The Third UN is the ecology of supportive non-state actors-intellectuals, scholars, consultants, think tanks, NGOs, the for-profit private sector, and the media-that interacts with the intergovernmental machinery of the First UN (member states) and the Second UN (staff members of international secretariats) to formulate and refine ideas and decision-making at key junctures in policy processes. Some advocate for particular ideas, others help analyze or operationalizetheir testing and implementation; many thus help the UN 'think'. While think tanks, knowledge brokers, and epistemic communities are phenomena that have entered both the academic and policy lexicons, their intellectual role remains marginal to analyses of such intergovernmental organizations as theUnited Nations.
CONTRIBUTORS: Tatiana Carayannis, Thomas G. WeissEAN: 9780198855859COUNTRY: United KingdomPAGES: WEIGHT: 474 gHEIGHT: 240 cm
PUBLISHED BY: Oxford University PressDATE PUBLISHED: 2021-02-09CITY: GENRE: LAW / International, POLITICAL SCIENCE / Political Ideologies / Democracy, POLITICAL SCIENCE / International Relations / DiplomacyWIDTH: 160 cmSPINE:
Book Themes:
United Nations, Political science and theory, Geopolitics, International institutions
In this impressive book, the authors Tatiana Carayannis and Thomas G. Weiss remind us that the UN system cannot survive without the input and ideas of an array of independent thinkers and players and actors, including research centers, human rights experts, economists, consultants, digital networks, and specialists of all sorts who daily help the UN carry out its Charter obligations. Indeed, in many ways, the unheralded 'Third UN' serves as one of the great strengths
of the world's most indispensable security body., From scholars to think-tanks, NGOs to foundations, all of us working on global governance owe the authors a great debt of gratitude. Without their seminal work on the "Third UN", we simply would not have the language or evidence to demonstrate that civil society inclusion is not just 'nice to have' but essential to securing peace, sustainable development and human rights for all., Carayannis and Weiss pithily anatomize the intellectual community that 'helps the UN think.' This is an excellent handbook for researchers wondering how to get the world organization to listen to their big ideas and a must-read for anyone who wants to get into the UN advocacy business., The examples presented by the authors demonstrate how important the development of new ideas and their transmission into the ''first'' and ''second'' UN is for the reform processes of the United Nations., The book presents the most comprehensive overview to date of external actors contribution to the formulation of ideas for decision-making in the UNs policy processes... the authors have given UN scholars many opportunities to connect the book to scholarship on international organizations and non-state actors and advance research in this area in a more fruitful and systematic manner...Tatiana Carayannis and Thomas G. Weiss have written a fascinating book of immense
value to every student and scholar researching the UN, that will also give UN experts and global policymakers fresh insights, thanks to the original data the authors were able to assemble because of their unique expertise.
Tatiana Carayannis is Director of the Social Science Research Council's Conflict Prevention and Peace Forum (CPPF) and Understanding Violent Conflict (UVC) program. She also leads the Council's China-Africa Knowledge Project and has a visiting appointment at the London School of Economics and Political Science's Africa Centre, where she also serves as a Research Director for the Centre for Public Authority and International Development (CPAID). Herpublications include UN Voices: The Struggle for Development and Social Justice? (with T G Weiss, L Emmerij, and R Jolly, Indiana University Press, 2005), and Understanding the Central African Republic (with Louisa Lombard, Zed Book, 2015). Thomas G. Weiss is Presidential Professor of Political Science and Director Emeritus of the Ralph Bunche Institute for International Studies at The City University of New York's Graduate Center; he is also Co-Chair, Cultural Heritage at Risk Project, J. Paul Getty Trust; Distinguished Fellow, Global Governance, The Chicago Council on Global Affairs; and Eminent Scholar, Kyung Hee University, Korea. His most recent single-authored publications include Would the World BeBetter without the UN? (Polity Press, 2018), What's Wrong with the United Nations and How to Fix It (Polity Press, 2016); and Humanitarian Intervention: Ideas in Action (Polity Press, 2016).
