Why are we so innovative? Where do new ideas come from? Why are human beings so exceptionally good at innovation, leaving other species mentally in the dust? How can we hold onto new ideas once they are formed? This book explores the claim that the human spark, the source of innovation and the origin of ideas, was an advance that occurred in a particular kind of mental operation, which Turner calls blending. Blending is our ability to take two ideas or more andcreate a new idea from the "blend." And what is so fascinating is how human beings are able to engage in blending almost without effort and usually unconsciously. It appears to be second nature to us, how we live and breathe in the course of processing information and ideas.Human beings are profoundly different from all other species in this ability. While many species can do what we cannot-fly, run amazingly fast, see in the dark—only human beings can innovate. Beginning somewhere in the Paleolithic Age, everything changed in the course of human events. Before that, we were a bunch of large mammals. After that, we were poised to take over the world. Turner makes the controversial and provocative claim that what made human advances possible was the ability toengage in the virtuosity of blending, which is everywhere apparent in our cultural record-in our creations and innovations—it is the origin of our ideas.Turner's theory of blending is featured in Jonah Lehrer's bestselling book, Imagine, and this book will be the first to lay out this theory in detail for a lay audience and academics tackling the nature of the human brain and the fascinating puzzle of what it means to be human.
Format:
CONTRIBUTORS: Mark Turner
EAN: 9780190263157
COUNTRY: United States
PAGES:
WEIGHT: 434 g
HEIGHT: 236 cm
PUBLISHED BY: Oxford University Press Inc
DATE PUBLISHED: 2015-08-20
CITY:
GENRE: PSYCHOLOGY / Cognitive Psychology & Cognition
WIDTH: 160 cm
SPINE:
Book Themes:
Child, developmental and lifespan psychology, Social, group or collective psychology, Cognition and cognitive psychology
Turner makes a cogent and often colorfully argued case for blending's importance as crucial to the development of new ideas and imaginative works.", Turner probes the nature of creativity. He does apply 'blending' to such complex topics as 'self,' identity,' and 'theory of mind' in a reader-friendly style that encompasses neurobiology, cartoons, Picasso, and Winnie-the-Pooh. Recommended. All readers., Mark Turner, in his new book The Origin of Ideas: Blending, Creativity, and the Human Spark, describes, in a wealth of fascinating detail, his view that humans are innovative and good at creative thinking due to the ability of our brains to blend two or more ideas and create a new idea. Only when evolution gave us brains with this new ability could we make vast cultural advances. . . . While The Origin of Ideas is not a simple book, and the concept of blending is
much more sophisticated than it may seem initially, Turner leads the reader step by step, using familiar concepts to enhance understanding of those more complex. If you're intrigued by how creativity happens, this smoothly written volume should be in your collection., Mark Turner should be named poet laureate of cognitive science. In The Origin of Ideas, Turner presents a cognitive science of creative thought using persuasive examples from areas such as cognitive linguistics and neuroscience. He argues how creative thinking, in the form of advanced conceptual blending, underlies human endeavors ranging from ancient sculpture to modern economics. In this manner, Turner profoundly describes a key step in the grand scope of human
cognitive development-an achievement he carries out with sparkling clarity and inimitable panache.
Mark Turner, Ph.D., is Institute Professor and Professor of Cognitive Science at Case Western Reserve University. He is the founding director of the Cognitive Science Network and co-director of the Red Hen Lab. His most recent book publications are Ten Lectures on Mind and Language and two edited volumes, The Artful Mind: Cognitive Science and The Riddle of Human Creativity, from Oxford University Press, and Meaning, Form, &Body, edited with Fey Parrill and Vera Tobin, published by the Center for the Study of Language and Information. His other books and articles include Cognitive Dimensions of Social Science: The Way We Think about Politics, Economics, Law, and Society, The Literary Mind: The Origins of Thought and Language, Reading Minds: The Study of Englishin the Age of Cognitive Science, and Death is the Mother of Beauty.