Crooked, but Never Common

In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948—The Great McGinty, The Lady Eve, Sullivan’s Travels, The Palm Beach Story, and The Miracle of Morgan’s Creek among them—all from screenplays he alone had written. Cynical and sophisticated, romantic and sexually frank, crazily breakneck and endlessly witty, his movies continue to influence filmmakers and remain popular to this day. Yet despite this acclaim, Sturges’s achievements remain underappreciated: he is too often categorized as a dialogue writer and plot engineer more than a director, or belittled as an irresponsible spinner of laughs.In Crooked, but Never Common, Stuart Klawans combines a critic’s insight and a fan’s enthusiasm to offer deeper ways to think about and enjoy Sturges’s work. He provides an in-depth appreciation of all ten of the writer-director’s major movies, presenting Sturges as a filmmaker whose work balanced slapstick and social critique, American and European traditions, and cynicism and affection for his characters. Tugging at loose threads—discontinuities, puzzles, and allusions that have dangled in plain sight—and putting the films into a broader cultural context, Klawans reveals structures, motives, and meanings underlying the uproarious pleasures of Sturges’s movies. In this new light, Sturges emerges at last as one of the truly great filmmakers—and funnier than ever.

From one of our finest critics, an elegant and deftly argued contribution to our appreciation of the great and glorious Preston Sturges. Stuart Klawans teases out inspired connections in the culture surrounding the director—the books, paintings, and legends that fed the artistry of a man who refused to call himself an artist. The kind of book that makes you want to dive back into the films for fresh stimulation and delight., Stuart Klawans has extended and upended the field with takes that are as witty and audacious as his subject. One has only to read his wry unpacking of the contradictions in Sullivan’s Travels or his sympathetic dissections of my own favorites, The Lady Eve and Unfaithfully Yours. Klawans really knows these films, has a nuanced understanding of cinema in general, writes beautifully, and is the best, most trustworthy guide imaginable to the genius of Preston Sturges. A triumph., Stuart Klawans’s deep dive into the films of Preston Sturges is a gift for cinephiles. Whether providing context or close analysis, his tone is witty and accessible as well as erudite and profound., Nobody wrote better screenplays than Preston Sturges, whose dialogue remains among the most sparkling ever committed to the screen. Yet, until now, his achievements as a visual artist have been overlooked. Klawans’s wonderful new study has finally remedied that, demonstrating that Sturges was an artist as skilled with the camera as he was with a typewriter., [A] portrait of a director with a gift for character development and 'head-spinning dialogue executed at high speed' by an author with a keen critical eye and plenty of flair in his own writing. Film buffs will relish this.

Stuart Klawans was the longtime film critic for the Nation, for which he received a National Magazine Award. He is the author of Film Follies: The Cinema Out of Order (1999) and has contributed to the New York Times, the Times Literary Supplement, Film Comment, and Parnassus: Poetry in Review.