In 1991, Anita Hill's testimony during Clarence Thomas's Senate confirmation hearing brought the problem of sexual harassment to a public audience. Although widely believed by women, Hill was defamed by conservatives and Thomas was confirmed to the Supreme Court. The tainting of Hill and her testimony is part of a larger social history in which women find themselves caught up in a system that refuses to believe what they say. Hill's experience shows how a tainted witness is not who someone is, but what someone can become. Why are women so often considered unreliable witnesses to their own experiences? How are women discredited in legal courts and in courts of public opinion? Why is women's testimony so often mired in controversies fueled by histories of slavery and colonialism? How do new feminist witnesses enter testimonial networks and disrupt doubt? Tainted Witness examines how gender, race, and doubt stick to women witnesses as their testimony circulates in search of an adequate witness. Judgment falls unequally upon women who bear witness, as well-known conflicts about testimonial authority in the late twentieth and early twenty-first centuries reveal. Women's testimonial accounts demonstrate both the symbolic potency of women's bodies and speech in the public sphere and the relative lack of institutional security and control to which they can lay claim. Each testimonial act follows in the wake of a long and invidious association of race and gender with lying that can be found to this day within legal courts and everyday practices of judgment, defining these locations as willfully unknowing and hostile to complex accounts of harm. Bringing together feminist, literary, and legal frameworks, Leigh Gilmore provides provocative readings of what happens when women's testimony is discredited. She demonstrates how testimony crosses jurisdictions, publics, and the unsteady line between truth and fiction in search of justice.
Format: CONTRIBUTORS: Leigh GilmoreEAN: 9780231177153COUNTRY: United StatesPAGES: WEIGHT: 0 gHEIGHT: 229 cm
PUBLISHED BY: Columbia University PressDATE PUBLISHED: 2018-09-25CITY: GENRE: LAW / Gender & the Law, LAW / Witnesses, LITERARY CRITICISM / Feminist, SOCIAL SCIENCE / Women's StudiesWIDTH: 152 cmSPINE:
Book Themes:
Gender studies: women and girls, Feminism and feminist theory, Law and society, gender issues, Criminal procedure
In this moving and transformative text, Leigh Gilmore explores the different ways that women's testimonies are made incredible. With patience and care, Gilmore explores how testimonies circulate, how they keep open histories that have yet to be resolved, and how testimonies become tainted because of who as well as what they point to. This insightful book gives testimony a feminist hearing, Tainted Witness is an important, relevant, often brilliant book. It further establishes Leigh Gilmore as one of the best critics writing today on the intersection of feminism and life narrative., Tainted Witness displays, once more, Leigh Gilmore's remarkable ability to hone in on the most interesting, provocative, or instructive moments in any historical situation or text, and then say memorable and highly useful things about them., Rarely does an academic book address its moment so precisely as Tainted Witness.... An important and timely book. If ever we needed evidence that the work of feminism is not yet done, this is it., Tainted Witness doesn't just look at what's broken about how we view women's testimony. It also examines how women can work toward "distributing doubt" and ultimately arrive at true justice, making this essential reading for women living under a president who publicly professed sexual assault and faced no consequences.
Leigh Gilmore, Distinguished Visiting Professor of Women's and Gender Studies at Wellesley College, is the author of The Limits of Autobiography: Trauma and Testimony (2001) and Autobiographics: A Feminist Theory of Women's Self-Representation (1994) and coeditor of Autobiography and Postmodernism (1994). She has published articles in Feminist Studies, Signs, Women's Studies Quarterly, and Biography, among others, and in numerous collections. She was Dorothy Cruickshank Backstrand Chair of Gender and Women's Studies at Scripps College, professor of English at the Ohio State University, and has held visiting appointments at Brown University, Harvard Divinity School, Northeastern University, the University of California, Santa Cruz, and the University of California, Berkeley.
In 1991, Anita Hill's testimony during Clarence Thomas's Senate confirmation hearing brought the problem of sexual harassment to a public audience. Although widely believed by women, Hill was defamed by conservatives and Thomas was confirmed to the Supreme Court. The tainting of Hill and her testimony is part of a larger social history in which women find themselves caught up in a system that refuses to believe what they say. Hill's experience shows how a tainted witness is not who someone is, but what someone can become. Why are women so often considered unreliable witnesses to their own experiences? How are women discredited in legal courts and in courts of public opinion? Why is women's testimony so often mired in controversies fueled by histories of slavery and colonialism? How do new feminist witnesses enter testimonial networks and disrupt doubt? Tainted Witness examines how gender, race, and doubt stick to women witnesses as their testimony circulates in search of an adequate witness. Judgment falls unequally upon women who bear witness, as well-known conflicts about testimonial authority in the late twentieth and early twenty-first centuries reveal. Women's testimonial accounts demonstrate both the symbolic potency of women's bodies and speech in the public sphere and the relative lack of institutional security and control to which they can lay claim. Each testimonial act follows in the wake of a long and invidious association of race and gender with lying that can be found to this day within legal courts and everyday practices of judgment, defining these locations as willfully unknowing and hostile to complex accounts of harm. Bringing together feminist, literary, and legal frameworks, Leigh Gilmore provides provocative readings of what happens when women's testimony is discredited. She demonstrates how testimony crosses jurisdictions, publics, and the unsteady line between truth and fiction in search of justice.
