Stage, Stake, and Scaffold

The powerful exchanges between stage, stake, and scaffold - the theatre, the bear garden and the spectacle of public execution - crucially informed Shakespeare's explorations into the construction and workings of 'the human'. The theatre's family resemblance to animal baiting and the spectacle of punishment, its sharing of the same basic type of performance space - a theatre-in-the-round, a scaffold, stake or platform surrounded by spectators - bred an ever-readypotential for a transfer of images and meanings. The staging of one of these kinds of performance is always framed by an awareness of the other two, whose presence is never quite erased and often, indeed, emphatically foregrounded. Situating Shakespearean drama within its material environment, AndreasHöfele explores how this spill-over affects the way Shakespeare models his human characters and his understanding of 'human character' in general. His dramatis personae are infused with a degree of animality that a later, more specifically Cartesian, anthropology would categorically efface. Readings based on such an anthropology tend to reduce Shakespeare's teeming multitude of animal references to a stable marker of moral, social, and ontological difference, 'beast' being everything 'man'is not or ought not to be. In contrast, Höfele argues that Shakespearean notions of humanity rely just as much on inclusion as on exclusion of the animal. Humans and animals face each other across the species divide, but the divide proves highly permeable.

[a] sophisticated study of how early modern Europeans conceived of the human being in relation to other species., [a] diverting study, Stage, Stake and Scaffold is an excellent part of the growing field of animal studies within the broader study of Shakespeares work. Höfele's work has much to offer for scholars interested in Shakespeares works, staging practices, and the culture of spectacle and violence that informs Renaissance dramatic literature and history., This is fascinating stuff, Andreas Höfele's Stage, Stake, and Scaffold provides themost complete exploration yet of the relation between Shakespeares theater and the spectacles of blood sport and criminal punishment concurrently available to the poets original audiences ... such impressive depth and precision

Andreas Höfele is Professor of English at Munich University. His publications include books on Shakespeare's stagecraft, late 19th-century parody and on Malcolm Lowry, as well as numerous articles on Renaissance and 20th-century themes and six novels. He is a member of the Heidelberg and of the Bavarian Academies of Science and President of the German Shakespeare Society.