A wonderfully exuberant yet poignant poetry collection from one of Britain's greatest children's poets Michael Rosen. Here are tales of childhood, from the horrors of being late for school, to making a raft, and going to a cafe, as well as poems to ponder - just think, how great would Satnav trousers be! Touching, light-hearted and funny, Michael's poems will delight readers young and old.Former Children's Laureate, Michael continuously promotes the need for children's poetry in our education system, and this collection, first published in 2010, has something for everyone.
Format: CONTRIBUTORS: Michael RosenEAN: 9780141324517COUNTRY: United KingdomPAGES: WEIGHT: 182 gHEIGHT: 198 cm
PUBLISHED BY: Penguin Random House Children's UKDATE PUBLISHED: 2010-08-05CITY: GENRE: JUVENILE NONFICTION / Poetry / GeneralWIDTH: 129 cmSPINE:
Book Themes:
Interest age: from c 7 years, Children’s / Teenage: Poetry
Michael Rosen is a poet with a superb ear for the rhythms of language, One of our most popular writers - the champion for every bored, overdrilled, tested-to-tears pupil in the land, I think poetry for children needs to be saved from the cold dissection of right and wrong answers and put back into rooms and halls full of wonder, compassion, haunting, laughter, music and rhythm. We need to hear its many cultures, many voices, many sounds. This is about wide and diverse participation. Diverse verse for all!, Nothing about this playful free verse is obscure or difficult, yet it revels in the sounds and meanings of words. It contains whimsy, flights of fancy and even satire.
Michael Rosen is one of the best known figures, not only in the children's book world but also the British arts scene. His first book of children's poems was published in 1974, and he has gone on to write numerous and award-winning children's books such as Quick, Let's get Out of Here, We're Going on a Bear Hunt and Chocolate Cake. Alongside this he performs, teaches, lectures, presents Word of Mouth on BBC Radio 4 and reviews books for the Guardian. He was Children's Laureate from 2007 to 2009, and founded the Roald Dahl Funny Prize in 2008 as part of his laureateship to honour books that make children laugh!
A wonderfully exuberant yet poignant poetry collection from one of Britain's greatest children's poets Michael Rosen. Here are tales of childhood, from the horrors of being late for school, to making a raft, and going to a cafe, as well as poems to ponder - just think, how great would Satnav trousers be! Touching, light-hearted and funny, Michael's poems will delight readers young and old.Former Children's Laureate, Michael continuously promotes the need for children's poetry in our education system, and this collection, first published in 2010, has something for everyone.
Format: CONTRIBUTORS: Michael RosenEAN: 9780141324517COUNTRY: United KingdomPAGES: WEIGHT: 182 gHEIGHT: 198 cm
PUBLISHED BY: Penguin Random House Children's UKDATE PUBLISHED: 2010-08-05CITY: GENRE: JUVENILE NONFICTION / Poetry / GeneralWIDTH: 129 cmSPINE:
Book Themes:
Interest age: from c 7 years, Children’s / Teenage: Poetry
Michael Rosen is one of the best known figures, not only in the children's book world but also the British arts scene. His first book of children's poems was published in 1974, and he has gone on to write numerous and award-winning children's books such as Quick, Let's get Out of Here, We're Going on a Bear Hunt and Chocolate Cake. Alongside this he performs, teaches, lectures, presents Word of Mouth on BBC Radio 4 and reviews books for the Guardian. He was Children's Laureate from 2007 to 2009, and founded the Roald Dahl Funny Prize in 2008 as part of his laureateship to honour books that make children laugh!
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.