Format: CONTRIBUTORS: Leigh GilmoreEAN: 9780231177153COUNTRY: United StatesPAGES: WEIGHT: 0 gHEIGHT: 229 cm
PUBLISHED BY: Columbia University PressDATE PUBLISHED: 2018-09-25CITY: GENRE: LAW / Gender & the Law, LAW / Witnesses, LITERARY CRITICISM / Feminist, SOCIAL SCIENCE / Women's StudiesWIDTH: 152 cmSPINE:
Book Themes:
Gender studies: women and girls, Feminism and feminist theory, Law and society, gender issues, Criminal procedure
Leigh Gilmore, Distinguished Visiting Professor of Women's and Gender Studies at Wellesley College, is the author of The Limits of Autobiography: Trauma and Testimony (2001) and Autobiographics: A Feminist Theory of Women's Self-Representation (1994) and coeditor of Autobiography and Postmodernism (1994). She has published articles in Feminist Studies, Signs, Women's Studies Quarterly, and Biography, among others, and in numerous collections. She was Dorothy Cruickshank Backstrand Chair of Gender and Women's Studies at Scripps College, professor of English at the Ohio State University, and has held visiting appointments at Brown University, Harvard Divinity School, Northeastern University, the University of California, Santa Cruz, and the University of California, Berkeley.
Die verhaal van die kasarm en die Calitze kom tot 'n mooi einde
Ek kan nie ’n boek summier toemaak nadat die slotsin geskryf is nie. Ek lees álles, tot by die outeursnotas en die bronnelys (gewoonlik gooi ek darem net vlugtig ’n oog oor die bonne!). Chanette Paul maak in die nota oor Maanschijnbaai 2, die verdere verhaal van Nan en Jeannie, die stelling: “Lesers moet my asseblief vergewe dat my verbeelding altyd die oorhand oor die werklikheid kry en verdigsel voorkeur bo feite.” (p.635) Ek wil daarby aanhaak en bieg dat ’n uitstekende verhoudingsroman soos hierdie tydelik die oorhand gekry het oor my traagheid om te lees oor reïnkarnasie en die esoteriese. Die klomp Calitzse het my tyd en aandag totaal gekaap.
Die skrywer wy die laaste bladsye aan ’n verduideliking oor hoe die Maanschijnbaai-tweeluik ontstaan het. Sy beweer dat die Calitze haar “onkant” betrap het. Sy wou ’n romanse skryf maar uiteindelik was die karakters so kompleks dat dit op twee dik boeke en ’n intense familiedrama uitgeloop het.
Van die onderskeie karakters raak diep waarhede kwyt wat die moeite werd is om te onderstreep en te onthou, soos Zach wat dit gehad het oor die risiko om iemand op ’n pedestal te plaas omdat jy daardeur die persoon ’n onreg aandoen. (p.539) En Nan, wat die hele klomp Calitze moes grootkry, se wyse raad: “Met eerlikheid, Jeannie, kom ’n mens baie verder as met opoffering. Met eerlikheid gee jy almal ’n regverdige kans. Opoffering beteken bloot jy doen iets teen jou sin omdat jy glo dit sal ander baat.” (p.613)
Maak seker dat jy genoeg tyd op hande het, dan lees jy hierdie tweeluik in volgorde, Jo & Sue, gevolg deur Nan & Jeannie. Dit is hersien en met splinternuwe, pragtige baadjies uitgegee deur Lapa Uitgewers.
A very practical approach and the tools to go along with it
Very useful. The book provides a structure and an approach that I would have been useful earlier in my investing. I like the five gates and in particular the attention to quality and management's capital allocation decisions. I will also apply the idea of the stewardship log to get more explicit on my investment theses. This is kind of the practical aspect of what I learned from the Psychology of Money.
the title ties in really nicley the more towards the end but the title for the book suits it real...
the book is very slow burn and takes a while for like captivating parts of the book .but the middle to the end the pace of the book is really nice the beginning is just repetitive and and trust the processes
Skuld en vergifnis word nie versuiker in hierdie jeugverhaal nie
Twee halwes maak ’n hele is die wenner van ’n jeugboekprys. Ek moes myself gedurig herinner wat die teikenmark nou eintlik is, want die sake wat aangeraak word, is geensins beperk tot jeugdige lesers nie. Die sterk newe-karakters dra daartoe by die selfs baie ouer lesers goed aanklank kan vind by die storielyn wat ontvou.
“Hulle sê as jy iemand vergewe, lig jy ’n vrag van daardie persoon se skouers af. Maar miskien is sommige dinge net te swaar om van iemand anders se skouers te lig?” (p.178) Baie aandag word gegee aan skuld en vergifnis, maar geen suikeromhulde kitsoplossings word aangebied nie. Dit sou die storie beslis vervlak het.
Na die aardskuddende ontdekking wat Lira gemaak het, gaan sy vir drie maande na ’n Griekse eiland en maak sy kennis met haar ander helfte, ’n halfsuster wat presies die teenoorgestelde is van haar eie ingetoë, overthinking self. Ek het daarvan gehou dat hulle, die verskille ten spyt, nie in heftige konflik was nie. Eerder besig om algaande te ontdek dat hulle by mekaar kan aanpas en albei sterker daardeur kan kom.
Marita van der Vyver is ’n waardige wenner van die Tafelberg Jeugboekprys en hierdie boek hoort beslis in van der Vyver versamelings. Dit is uitgegee deur Tafelberg, ’n druknaam van Jonathan Ball Uitgewers.