In the hopes of promoting justice, peace, and solidarity for and with the Palestinian people, Udi Aloni joins with Slavoj Zizek, Alain Badiou, and Judith Butler to confront the core issues of the Israeli-Palestinian conflict. Their bold question: Will a new generation of Israelis and Palestinians dare to walk together toward a joint Israel-Palestine? Through a collage of meditation, interview, diary, and essay, Aloni and his interlocutors present a personal, intellectual, and altogether provocative account rich with the insights of philosophy and critical theory. They ultimately foresee the emergence of a binational Israeli-Palestinian state, incorporating the work of Walter Benjamin, Edward Said, and Jewish theology to recast the conflict in secular theological terms.
Format: CONTRIBUTORS: Udi Aloni, Slavoj Zizek, Alain Badiou, Judith ButlerEAN: 9780231157582COUNTRY: United StatesPAGES: WEIGHT: 0 gHEIGHT: 229 cm
PUBLISHED BY: Columbia University PressDATE PUBLISHED: 2011-10-04CITY: GENRE: HISTORY / Middle East / General, PERFORMING ARTS / Film / General, RELIGION / Judaism / General, SOCIAL SCIENCE / Jewish StudiesWIDTH: 152 cmSPINE:
Book Themes:
Israel, Relating to Jewish people and groups, Social groups: religious groups and communities, Middle Eastern history, History of religion, Judaism
A provocative and beautiful portfolio of reflections on Israel-Palestine, written by an Israeli artist/intellectual of the first order. -- Juilia Reinhard Lupton, University of California, Irvine This is an extremely inspiring and politically important volume. It will interest students and scholars in the fields of literary studies, religious studies, philosophy, political theory, and cultural studies, as well as the general educated public. The psychoanalytically informed and politically engaged readings of myths and stories from the Bible are especially convincing and truly innovative. -- Katrin Pahl, Johns Hopkins University Udi Aloni has written a remarkable series of love letters to what his country could be, challenging his fellow Jews to escape from all of our ghettos, whether physical or psychological. Aloni's political courage is contagious and reading him is a libratory experience. -- Naomi Klein, social activist and author of The Shock Doctrine: The Rise of Disaster Capitalism Aloni's secular theology is definitely one of the most fascinating innovations of our time. So, if you want to dwell in your blessed secular ignorance, then do not read this book--at your own risk! -- Slavoj Zizek Udi Aloni provides us with a measure of the distance between our capacity for understanding and the terrors we choose instead. His art is trembling the underground, indeed. Boundless admiration. -- Tony Kushner
Udi Aloni is an Israeli/American writer and filmmaker whose work explores the discourse between art, theory, and action. His art projects have been presented in leading museums and galleries, including The Metropolitan Museum of Art, and his films Kashmir: Journey to Freedom (2009), Forgiveness (2006), and Local Angel (2003) have been screened at the Berlin International Film Festival, among other prominent venues. This book was published shortly after the murder of his dear friend, Juliano Mer Khamis, director of The Freedom Theater in Jenin Refugee Camp, where Aloni helped him run the Cinema Department.
In the hopes of promoting justice, peace, and solidarity for and with the Palestinian people, Udi Aloni joins with Slavoj Zizek, Alain Badiou, and Judith Butler to confront the core issues of the Israeli-Palestinian conflict. Their bold question: Will a new generation of Israelis and Palestinians dare to walk together toward a joint Israel-Palestine? Through a collage of meditation, interview, diary, and essay, Aloni and his interlocutors present a personal, intellectual, and altogether provocative account rich with the insights of philosophy and critical theory. They ultimately foresee the emergence of a binational Israeli-Palestinian state, incorporating the work of Walter Benjamin, Edward Said, and Jewish theology to recast the conflict in secular theological terms.
Format: CONTRIBUTORS: Udi Aloni, Slavoj Zizek, Alain Badiou, Judith ButlerEAN: 9780231157582COUNTRY: United StatesPAGES: WEIGHT: 0 gHEIGHT: 229 cm
PUBLISHED BY: Columbia University PressDATE PUBLISHED: 2011-10-04CITY: GENRE: HISTORY / Middle East / General, PERFORMING ARTS / Film / General, RELIGION / Judaism / General, SOCIAL SCIENCE / Jewish StudiesWIDTH: 152 cmSPINE:
Book Themes:
Israel, Relating to Jewish people and groups, Social groups: religious groups and communities, Middle Eastern history, History of religion, Judaism
Udi Aloni is an Israeli/American writer and filmmaker whose work explores the discourse between art, theory, and action. His art projects have been presented in leading museums and galleries, including The Metropolitan Museum of Art, and his films Kashmir: Journey to Freedom (2009), Forgiveness (2006), and Local Angel (2003) have been screened at the Berlin International Film Festival, among other prominent venues. This book was published shortly after the murder of his dear friend, Juliano Mer Khamis, director of The Freedom Theater in Jenin Refugee Camp, where Aloni helped him run the Cinema Department.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.