Tim Kendall's study offers the fullest account to date of a tradition of modern English war poetry. Stretching from the Boer War to the present day, it focuses on many of the twentieth-century's finest poets - combatants and non-combatants alike - and considers how they address the ethical challenges of making art out of violence. Poetry, we are often told, makes nothing happen. But war makes poetry happen: the war poet cannot regret, and must exalt at, even the mostappalling experiences. Modern English War Poetry not only assesses the problematic relationship between war and its poets, it also encourages an urgent reconsideration of the modern poetry canon and the (too often marginalised) position of war poetry within it. The aesthetic and ethical values onwhich canonical judgements have been based are carefully scrutinized via a detailed analysis of individual poets. The poets discussed include Thomas Hardy, Rudyard Kipling, Wilfred Owen, Charlotte Mew, Edward Thomas, Ivor Gurney, W. H. Auden, Keith Douglas, Ted Hughes, and Geoffrey Hill.
Format:
CONTRIBUTORS: Tim Kendall
EAN: 9780199276769
COUNTRY: United Kingdom
PAGES:
WEIGHT: 468 g
HEIGHT: 224 cm
PUBLISHED BY: Oxford University Press
DATE PUBLISHED: 2006-07-20
CITY:
GENRE: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh, LITERARY CRITICISM / Poetry, POETRY / European / English, Irish, Scottish, Welsh
WIDTH: 145 cm
SPINE:
Book Themes:
20th century, c 1900 to c 1999, Literary studies: c 1900 to c 2000, Literary studies: poetry and poets
...a feisty book, argumentative and enjoyable..., Kendall's glosses, his gatherings from correspondence, memoir and criticism, his own judgements, urgings and insistences, and the energy of those convictions and his prose are most often impressive., Teachers and scholars of modern British poetry will learn a good deal from Kendall...Kendall's comments on both form and content are also penetrating and useful... his discussion of the unique power and problems inherent in war poetry which will give this book a long shelf life..., This is a feisty book; argumentative, enjoyable and I imagine deliberately contentious...Kendall's assertions and arguments...are complex, detailed, forceful, often persuasive...It moves away from the conventional, argues its case with detail and rigour and delights as much as annoys...this book will become the starting point for many a fruitful discussion., Simultaneously brilliant, wide-ranging and troubling
Tim Kendall was born in Plymouth in 1970. As well as founding and editing the international poetry magazine, Thumbscrew, he has published critical studies of Paul Muldoon and Sylvia Plath. His first book of poetry, Strange Land, was published by Carcanet in 2005. He teaches at the University of Bristol, and lives with his wife and three children in North Wiltshire.