The History of the Church through its Buildings takes the reader to meet people who lived through momentous religious changes in the very spaces where the story of the Church took shape. Buildings are about people, the people who conceived, designed, financed, and used them. Their stories become embedded in the very fabric itself, and as the fabric is changed through time in response to changing use, relationships, and beliefs, the architecture becomes thestanding history of passing waves of humanity. This process takes on special significance in churches, where the arrangement of the space places members of the community in relationship with one another for the performance of the church's rites and ceremonies. Moreover, architectural forms and building materials can be used to establish relationships with other buildings in other places and other times. Coordinated systems of signs, symbols, and images proclaim beliefs and doctrine, and in a wider sense carry extended narratives of thepeople and their faith.Looking at the history of the church through its buildings allows us to establish a tangible connection to the lives of the people involved in some of the key moments and movements that shaped that history, and perhaps even a degree of intimacy with them. Standing in the same place where the worshippers of the past preached and taught, or in a space they built as a memorial, touching the stone they placed, or marking their final resting-place, holding a keepsake they treasured or seeing a relicthey venerated, probably comes as close to a shared experience with these people as it is possible to come. Perhaps for a fleeting moment at such times their faces may come more clearly into focus…
Format: CONTRIBUTORS: Allan DoigEAN: 9780199575367COUNTRY: United KingdomPAGES: WEIGHT: 842 gHEIGHT: 245 cm
PUBLISHED BY: Oxford University PressDATE PUBLISHED: 2020-12-10CITY: GENRE: ARCHITECTURE / Buildings / Religious, RELIGION / Christian Church / Administration, RELIGION / Christianity / GeneralWIDTH: 165 cmSPINE:
Book Themes:
Architecture: religious buildings, History of religion, Christianity, Christian Churches, denominations, groups
Allen Doig has written an important and informative book; read it., This book is a well-illustrated pleasure to read, as the reader tours diverse sites from the essential epicentres of Hagia Sophia, the Cathedral of the Dormition in Moscow and St Peter's in Rome, to God's House at Ewelme in Oxfordshire and the Crimean Memorial Church in Istanbul via Cordoba and Aachen, finally concluding in Coventry., Doig's architectural perspective offers fresh insights into centuries of Christian history., This is an extraordinarily learned book, both architecturally and theologically. It is worth living with the eccentricities for the riches embedded in such an attractive, readable and scholarly text., It is a well-written work, replete with insightful information, and should be required reading in a course on ecclesiology.
Allan Doig read Architecture at King's College, Cambridge, where he also completed a PhD. After a number of years as a university lecturer in the History of Art at the University of Kent, Canterbury, he was ordained, and during his curacy at St Helen's in Abingdon was responsible for the restoration of the fourteenth-century painted ceiling in the Lady Chapel there. From his curacy he took up the Chaplaincy of Lady Margaret Hall in the University of Oxford and waselected to a Fellowship in 1996. He has served on the Oxford Diocesan Advisory Committee for the Care of Churches, the Council for the Care of Churches, English Heritage's Places of Worship Advisory Committee, and the Fabric Advisory Committees of Salisbury and Ely Cathedrals, and he has alsopublished many books and articles on the history of church architecture. He is a Fellow of both the Society of Antiquaries and the Royal Historical Society.
The History of the Church through its Buildings takes the reader to meet people who lived through momentous religious changes in the very spaces where the story of the Church took shape. Buildings are about people, the people who conceived, designed, financed, and used them. Their stories become embedded in the very fabric itself, and as the fabric is changed through time in response to changing use, relationships, and beliefs, the architecture becomes thestanding history of passing waves of humanity. This process takes on special significance in churches, where the arrangement of the space places members of the community in relationship with one another for the performance of the church's rites and ceremonies. Moreover, architectural forms and building materials can be used to establish relationships with other buildings in other places and other times. Coordinated systems of signs, symbols, and images proclaim beliefs and doctrine, and in a wider sense carry extended narratives of thepeople and their faith.Looking at the history of the church through its buildings allows us to establish a tangible connection to the lives of the people involved in some of the key moments and movements that shaped that history, and perhaps even a degree of intimacy with them. Standing in the same place where the worshippers of the past preached and taught, or in a space they built as a memorial, touching the stone they placed, or marking their final resting-place, holding a keepsake they treasured or seeing a relicthey venerated, probably comes as close to a shared experience with these people as it is possible to come. Perhaps for a fleeting moment at such times their faces may come more clearly into focus…
Format: CONTRIBUTORS: Allan DoigEAN: 9780199575367COUNTRY: United KingdomPAGES: WEIGHT: 842 gHEIGHT: 245 cm
PUBLISHED BY: Oxford University PressDATE PUBLISHED: 2020-12-10CITY: GENRE: ARCHITECTURE / Buildings / Religious, RELIGION / Christian Church / Administration, RELIGION / Christianity / GeneralWIDTH: 165 cmSPINE:
Book Themes:
Architecture: religious buildings, History of religion, Christianity, Christian Churches, denominations, groups
Allan Doig read Architecture at King's College, Cambridge, where he also completed a PhD. After a number of years as a university lecturer in the History of Art at the University of Kent, Canterbury, he was ordained, and during his curacy at St Helen's in Abingdon was responsible for the restoration of the fourteenth-century painted ceiling in the Lady Chapel there. From his curacy he took up the Chaplaincy of Lady Margaret Hall in the University of Oxford and waselected to a Fellowship in 1996. He has served on the Oxford Diocesan Advisory Committee for the Care of Churches, the Council for the Care of Churches, English Heritage's Places of Worship Advisory Committee, and the Fabric Advisory Committees of Salisbury and Ely Cathedrals, and he has alsopublished many books and articles on the history of church architecture. He is a Fellow of both the Society of Antiquaries and the Royal Historical Society.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.