Format:
The Third UN is the ecology of supportive non-state actors-intellectuals, scholars, consultants, think tanks, NGOs, the for-profit private sector, and the media-that interacts with the intergovernmental machinery of the First UN (member states) and the Second UN (staff members of international secretariats) to formulate and refine ideas and decision-making at key junctures in policy processes. Some advocate for particular ideas, others help analyze or operationalizetheir testing and implementation; many thus help the UN 'think'. While think tanks, knowledge brokers, and epistemic communities are phenomena that have entered both the academic and policy lexicons, their intellectual role remains marginal to analyses of such intergovernmental organizations as theUnited Nations.
CONTRIBUTORS: Tatiana Carayannis, Thomas G. WeissEAN: 9780198855859COUNTRY: United KingdomPAGES: WEIGHT: 474 gHEIGHT: 240 cm
PUBLISHED BY: Oxford University PressDATE PUBLISHED: 2021-02-09CITY: GENRE: LAW / International, POLITICAL SCIENCE / Political Ideologies / Democracy, POLITICAL SCIENCE / International Relations / DiplomacyWIDTH: 160 cmSPINE:
Book Themes:
United Nations, Political science and theory, Geopolitics, International institutions
Tatiana Carayannis is Director of the Social Science Research Council's Conflict Prevention and Peace Forum (CPPF) and Understanding Violent Conflict (UVC) program. She also leads the Council's China-Africa Knowledge Project and has a visiting appointment at the London School of Economics and Political Science's Africa Centre, where she also serves as a Research Director for the Centre for Public Authority and International Development (CPAID). Herpublications include UN Voices: The Struggle for Development and Social Justice? (with T G Weiss, L Emmerij, and R Jolly, Indiana University Press, 2005), and Understanding the Central African Republic (with Louisa Lombard, Zed Book, 2015). Thomas G. Weiss is Presidential Professor of Political Science and Director Emeritus of the Ralph Bunche Institute for International Studies at The City University of New York's Graduate Center; he is also Co-Chair, Cultural Heritage at Risk Project, J. Paul Getty Trust; Distinguished Fellow, Global Governance, The Chicago Council on Global Affairs; and Eminent Scholar, Kyung Hee University, Korea. His most recent single-authored publications include Would the World BeBetter without the UN? (Polity Press, 2018), What's Wrong with the United Nations and How to Fix It (Polity Press, 2016); and Humanitarian Intervention: Ideas in Action (Polity Press, 2016).
Lani en Elliot balanseer nie en die vonke spat uit die staanspoor
Elliot tree totaal buite karakter op toe hy langs die hoofpad stop om ’n ryloper op te laai. Hy neem haar boonop na sy ouerhuis toe en vind aanhoudend redes om haar binne sy sfeer te hou. Mens sou dit liefde met die eerste opslag wou noem, maar gewilde skrywer, Madelie Human, noem dit Kortpadliefde.
Moenie verwag dat alles glad gaan verloop nie. “Hy en Lani is beslis nie die twee kante van ’n wiskundige vergelyking nie. Hulle balanseer nie. Kyk maar net hoe die vonke tussen hulle van die eerste oomblik af gespat het.” (p.50)
Moet verder nie verwag dat dit die standaard romanse is nie. Daar is baie diepgaande kwessies wat oopgeskryf word, soos ouer-kind verhoudings, beroepsbedrewendheid, soeke na sosiale aansien, selfs ’n cougar wat skaamteloos die mooi verhouding tussen Lani en Elliot verontagsaam. Dwelmsmokkelary, verdagmaking en vooroordeel is dinge wat negatief inwerk op die ontwikkelende verhouding, maar gelukkig gee die skrywer dit in kleinerige porsies deur aan die leser.
Kortpadliefde is die nuutste in ’n lang lys van suksesvolle Romanzas deur Madelie Human, wat uitgegee is deur Lapa.
