagings gestel met agt hoofkarakters wat om die beurt fokaliseer. ’n Paar foute het ongelukkig deurgeglip, maar aanhangers sal steeds lekker kan lees en tevrede wees met die tradisionele gelukkige einde.
’n Ierse knoop is uitgegee deur Lapa, ’n afdeling van Penguin Random House SA.
I am amazed by this book. It is a murder mystery with suprising twists. It follows a 17 year old Pippa. Pip wants to do her EPQ school project on the Andie Bell case and throughout her project she discovers new leads that might lead her to the killer if he hasnt already been found. There isn't really romance in this book. Though I am rooting for a couple in mind. This book has loss and gain and is a must read. This book was really popular on bookyok a couple of years ago and I regret not reading it earlier. Theres also a show based on this book. Suitable for all ages really.
Debra drops (or is dropped?) into Uruk in Sumer in 2000BC. It is a shock certainly, four thousand years ago is a long time, but noone has any time for ninnies here. In between working in the fields and hand-in-hand with the 6-year-old Leqi, she listens to ancient Sumerian stories about Gilgamesh, the precursors to the bible stories, and the material that has proved to be fundamental to our literary tradition. Given the opportunity to go to school (after all she can write in a funny script already) She persuades the head priest to allow her to take young Leqi with her. The tension lies in the penurious circumstances in Uruk for peasants and the financial demands created by schooling, beautifully crafted between two narrative threads - daily life vs. the literary tradition. In the final moment of the book they slam together in a way that brought tears to my eyes. I couldn't recommend it highly enough.