As ’n gesoute leser van romanses, mag jy dalk dink dat jy ’n goeie idee het oor romantiese liefde. Lees jy egter René van Zyl se nuutste Romanza, Sigeunerliefde, gaan jy ’n nuwe definisie raaklees wat die skrywer gaan leen het uit die opera, Carmen. “Liefde is ’n sigeuner se kind wat hom nie aan wette steur nie en nie gedwing kan word om lief te hê nie.” (p.182)
Karmen se verhaal het my skoon nostalgies gehad. Ek het self die voorreg gehad om Spanje te besoek en goeie herinneringe het kom aanklop: Flamenco-dansers, Gaudi, die Sagrada Familia-basilika, metrotreinritte deur Barcelona, sangria by ‘n kafee, stap met La Rambla langs. Jy hoef egter nie te vrees dat dit gaan lees soos ’n reisbrosjure nie. Die agtergrond is presies dit, die verhoog waarop ’n hartroerende verhaal afspeel van ’n jong vrou wat geteister word deur verwyte, gemis van haar ouers en veroordeling deur haar ouma.
Die straatmusikant wat haar hart kom steel, leer haar ook dat sy nie mag het oor lewe en dood nie. Sy moet die skuldlas laat vaar wat haar dryf om soos ’n sigeuner rond te swerf en nêrens rus te vind nie.
Die skrywer gee subtiele wenke oor sekere elemente van die storie, net genoeg om nie die oomblik te bederf wanneer die kloutjie en die oortjie mekaar vind nie. Hierdie is ’n heel oorspronklike storielyn wat ek geweldig baie geniet het, selfs ’n traan afgevee het.
This is one of the best books I've ever read.
At first, it seems like a simple story about farm animals who rebel against their owner in search of a better life. However, as the story progresses it becomes clear that Orwell is making a much deeper point about politics, corruption and power.
What I found most interesting was how the pigs slowly become just as bad as the humans they replaced. Napoleon’s rise to power feels frustrating to watch, especially because the other animals trust him so easily. Characters like Boxer are particularly memorable because they show how loyalty and hard work can be taken advantage of by those in authority.
Although Animal Farm is based on historical events, its message still feels relevant today. The book highlights how propaganda, misinformation, and blind trust in leaders can allow people to gain and abuse power. Orwell presents these ideas in a way that is easy to understand without making the story feel like a history lesson.
Overall, I really enjoyed Animal Farm. Its simple writing style makes it accessible, but the themes are complex and thought-provoking. I would recommend it to anyone who enjoys books that make you think about society and human nature or just people that really enjoy political satire.
Met die pragtige Helene de Kock Inspirasie-omnibus in my hand, het ek vrymoedigheid geneem om by die skrywer aan te klop met ’n paar vrae, wat sy goedgunstiglik beantwoord het.
Ek wou in die eerste plek weet of sy sulke romans wat vir herpublikasie oorweeg word, moet redigeer. Haar antwoord was baie duidelik en goed gemotiveer: sy skaaf nooit aan heruitgawes nie omdat dit goed is dat lesers ’n boek binne sy tydvak lees. “Al beweeg die karakters teen die tydsgees in”, het sy gesê.
Verder wou ek weet of sy, as skrywer, insae het in die keuse van boeke vir ‘n omnibus, waarop sy positief geantwoord het dat sy wel insae het en dit moet goedkeur.
Die produk van hierdie proses is die kombinasie van Kruispad vir Kara, oorspronklik uitgegee in 2018, en Engel op die drumpel, uitgegee in 1999. Daar is nogal heelwat raakpunte tussen hierdie twee romans in die geestelike fiksie genre. Die hoofkarakters in albei is studente aan Tukkies en albei is pratige meisies wat die aandag trek van mansstudente wat sosiale en akademiese aansien geniet. Jannes Conradie en Hein Leroux deel egter ’n swakte: hulle is nie ouens wat erns maak met verhoudings nie.
Liriese taalgebruik en goeie kennis van die Woord asook die gawe om dit toepaslik in die storielyn te verweef, maak van Helene de Kock se boeke iets besonders, sonder om prekerig oor te kom. Haar karakters ly verlies, hulle voer ’n geloofstryd, het baie wroeging, en hulle moet indringend selfondersoek doen alvorens daar uiteindelik oorwinning kom. Vir die romantiese siele is daar ook die belofte van liefde wat oorwin.
Die Inspirasie-omnibus is uitgegee deur Lux Verbi, die geestelike druknaam van Jonathan Ball Uitgewers. Jy sal dit oral in goeie boekwinkels kan opspoor.